Masters of Miraflores
Copyright© 2026 by Megumi Kashuahara
Chapter 5: The Request
Historical Sex Story: Chapter 5: The Request - 1880 Philippines. Mia, a merchant's daughter, marries into a brutal plantation dynasty. Alana, an Indio concubine, is given to her husband as property. Expected to be rivals, they choose alliance instead—then love. When violence destroys the patriarchs who owned them, these two women seize an empire through strategy, not rebellion. Pregnant and widowed, they negotiate a hostile takeover that leaves them controlling everything: the land, the shipping, the future. Lock, stock, and barrel
Caution: This Historical Sex Story contains strong sexual content, including Ma/Fa Ma/ft Reluctant Romantic Lesbian Heterosexual Historical Cheating Polygamy/Polyamory Oriental Female Hispanic Male Anal Sex First Oral Sex Petting AI Generated
Three weeks had passed since the wedding. The household had settled into rhythms that felt almost natural—breakfast with Don Rodrigo’s watchful silence, Mateo’s days in the fields, Mia’s management of the house, Alana’s hours bent over ledgers in the cottage.
And the nights.
Some nights Mateo came to Mia. Some nights he went to Alana.
So far, the pattern had been simple enough that no words were needed. But that was about to change.
It was late afternoon when Alana found Mia in the conservatory, reviewing correspondence from her father’s shipping office. The light through the capiz shells turned everything amber and gold.
Alana paused in the doorway, hands clasped in front of her. Mia looked up from the papers, immediately reading the tension in Alana’s posture.
“What is it?” Mia asked, setting down her pen.
Alana stepped inside, closing the door behind her. She kept her voice low, though they were alone.
“He asked for me tonight,” Alana said quietly. “After dinner. He wants me to wait for him in the cottage.”
The words hung in the air between them.
This was the first time Alana had told her beforehand. The first real test of their agreement.
Mia felt something twist in her chest—not quite pain, not quite jealousy, but something close to both. She set the papers aside carefully, buying herself a moment to steady her voice.
“Thank you for telling me,” she said.
Alana’s eyes searched her face. “Are you all right?”
“I don’t know yet.” Mia’s honesty surprised even herself. “Ask me tomorrow.”
“I can tell him I’m not well,” Alana offered. “That I have a headache, that—”
“No.” Mia stood, crossed to where Alana stood. “No, that’s not the agreement. You tell me, not to ask permission. Just to tell me. So I know.”
“But if it hurts you—”
“It will hurt more if I’m left wondering. If I wake alone and don’t know where he is. If I see you the next day and have to pretend I don’t know.” Mia reached out, took Alana’s hand. “This way, at least the pain is honest.”
Alana’s fingers tightened around hers. “I wish it didn’t have to hurt at all.”
“So do I.” Mia managed a small, wry smile. “But we’re not living in that world. We’re living in this one. And in this one, you just kept your promise to me.”
Alana looked down at their joined hands. “He’ll be urgent tonight. He always is when he’s been in the fields all day, working hard. It won’t last long.”
“You don’t have to—”
“I want you to know,” Alana interrupted softly. “It won’t be like when he’s with you. When he comes to me, it’s ... quick. Efficient. He gets what he needs and then he sleeps. Sometimes he’s gone before dawn.”
Mia absorbed this, the image of it forming unwanted in her mind. Mateo in the cottage. Alana beneath him or kneeling before him. His breathing rough and urgent. The sounds he made.
She pushed the images away.
“Will you come back here after?” Mia asked. “To your room here, I mean. Or will you stay in the cottage?”
“I don’t know. He usually falls asleep after. Sometimes I slip away, sometimes I stay.” Alana paused. “Which would you prefer?”
Mia thought about it. About waking alone in the big bed knowing Mateo was in the cottage with Alana. About waiting to see if Alana returned, listening for footsteps in the hall.
“Come back,” she said. “If you can. Even if it’s late. I’ll leave my door unlocked. You can ... you can sleep in the sitting room if you don’t want to wake me. But come back here. To the house.”
“Why?”
Mia wasn’t entirely sure herself. But she tried to articulate it.
“Because this is your home too. Not just the cottage. And because...” She paused. “Because I want to know you’re safe. That you’re here. Even if we’re in different rooms, at least we’re under the same roof.”
Alana’s eyes softened. “Then I’ll come back. I promise.”
They stood there a moment longer, hands clasped, the afternoon light fading around them.
“I should go prepare,” Alana said finally. “He’ll expect me bathed and ready when he arrives.”
“Alana—”
“Yes?”
Mia wasn’t sure what she wanted to say. Thank you? I’m sorry? I hate this? I’m grateful you told me?
All of it. None of it.
“Be safe,” she said instead.
Alana smiled sadly. “Always.”
Scene 2: The Long Evening
Dinner was torture.
Mia sat across from Mateo at the long table, Don Rodrigo at the head, going through the motions of proper family dining. She pushed food around her plate, barely tasting anything.
Mateo seemed distracted, energized. He talked about the fields, about the cane growth, about plans for the next planting. His eyes occasionally flicked to Alana as she served, and Mia saw the anticipation there. The hunger.
He wanted her tonight. Had asked for her. And Alana had said yes.
Because what choice did she have?
Mia felt her appetite dissolve completely.
When dinner finally ended, Mateo stood, stretched. “I’ll be in the cottage tonight,” he said casually to no one in particular. “Going over some of the older ledgers with Alana. Don’t wait up.”
It was the polite fiction. Everyone knew what “going over ledgers” meant.
Don Rodrigo grunted, already heading to his study with his evening brandy.
Mateo’s hand brushed Mia’s shoulder as he passed. “Sleep well, wife.”
Then he was gone.
Mia sat alone at the table, listening to his footsteps fade down the corridor, out into the courtyard, toward the cottage.
Alana appeared from the kitchen, began clearing plates. Their eyes met briefly.
“I’m going now,” Alana whispered.
Mia nodded, not trusting her voice.
Alana left through the kitchen door.
And Mia was alone.
She tried to read. Couldn’t focus.
Tried to review shipping contracts. The numbers swam.
Tried to write letters. Stared at blank paper.
Finally, she went to her bedroom. The big bed seemed enormous, empty. She could see the cottage from her window—light glowing warm in the darkness, capiz shell windows showing movement inside.
She forced herself to look away.
She undressed, put on her nightgown, braided her hair. All the small rituals of bedtime, moving through them mechanically.
Then she lay in bed, staring at the ceiling, and tried very hard not to think about what was happening in the cottage.
Time moved like honey. Thick. Slow. Suffocating.
She heard the house settling around her. Servants finishing their work. Don Rodrigo’s heavy tread going to his chambers. The distant sounds of night—crickets, wind in the cane, a dog barking somewhere far off.
She didn’t hear what she was listening for: footsteps returning from the cottage.
The clock struck ten. Eleven. Midnight.
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