Historical Stories

A Pathways to Submission Story (1)
A series of 1,000-word vignettes featuring scenes set at different times and places, which have the common link of a naturally submissive young woman falling under the thrall of a dominant woman. Some of the vignettes have been expanded into full stories in the series.

The continuing cycle of fourteen-year-old boys and men in the business of photographing nude and sex scenes for various levels of publishing and special subscription audiences plays out in Europe in the first twenty years of the century.

Times are a changing. With the recent 1978 Equal Opportunities Act in Victoria, there are now even more policewomen attached to Senior Sergeant 'Wild Bill' O'Donoghue's 'Uniform Branch' - Sergeant Tess Gallagher and 'Trainee' Constable Susie Raynor now joining the select cadre of local policewomen. And then, there's 'Charlotte the Harlot' and the girls at the Sunbury 'Halfway House' to deal with too! A follow on from Kelly Maree O'Rourke and Joanna Louise Parrish...

A Rachael of Emarukistan Story (3)
Rachael's slave training business is doing well. She agrees to train a young female slave on behalf of the Grey Monks, a quasi-religious order with an unsavoury reputation. When Rachael gets to know her trainee's background she is unwillingly drawn into the murky politics of the Grey Monks. A betrayal puts Rachael's own freedom from slavery at risk.

"History is more or less bunk." Henry Ford
"Well this history isn't." Holly Rennick
"Those who don't remember the past are condemned to repeat it." George Santayana
"But could we give this one another run-through?" Cindi Barton

A very short story with no sex. Carol is a woman who catches her husband cheating and devises a plan to end their marriage. As things sometimes happen, plans go awry and in the end everything works out for Carol.

At the Rowanberry Wifely School for Girls, bedroom activities is one of the major lessons. A classroom of girls are taught the motions of sex through a live display. Afterwards, one of the girls gets some private time with the instructor in his suite.

Argos Flavius, master painter of panels in sexual pleasure chambers for elite ancient Greek men enjoying boys, is living temporarily in Rhodes to paint panels for the Baths of Dionysus, where he sees and is drawn to a fourteen-year-old blond Greek boy slave. He loses the connection but later sees the boy on a balcony of what must be a male brothel across the skyline of Rhodes from Argos's own balcony. Argos goes in pursuit of the boy, both to paint and to possess him.