Two young adventurous couples engage in some innocent afternoon summer fun. During a little game of 'keep away' things get drastically out of hand. By the time the little game is over, they have found a whole new way to entertain themselves.
Imagine a scientist who has created a drug that controls people completely, then imagine that he sells it to anyone? What could happen next. Please note this isn't a nice story. My apologies for Glockenspiel's accent!
Christa would normally get a spanking for mouthing-off, but a spanking would be much too loud at the in-laws' house! She doesn't expect -- and tries to protest -- the ass-fucking she gets instead, but there's no escape from this punishment.
Veen, the freelance pilot of a space freighter, finds his weakness of masculinity when amongst women is his saving grace when taken aboard the Atalanta; a ship run by a harshly matriarchal society. He finds that the mysteries of the planet Vulvador, somewhere he has been given good reason to avoid, will become his destiny. Should he manage to escape the attentions of both those on the Atalanta and Vulvador, a woman awaits him back on the planet he ventured from; intent on him keeping silent.
Creed's awkward bachelorhood is blissfully ended on encountering Ms Julia Mountford. Her association with one Ella Hempleton and the equally severe Agnes Fairchild, ensures the Victorian gentleman is immersed in a world of erotic depravity. What he suffers and witnesses, ensures his course in life is altered forever; what Julia and her friends require, is far more than emancipation,their goal is matriarchal supremacy, and what those women want, those women get - at the expense of masculinity.