Eddie Davidson: Blog

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Asking for a British Proofreader

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I've finished several stories and they are in the editing process (including Cum Dumpster). There are still quite a few chapters left to post.

I am working on a new story set in England. I've already written one that I researched heavily. "My Son's Dared Me".

I discovered that the British don't really eat lunch, and that their hot dogs come in packs of 10 instead of 8. It's cool details like that which makes a story set somewhere else fun.

I had the PERFECT proofreader for a time. He was a real gent. He had participated in nude bicycle rides in Britain, and I think I'll dedicate this story to him - without naming him to protect his privacy. I'll write an homage in the story to him in my own special way.

He told me not that long ago that the toxic people on this site had made it unfun and he was leaving. I really hated that, because I've felt that negativity as well.

I recently watched Lord of the Rings: Rings to Power and noticed how poorly the actors seem to perform the Irish accents for the Hobbits. One person called it "Famine Cosplay" - they play Irish stereotypes. It's fairly obvious that the writers and directors have no idea what Irish people really sound like.

I don't either. My influences are Benny Hill, The British Office, Doctor Who, Doctor at Large, Steptoe and Son, Monty Python and that British show "Dating Naked".

Many of my characters are what some would call Northie slags. "Oooh, Ahhhh, I got me titty caught in me knickers again, see if ya can pull it right out for me..."

"Mum, it's right disgusting when ye tuck your knee-shooters in your pants"

"Just give them a proper tug, you cheeky monkey!"

Sort of bawdy and vulgar - like a tavern slut that loves showing off her tits and laughs a lot. I love that kind of scenario but these are Southies from Kent and they are going to probably be much lighter on British slang.

What I am looking for is someone who is into my stories (and the themes, which includes bondage and humiliation). This one is going to be heavy on sex and fetish. Ideally, they are British or have lived over there and patient enough to read rough drafts and give feedback.

I am not asking you to check every little punctuation, although grammar help is useful too. I wouldn't turn that down (EVER).

What I just need is a patient person, who wants to help me produce the best story possible, that is an expert in British culture to fact check me and ensure the story would not insult British people.

Ideally, we'd use the email system provided by SOL, I'd send you an advanced draft, and you send me back the lines you'd replace.

Example:

"Are you stupid?"

Suggest

"Are you daft?"

Thank you in advance. If you are curious about the story:

I call it Glutton for Punishment.

Sophie Walsh is on holiday with her family. She gets off on punishment so much that she kept acting out to get it. She was going to a neighbor's who tied her up and disciplined her.

When the family discovered, rather than be upset they accepted her. they found loving discipline helped Sophie in many ways, and she became a model student. The Mum was never a dominant and has always been a bit of a free thinker and she came to submit shortly after, for very different reasons - she simply likes to submit/is a natural submissive but she didn't realize it.

My inspiration for her is this article:

https://www.dailystar.co.uk/love-sex/mum-gets-ruler-tattooed-arm-26125479

and this article:

There is another British Mum, that I remember seeing, I think her name was Dawn and her daughter was Sophie. They lived in the north and the article was "Britain's Worst Mum" and it was simply that Dawn encouraged her daughter to be a "chav" and dress slutty instead of slut shaming her. I can't remember their names exactly, but she was from the north. As I recall, Dawn had a boyfriend who liked to wear pantyhose. (if you know who this is/have the article, be a saint and send it to me please).

The entire holiday in Brighton was paid for by her income as a full time sex worker.

Cum Dumpster: Mom has an Only Fans and Hurricane Ian

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if you've been following, the story has hit an arc and it is about at the midway 'half' point. I am curious is this holding your interest? is it exciting? are you tuning it to see what is going on next?

Hurricane Ian has also inspired me to consider a story.

Imagine a BDSM-friendly family that lives in a place like Sunny Manor (HOA story), a kink-friendly clothing optional community.

The Hurricane is coming through and knocks out power, tears off the roof.

The sewer backs up, the girls have to go wash their clothes out in the street because the watermains are busted inside/no water pressure. Tits flapping in the muggy Florida heat. No air-conditioning or wi-fi, there isn't much to do except for fuck and play with themselves after draining the men of the family of their cockjuice.

Food is scarce, so cum is a commodity to be shared between the girls. A source of protein and more valued than bottled water in the community.

At night, the power is out and there are no lights. Candles are lit and stuffed up their asses as they walk the yard removing branches with leashes around their necks.

Has anyone considered a story about a BDSM family dealing with a natural disaster? that might be fun.

Comments Off

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I thrive on interacting with my readers.

I especially love the idea of writing a story with a partner where we take turns and they write the next chapter and that way I do not know where the story is really going to go.

However, I made the decision this weekend to turn off comments to all of my stories. I love having a forum where constructive feedback can be provided.

I reached a point where "Story codes? never heard of them" guy just got under my skin.

A reader left a passive aggressive comment of how much he wanted my story to be a romance.

Keep in mind, the story codes aren't about romance. They clearly say things like bondage, humiliation, incest, prostitution.

I tried ridicule as a form of response, and that doesn't stop the avalanche.

Turning off comments doesn't mean you can't provide feedback. It just means you have to send it to me directly instead of attached to my stories.

I solved one problem, if only there was a way to stop the the one-bombers who create multi-accounts to downvote stories in genres that they do not like. There is definitely a toxic subculture of trolls who identify authors that they are going to relentlessly downvote.

They aren't reviewing the story fairly. They are simply seeing "Femdom? downvote". Which makes the voting process skewed and somewhat pointless as a metric.

The only solution I can come up with is "ignore the vote score" - but try as I might, I still check it.

In other news: I am considering writing a Halloween story. It will be about a Goth girl with pumpkin sized titties. I just don't know what the plot is yet. I have a few ideas.

People have done the naked trick or treating trope plenty of times in stories, but it is still fun to do.

Word of Advice: Do not suck your own dick

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If you are limber enough and have the time, you may think "Hey, this is going to feel like someone is sucking MY dick."

But, it's actually going to feel like you are sucking a dick.

Follow me for more practical advice.

Are stories about the journey or the destination?

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I have a dear friend who is an inspiration to my writing on here. I doubt I would have continued writing if not for his encouragement and feedback.

He is one of the best authors I've ever read on here, and yet he doesn't post much. Mike McGifford. I've been a writing partner on some of his stories and published a few. I have one of his amazing stories to publish/polish for him after I finish up with my current stories.

He gave me feedback on "Dare Devil Mom" (and all of my stories) and it is really food for thought.

He's only up to chapter four of DDM and the story is about to take a left turn. I usually tease and establish characters in the first few chapters of every story I write.

In Dare Devil Mom, I wrote an unusual main character for me. She is selfless, patient, energetic and she loves and owns her own sexuality. She knows what she likes and she isn't ashamed of it.

She isn't a saint and she has her foibles and insecurities. Her constant need to augment the size of her tits (and she bleaches her hair) is probably on some level a great example.

His first comment is that the kids remind him why he hates kids - always bickering and complaining. That was intentional. I wanted to establish that Tracy's four kids while they get along at times - they also don't and there is some chaos around the house.

When the left turn hits, and she gives them something to bond over it is all going to make a lot of sense.

However, he started talking about the point of the story. What is the goal of the characters?

If you look at many of my stories, they don't have a goal or they start out with one and they don't end up with that goal by the end.

A classic example is Road to Redemption. The Main character feels she is such a nasty contemptible bitch that she wants to be kept under discipline to prevent her from behaving badly. Whether she gets what she asked for or not was never the point of the story. The point was the journey of discovery of whether she wanted it or not.

Another reader wrote to me recently with a fantastic idea. One of my most popular stories is "Do you have a Big Dick, why not?"

This is a direct quote a woman once asked me. She was an aged stripper that was a lot like Betty in the story.

She was basically asking if you don't have coke or money then you better have a big dick, or else why am I talking to you?

In her world, if men wanted her time they had to do something for her. I wrote a story ostensibly about this woman as a mother with two daughters she raised. She was no longer a stripper - she made more money doing webcam stuff with her daughter.

I am not giving anything away by saying that the start of the story is that the story is about a shy boy that has a crush on one of her daughters. He thinks she is shy just like him (and she is at school) but when he comes to her house his life changes forever.

The reader suggested that I write four years in the future where things went.

He said a lot can happen in four years. Think of Germany before WWII and after. This would be a story about AFTER the journey - where did they all end up?

What happened to Justin's little brother and sister who were sort of background characters, now that they are teenagers.

That intrigues me! There is so much that could have happened in four years - but still I am not as interested in what their goal is, as I am in their journey and how along the way - they even change the destination or don't care about getting there any longer..

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