She thought she could spot anyone wishing her harm, that she could easily identify him by appearance and mannerism. It's more comforting to presume evil people are obviously different and that you can identify them as soon as you meet. You don't assume a normal-looking, charming, and handsome individual could want to harm you. Sandy never dreamed a new client could be a wolf in sheep's clothing.
An ambitious woman from Poland tries to break into the sex, gangs and businesses of Serbia in Eastern Europe. She is taught hard lessons along the way by the men who use and abuse her. She is forced to serve them as their sex slave, but she wants more. She will do anything to get ahead and others know that.
Alma is always eager to please her Mistress. So it is when she is introduced to her newest responsibility, a visiting dominant who requires immediate attention.
Veen, the freelance pilot of a space freighter, finds his weakness of masculinity when amongst women is his saving grace when taken aboard the Atalanta; a ship run by a harshly matriarchal society. He finds that the mysteries of the planet Vulvador, somewhere he has been given good reason to avoid, will become his destiny. Should he manage to escape the attentions of both those on the Atalanta and Vulvador, a woman awaits him back on the planet he ventured from; intent on him keeping silent.
Creed's awkward bachelorhood is blissfully ended on encountering Ms Julia Mountford. Her association with one Ella Hempleton and the equally severe Agnes Fairchild, ensures the Victorian gentleman is immersed in a world of erotic depravity. What he suffers and witnesses, ensures his course in life is altered forever; what Julia and her friends require, is far more than emancipation,their goal is matriarchal supremacy, and what those women want, those women get - at the expense of masculinity.