Eom Bk 2: Favored and Forgotten
Copyright© 2026 by Carlos Santiago
Cast
Mythology Sex Story: Cast - With humanity rising and Prometheus bound in endless torment, Zeus entrusts Apollo, Hermes, and Athena to guide mortals while he indulges himself. Over centuries, the gods grow more fascinated with humanity. Ixion is welcomed on Olympus while Demeter fears for Persephone. Meanwhile, Zeus and Hera’s quiet personal struggles threatens to reshape Olympus, the Underworld, and the fate of gods and mortals alike.
Caution: This Mythology Sex Story contains strong sexual content, including Ma/Fa Coercion Consensual NonConsensual Reluctant Heterosexual Fiction High Fantasy Science Fiction Paranormal Cheating BTB Cream Pie First Pregnancy Big Breasts Small Breasts Geeks Politics Royalty Transformation Violence
The Cast:
Amphitrite/Amphitríté (am-fah-TRY-tay): Wife of Poseidon. Daughter of Oceanus and Tethys. Former Princess of the Sea; current Queen of the Sea and ambassador of Poseidonus to Olympus.
Aphrodite/Aphrŏdítē (ah-fro-DYE-tee): Goddess of Love, Lust, and Desire. Created from the sperm and seafoam of Ouranos’ castrated penis and testicles. One of the Olympians. Lover to many, partnered mostly with Ares. Currently married to Hephaestus.
Ares/Árēs (AIR-eez): God of war and violent conflict. Son of Zeus and Hera. One of the Olympians.
Athena/Athḗna (ah-THEE-nah): Goddess of wisdom, strategy, and disciplined war. Daughter of Zeus and the deceased Titaness Metis. Burst free from Zeus’ mind. One of the Olympians.
Bia/Bía (BEE-uh): Winged goddess of force. Daughter of Pallas and Styx. Sister of Cratus and Nike. Participated in the punishment and removal of Atlas.
Cratus/Crátus (KRAY-tus) AKA Kratos: God of strength and enforcer of Zeus’ will. Son of Pallas and Styx. Brother of Nike, Bia, and Zelus. Led the violent apprehension of Prometheus and carried out Zeus’ judgment without hesitation.
Demeter/Dēmḗtēr (dee-MEE-ter): Goddess of agriculture, harvest, and the natural cycles of the mortal world. Daughter of Cronos and Rhea. Mother of Persephone. Deeply distrustful of Olympus and its politics because of the backstabbing and betrayal of Zeus and Rhea. One of the Olympians.
Elysia/Elysía (eh-LEE-shee-uh): A proto-human woman of the mortal world. Her name means “Struck by Lightning.” She was the first mortal woman to have a love affair with Zeus, but certainly not the last.
Epimetheus/Epimētheús (eh-pah-mih-THEE-us): Lesser Titan of afterthought and hindsight. Brother of Prometheus. Co-creator of animals and co-designer of Humanity.
Hades/Hādēs (HAY-deez): King of the Underworld. Eldest son of Cronos and Rhea. Brother of Zeus. Wielder of a Bident, Hooks of Hades (Ádis Kroustália), and the Helm of Invisibility. Brother of Zeus and Poseidon. Former lover of Hera.
Hephaestus/Hēphaístus (huh-FES-toos): God of the forge, fire, and craftsmanship. Son of Hera. Trained by the Cyclopes and Hecatoncheires. One of the Olympians. Husband of Aphrodite through an arranged marriage orchestrated by Hera.
Hera/Hēra (HAIR-uh): Queen of Mount Olympus and goddess of sovereignty, marriage, and magic. Youngest daughter of Cronos and Rhea. Sister and wife to Zeus. Former Archer and Mage of Olympus. Former lover of Hades. One of the Olympians.
Hermes/Hērmēs (HER-meez): Messenger of the gods. Son of Zeus and Maia. Fleet-footed and quick, he is proud to have saved his father from the monster Typhon. One of the Olympians
Nike/Níkē (NYE-kee): Winged goddess of victory. Daughter of Pallas and Styx. Sister to Cratus, Bia, and Zelus. Assisted in enforcing Zeus’ rule.
Nyx/Nýx (NIKS): Primordial of the Night and daughter of Chaos. In the absence of anyone in the Underworld, she once ruled the realm. Mother of various Chthonic deities including Hypnos (Sleep) and Thanatos (Death). Mother of the Moirai. Chief advisor to Hades, using her experience when she ruled the Realm. Current lover to Hades.
Pandora/Pan-DOR-uh (Pan-DOR-uh): The first mortal woman. Brought to life when Zeus’ divine breath touched the clay doll in the mortal Realm.
Persephone/Persĕphṓnē (Per-SEF-oh-nee): Daughter of Demeter and Zeus. A young goddess of spring and renewal. Though thousands of years old, she appears as a maiden in her mid-twenties.
Prometheus/Promētheús (Pro-mih-THEE-us): Lesser Titan of intelligence and forethought: Son of Iapetus and Clymene. Brother of Atlas, Epimetheus, and Menoetius. Co-creator of many animals within the land of Greece. He has been imprisoned on a mountain to have his liver eaten by an eagle everyday for the crime of giving humanity fire.
Protos/Prôtos (PROH-tohs): The first demigod. Son of Zeus and the mortal woman Elysía. His name means “The First.”
Semele/Semélē (SEM-uh-lee): Descendent of Elysía by way of Prôtos.
The Moirai/Moîrai (MOY-rye) AKA The Fates: Clothos/Clōthōs (KLAW-thohs), Lachesis/Láchesis (LATCH-ee-sis), and Atropos/Átropos (AH-troh-pos). Daughters of Erebus and Nyx. Weavers of destiny. Though once certain of the future, even they were unsettled by the emergence of mortal choice and the erasure of certain destinies from their sight.
Zelus/Zelus (ZEE-luss): Winged god of zeal. Son of Pallas and Styx. Brother of Cratus, Nike, and Bia. A loyal servant of Zeus.
Zeus/Zeús (ZOOSS): King of Mount Olympus and god of the sky, storms, and law. Youngest son of Cronos and Rhea. Wielder of the Lightning Bolt and the Golden Fist (Chrysópigi Zefs). Brother of Poseidon and Hades. Vanquisher of Typhon, survivor of The Coup.
Prologue: Watchers of Man
“Many, many years ago/
Way back in history/
People in the land of Greece/
created Greek mythology/
They believed the world was ruled/
by gods and goddesses too!”
— “Greek Mythology,” opening song in Hercules (1995), a Jetlag Productions / GoodTimes Entertainment direct-to-video animated film released through GoodTimes Home Video. The film appears in company credits under Cayre Brothers and GoodTimes Entertainment. © 1995 Jetlag Productions / GoodTimes Entertainment. All rights reserved.
Zeus returned to Olympus without any fanfare or change of the weather.
The norm was for thunder or lightning to herald him, but recent events made secrecy necessary; both his newborn son (Prôtos) and the treacherous behavior of Prometheus warranted a need for stealth from the King of Olympus.
Below him and his palace, Olympus moved as it always had; though, a subtle shift had occurred. While he could not quantify or communicate this alteration, he knew it to be authentic to reality.
The wedding of Hephaestus and Aphrodite had concluded. A lot of good that arrangement was. Zeus knew well enough that his warring son of Ares would lose the affections of the love goddess to Hera’s broken ... thing.
Although, truth be told, Zeus had found uses for Hephaestus. He made treasures and armaments equal to that of the Cyclopes and Hecatoncheires; however, Hephaestus never had an equal to Zeus’ Master Bolt, which Zeus found to be nearly peerless. Hephaestus had made Zeus a container and random thunderbolts to fill the thing with.
Zeus might have shrugged at the thought of his foster son, but amidst the fading echo of laughter and murmurs, Zeus’ mind was already on the complexities that other could not see, or chose to ignore.
Elsewhere, Prometheus suffered as he should, but there was a confidence in that fire titan that gave the youngest son of Cronos pause. Often, Zeus leaned on Prometheus because the son of Iapetus was capable of planning for possibilities that became potentialities, which could become reality.
In recent times, Zeus was starting to suspect that Prometheus could do more than plan for the future. Zeus worried that the lesser titan was capable of actually seeing the future, or (at the very least) he was functionally effective enough to glimpse at prospective futures.
While the King of Olympus could not be sure which possibility was true, he was aware enough of his circumstances to know that he needed to plan ahead.
His palace was nearly silent for him.
“Send for Hermes, Apollo, and Athena,” he said to what appeared to be no one.
“At once,” came the voice of Cratus.
There was a good and obedient servant. At times, Cratus’ devotion borders on that of being a sycophant, but at moments such as these, Zeus preferred that sort of behavior to that of intransigence or disobedience.
His children came quickly enough.
The wedding was winding down, as Zeus had noted earlier, so there would be very few legitimate reasons for them to tarry.
Athena entered first, as was her nature. She never rushed herself or moved in haste, but she had an exactitude which forced her to move efficiently. This was part of her very nature, as was the measuredness of her steps as she walked. Athena possessed a gait in her movements that warned (any who had the intelligent eye to notice) that she was a warrior through and through.
If the posture of her canter was not warning enough, her gaze was capable of searching while seeming distant and all the while calculating her circumstance.
None of the details, such as her long white-blonde hair or piercing gray eyes or the fact that she wore some of her armor even at a gathering, particularly mattered to Zeus, for those were just details to who she was. Those were accessories that accented the identity that he knew his daughter had, but they were not fundamental to her the core of what this child of his was.
She inclined her head in recognition of Zeus.
Hermes came next quickly enough as Apollo sauntered in.
Now, those were two children who were all of the trinkets and baubles that they coated themselves in.
The winged sandals on Hermes’ feet and the bright yellow, gold, and white flowing toga of Apollo did not amplify what they were; these were foundational to who they were.
Only Athena was his worthy child because she needed nothing to announce who she was; she did this all on her own.
Regardless, the latter two were scarcely late with their presence despite the beating Zeus once gave Apollo. Leto was useful in that way. Her body had amplified the shining radiance that was within Zeus and transferred that luminosity to their son.
They stood before the Sky Father.
Three figures of Zeus’ line, made up of a potent mixture of power, promise, and possibility.
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