After the Monsters
Copyright© 2020 by Any Pseudonym
Introduction
Mind Control Sex Story: Introduction - Set after a B-movie Kaiju-scale monster movie from the 1950s or 60s, the world has changed. Specifically an army recruit should be a monster in human form, but instead regains his mind. This is his story as he fumbles his way through Los Angeles, the West Coast Infected Holding Encampment.
Caution: This Mind Control Sex Story contains strong sexual content, including Ma/Fa Mult Mind Control Fiction Horror Humor Post Apocalypse Light Bond Harem Interracial
Regarding the Controller of Los Angeles, West Coast Infected Holding Encampment
AUTHOR’S INTRO NOTE: Imagine a large-scale, low-to-mid-range budget, monster movie, set in a generic U.S.A. sometime in the 1950’s or early 60’s. A number of Lovecraftian-type Kaiju have risen from the ocean depths and, after an hour and a half to two hours screen time, been defeated by an era-appropriate handsome movie hero scientist, probably alongside an air force pilot best friend and a beautiful reporter girlfriend. That happens before this story starts, since this tale is rooted in the question of what comes afterwards. (I don’t have any specific movie in mind on which to base this story, but ... maybe a War of the Worlds era Pacific Rim crossed with Godzilla’s more Lovecraftian cousins?)
Also note that the ‘Infected’ humans who dominate the story are never even speculatively referred to as ‘zombies’ because, until that horror sub-genre started by Romero’s famous little film in 1968 redefined the term, zombies were generally the reanimated servants of witch doctors, whereas ‘ghouls’ were the human-based monsters that feasted on human flesh. My point is that I’m not imitating The Walking Dead’s pointless avoidance of the word. Besides, the Infected in this story do still have pulses, don’t pass along the ‘Infection’, and don’t eat human flesh.
Oh, and don’t bother trying to find codes or translations for the babble-talk. Except for a few specific and fairly obvious instances, those sections of text represent my attempts to create random babble-like sounds.
A NOTE ABOUT RACE: As noted above, this story is set sometime during the 1950s to early-60s, before the civil rights movement pushed to the forefront as a major political factor in the United States, which means that story tags like “interracial” take on a different meaning. Simply put, it wasn’t a good time to live in the United States if your skin wasn’t white. On top of that, the protagonist is a not-especially-bright young man from a small Southern town. I actually wrote him as being a lot more liberal than the time and setting indicate he probably would have been -- were he a real person, that is -- but even so, by today’s standards, he would be considered racist, homophobic, etc. BUT adjusting characters like him overly much for modern sensibilities and standards wouldn’t make sense for stories set during other time periods.
I guess what I’m asking is that, regarding racial beliefs and prejudices, the readers try to consider what his upbringing would have been and view him on a sliding scale appropriate to the era, rather than define him with an absolute racist/not-racist description.