Miss Scarlett is the mistress of the Oglethorpe Plantation. The Civil War is drawing to a close. Raw passions and unfettered lust consume sexually deprived Confederate females. They are prisoners in their own land with a shocking lack of male company to tend their sexual needs. Miss Scarlett is determined to do anything it takes to save her beloved plantation and her disappearing way of life. Rufus the head field hand has ample outlets for his virile stamina and he performs so very well.
Harry was pleased with the experiment because of the perks of stealing favors from unsuspecting females in all types of situations. He meets a pretty policewoman who finds his naked appearance much to her liking. Harry likes everything about her except her handcuffs which she wields with plenty of skill.
A married couple can't have babies and want to try IVF. But they can't afford it, so the husband steals money from his company. He is caught, and his boss offers not to prosecute if he signs his wife over to him for a very personal form of fertilisation, which the husband has to attend. But the company wants others to assist with making Linda's baby.
Ruthie Wilson gets a call from what seems like the neighborhood window peeker. Is his call for real or is this the beginning of one of the strangest romances ever?
Mary is ready to start working and she answers an ad for employment. Soon she is caught up in a web of erotic and perverted actions that never seemed possible to her before. She wants to be successful in the business world and is ready to do almost anything to rise to the top.
This story is a 12 chapter story that narrates the "Looters" Point of View in the original core story of "Rule Number One is to Survive" This block is far more erotic than the original story narrative so all readers should be warned about the scenario. The characters are almost all new and only a few crossover interactions will be present. The same will be true with the final 12 chapter block that looks at the scenario from the Military or Government forces Point of View.