Delwen Jones, a pioneering female constable in early-Sixties Birmingham, finds herself assailed by literally ravishing erotic visions of past lives while on an undercover assignment. Worse yet, the visions all seem to feature prior versions of the very criminal she's pursuing in 1961.
A lonely and unsuccessful man finds a magical sabretooth fang. He quickly goes from meek and shy to charismatic and potently powerful, but the fang does have some drawbacks...
Duke Gerhardt had a problem - or, rather, the country he ruled had a problem - his solution was not politically correct, and shocked his advisers. If you're used to my writing, this one may shock you, too, so check the codes carefully. Some relate to later chapters. This is not romantic, though there is a little romance here or there.
Argos Flavius, master painter of panels in sexual pleasure chambers for elite ancient Greek men enjoying boys, is living temporarily in Rhodes to paint panels for the Baths of Dionysus, where he sees and is drawn to a fourteen-year-old blond Greek boy slave. He loses the connection but later sees the boy on a balcony of what must be a male brothel across the skyline of Rhodes from Argos's own balcony. Argos goes in pursuit of the boy, both to paint and to possess him.
Fourteen-year-old Brian, an adventurous member of a group of fourteen-year-old boys moving around to countries where fourteen is the age of consent and dancing the pole and servicing patrons in gay bars specializing in boys of that age, dances the pole in a Cape Verde gay bar and walks out into the night and into the arms of cruel, dominating ex-Marine stallion Butch.
Fritz, an American painter, banished to Vienna, Austria, by his fetish for fourteen-year-old boys, finds a fourteen-year-old angel in the Mozart Fountain.
The continuing cycle of fourteen-year-old boys and men in the business of photographing nude and sex scenes for various levels of publishing and special subscription audiences plays out in Europe in the first twenty years of the century.