Tab Seven "a Wanting Series Story
by Wesley Doyle
Copyright© 2026 by Wesley Doyle
Romance Sex Story: Cora inherited exactly one thing from her mother: a flat voice that delivers devastating news without a flicker. So when Ellen turns up with one of the scattered candles on her mantel, Cora knows lying to her is hopeless — and that her mother has already clocked that her daughters are hiding something. She races across town braced for catastrophe, only to walk into Ellen's kitchen and find her mother and a nine-hundred-year-old incubus sharing the good teacups.
Caution: This Romance Sex Story contains strong sexual content, including Ma/Fa Consensual Paranormal Demons .
The thing about my mother is that she has a flat voice too.
I want that on the record before any of this starts, because for six weeks I have been telling myself I got the dryness from nowhere, that it’s a thing I built, load bearing, mine. It isn’t. It’s inherited. Ellen Delaney has been delivering devastating information in a completely level tone since 1974, and both her daughters came out of her with one of the two available settings — Margot got the weather, and I got the barometer.
So when Margot says, at 6:40 in the morning, over the phone, “I’ll just call Mom and ask for it back,” what I say is:
“Absolutely not.”
“Cora—”
“Margot, listen to me. If you call Mom at seven in the morning and ask for a candle back, what does she hear?”
“She hears her daughter asking for—”
“She hears a lie.” I’m pacing the kitchen in a t-shirt, and Ash is watching me from the counter with a cup of coffee and the expression of a man at a very good play. “She hears her forty-one-year-old daughter making a special trip for a nine-dollar candle. And then she’ll say of course, sweetheart, and she’ll hand it over, and then she will spend the next four days working out what it is we don’t want her to have.”
“You’re being paranoid.”
“I’m being her.”
“Okay, well, I’m going anyway,” says Margot, “because I made the thing, and I’m not going to sit here while Mom has a doorbell on her mantel.”
She hangs up.
“That went well,” Ash says.
“That’s going to be a catastrophe.”
“Mm.” He turns his cup around. “For what it’s worth, I agree with you.”
“Which part?”
“The part where the two of you drive out there and lie to a woman who raised you both,” he says. “It’s a good plan for a candle. It’s a very poor plan for a mother.”
✦ ✦ ✦
Here’s what I know about the schedule, and I want it laid out plainly, because it’s now a thing I live inside.
He gets called about twice a week.
Since the new arrangement he wakes me every time — a hand on my shoulder, my name once, that emptied-out look coming on him like a tide going out. Sometimes it’s twenty minutes. Once it was four hours and he came back gray and wouldn’t talk about it until the next afternoon and then did.
So I’ve started sleeping lighter and I’ve stopped pretending I’m not. And on Monday morning, standing in my kitchen with a phone in my hand, what I’m thinking about isn’t the candle in my mother’s house.
It’s the fact that my mother’s house is forty minutes away, and if she lights it, I can’t get there first.
✦ ✦ ✦
Margot’s report, delivered by voice memo at 2:14 that afternoon, in the tone of a woman who has been in a car for a while:
“Okay. It’s fine. It’s fine. I said I wanted it back because I’d used the wrong wax lot and there was a recall — which is true, Cora, there’s a recall on the 2023 lot, I have documentation—”
“That’s four batches ago,” I say to my phone, uselessly, because it’s a voice memo.
“—and she said, and I quote, ‘Which candle.’ And I said the one in the organza bag, and she said, ‘Margot, you have given me nine candles.’”
I put my forehead against the refrigerator.
“So I had to go through and look at all nine,” Margot says. “In front of her. And she watched me do it. She watched me, Cora, she stood in the doorway with a dish towel and she did not say one single word for four minutes, and then when I found it she said, ‘That one,’ and I said yes, and she said —”
A long pause. Traffic sounds.
“She said, ‘Is your sister all right?’”
✦ ✦ ✦
At 6:50 that evening, we’re on the couch. There’s a bowl of something on the coffee table. The television is on. This is a completely ordinary Monday and I want it noted that we had earned it.
Ash stops mid-sentence.
I’m already moving before his face finishes changing. I’m on my feet with my keys in my hand, and he catches my wrist — gently, the last human thing he does before the rest goes — and says:
“It’s your mother’s house.”
“I know.”
“Cora, I don’t get to—”
“I know.” I’m shoving my feet into shoes. “Go. I’m forty minutes behind you.”
He’s gone before I get the door open.
✦ ✦ ✦
Forty minutes is a long time.
It’s long enough to run the entire catastrophe in your head twice. Not the demon part; I’d stopped being frightened of the demon part somewhere around week two. What I ran, on Interstate 205, at nine miles an hour over, was the other thing.
My mother watched me disappear for a year.
That’s the part nobody in my family has said out loud. I dated Daniel for fourteen months and I got quieter every one of them, and at some point in the middle of it I stopped telling my mother things, because everything I told her came back to me later in Daniel’s mouth, reframed, gently, as evidence that I was too close with my family. And Ellen Delaney watched all of that happen in her flat voice and never once said he’s making you small, because she is a woman who does not interfere, and because I would have defended him, and she knew I would have defended him.
So she waited. She waited fourteen months and then a breakup and then six more weeks, and in those six weeks I have called her four times, and every time she has said and how are you, and every time I have said good, busy, and gotten off the phone.
And now she’s got a demon in her living room.
I made the turn onto her street doing something I would not like to put in writing.
✦ ✦ ✦
The porch light is on. The front door is unlocked, which it always is, which has been a running argument in our family for eleven years.
I come through it at speed and stop dead in the entryway, because what I am looking at is this:
My mother is in her armchair with her feet up on the ottoman. Ash is on the sofa across from her with his ankle on his knee. There is a teapot between them, and the good cups, the ones that come out for the priest and for my aunt Deb.
They are laughing.
“There she is,” says my mother.
“Mom—”
“Sit down, Cora, you’re vibrating.”
“Mom, I need you to listen to me, that man is—”
“He’s told me what he is,” Ellen says. “He told me in the first ten minutes, which I appreciated, because your sister has been lying to me since Saturday and it’s been extremely tiring.”
I look at Ash. Ash looks back at me with an expression I have never once seen on him, which takes me a second to identify, because I have to reach back a long way for it.
He looks like a teenager whose girlfriend’s mother has just been nice to him.
“You lit it,” I say.
“I lit it,” my mother agrees.
“Why?”
“Because my eldest daughter drove ninety minutes round trip to retrieve a nine-dollar candle and could not tell me why,” Ellen says, in the voice she used to use about homework. “And because when she found the one she wanted, she held it like it was hot.” She picks up her tea. “I raised two liars, but only one of them is any good at it, and it isn’t Margot.”
“So you—”
“So I waited until she’d gone, and I had my dinner, and then I lit it on the kitchen counter to see what would happen.” A sip. “And a very tall man appeared in my living room and said, ‘You must be Ellen.’”
“I did say that,” Ash says.
“He did,” she says. “It was well done. It bought him about four seconds.”
✦ ✦ ✦
To read the complete story you need to be logged in:
Log In or
Register for a Free account
(Why register?)
* Allows you 3 stories to read in 24 hours.