Veen, the freelance pilot of a space freighter, finds his weakness of masculinity when amongst women is his saving grace when taken aboard the Atalanta; a ship run by a harshly matriarchal society. He finds that the mysteries of the planet Vulvador, somewhere he has been given good reason to avoid, will become his destiny. Should he manage to escape the attentions of both those on the Atalanta and Vulvador, a woman awaits him back on the planet he ventured from; intent on him keeping silent.
Creed's awkward bachelorhood is blissfully ended on encountering Ms Julia Mountford. Her association with one Ella Hempleton and the equally severe Agnes Fairchild, ensures the Victorian gentleman is immersed in a world of erotic depravity. What he suffers and witnesses, ensures his course in life is altered forever; what Julia and her friends require, is far more than emancipation,their goal is matriarchal supremacy, and what those women want, those women get - at the expense of masculinity.
Imagine a scientist who has created a drug that controls people completely, then imagine that he sells it to anyone? What could happen next. Please note this isn't a nice story. My apologies for Glockenspiel's accent!
Tony's parents have gone away for a 3-week holiday and left him in charge of himself and his little brother. He will take the opportunity to show his girlfriend a good time, and his favourite sex toy, that little twerp.
In the realm of rival queens, Claudette Vance, once a powerful ruler, finds herself facing the ultimate test of her pride and strength. After her kingdom falls to the cunning and sorcery of Menace, the enigmatic queen of Amara, Claudette's world crumbles around her. Menace, fueled by a burning desire for revenge and supremacy, hatches a plan that will not only solidify her dominance but also break Claudette's spirit.