Before the silence, there were voices. Before the voices, there was pain. Before the pain, there was a fall — sudden, cruel, and irreversible. Stella could not have known then how her world would change, how her mind would stretch into places it had never belonged.
After perishing in a tragic pileup, Mako Tachibana finds herself reborn as Aeta Von Siemils, a spirited Faun in the enchanting realm of Nirvalis. Embarking on a magical journey, Aeta discovers her newfound powers, forges unexpected alliances, and confronts ancient evils. As she navigates the whimsical landscapes and faces perilous challenges, Aeta unravels the mysteries of her past and embraces her destiny in this captivating tale of rebirth, courage, and mystical adventure.
Linda can see ghosts! She can also have sex with them! When she makes them orgasm, they go on to the other side. Here Linda's version of what is going on in part four of this continuing series.
It has been three years since Ginny B’s awful tragedy and death. James Mercer has moved on and was now married. He is a well respected university professor at a large university in Chicago, as well as a successful entrepreneur. Then one fateful day, his pal FBI special agent Lawrence Foster appears in his office with two government clandestine agency types. They make him an offer he can’t refuse.
A Linkage Story The Waiter's Tale sheds light on the life of the Chevalier and introduces characters pivotal to the story arc(!). The story contains a lot of travel and fornication, although much of the latter is noises off so to speak. There are also gobbets of history, music, and film talk. Threading through the tale is what could be considered a coming of age story. Judge for yourselves, although the first two stories in the Linkage series (both very short) will need to be read to make sense of this story.
This story is inspired by the portrait of Caroline Rémy de Guebhard. Caroline was a French Journalist with anarchist, socialist, communist and feminist views, best known under the pen name Séverine. It was painted by Amélie Beaury-Saurel in 1893 and it's a fictitious story of how the two women had interacted while the artist was painting the portrait.