Gun Bunny
Copyright© 2026 by Depraved_Angel
Chapter 2
Erotica Sex Story: Chapter 2 - Shiloh Kaplan, 29, is the polished face of gun control. On a livestream she accepts Nash Brennan’s dare: three weeks at Ridge Line Defensive Arts, a private compound that trains the militia network she has spent her career calling a threat. Finish, and a million dollars goes to the group she names. Issued a too-tight black “Gun Bunny” onesie and platform heels, she is drilled by her instructor until recoil, rifle chatter, and talk of militias start doing things her politics cannot explain.
Caution: This Erotica Sex Story contains strong sexual content, including Ma/Fa Consensual Mind Control Heterosexual Military Rough Oral Sex
AUTHOR’S NOTE: This chapter involves an illegal modification to a firearm. The details of this modification, as presented in the story, are completely fictitious and bear no resemblance to any actual method of illegally modifying a gun.
The classroom table had a different gun on it.
Shiloh sat down in the heels and the Gun Bunny and looked at the thing the way she had looked at Nash’s holster on television, except this one was longer, meaner, and already in her space. An AR-15. She knew the name from every packet she had ever handed a donor. Lang called it a carbine like that made it smaller. It didn’t look smaller. The metal was cold when he put it in her hands, a heavier cold than the .45, the kind that went up her forearms and announced itself in her shoulders.
“Stock in the pocket. Not on the bone. Front hand up here, not hanging off the end like you’re afraid of it.” His palms came over hers and moved them, dry and impatient. “You’re not posing for a ban. You’re holding a rifle.”
“I know what it is.”
“Then hold it like you do.”
The lights went down before she had a sentence for that. The screen came up on a title, FROM BELT TO SLING. A woman in a vest on a clean range switched from a handgun on her hip to the same long gun Shiloh was cradling, and the voiceover started selling competence the way the last tape had sold groceries.
It was propaganda. She could smell the budget. It was also a loop of hands doing the same work over and over, and her body had already learned what loops of hands did to her.
“Match her,” Lang said from the dark. “Every time she does it, you do it.”
On screen the woman brought the rifle up from low, stock finding the shoulder, cheek down, muzzle level. Shiloh copied it. The cold length of it changed her balance in the heels. Her calves tightened. The onesie pulled across her tits when she lifted her elbows, and the simple fact of the larger gun in her grip sent a low answering heat into her nipples and down between her legs, thicker than the .45 had ever been just for being held.
“You’re floating the stock. Dig it in. Again.”
She dug it in. The woman on screen dropped the rifle to a ready position across her chest, strap catching the weight, then brought it up again. Up. Down. Check the chamber. Seat the clip. Tug. The tape showed it four times, then five, catalog pretty, the same motions like a chorus. Shiloh’s arms started to shake from the weight and from the other thing, the one she was trying to breathe through so she could do the drill instead of thinking about her own cunt.
“Muzzle up. You’re cutting your own feet.” Lang’s hand lifted the barrel. “Better. Again.”
She went again. Criticize. Adjust. The woman on screen dropped to a knee in the heels and the vest and the tape did not treat that as a joke. Shiloh tried the knee. The chunk heel made it ugly. Lang’s boot nudged her back knee out.
“You look like a folding chair. Sit on the heel. Chest up. Good.”
The word landed and the surge came with it, a bright dirty roll across her nipples and her clit that made her jaw tighten. She stayed on the knee because standing up in the middle of it would have been a confession. The rifle’s weight pulled at her front hand. Handling it was its own problem. More metal. More of that cold becoming warm in her palms. Her pussy answered the length of it like length was the point.
“Up. Shoulder. Don’t crane.” He tapped the stock. “There. That’s a hold. Good.”
Praise again, and the pleasure spiked hard enough that she had to swallow. She dragged her attention back to the screen and made her hands do the next repetition, chamber check, clip, tug, up, down, as if competence could starve the rest of it out. It could not. The drill was the rest of it. Every clean mount made her wetter. Every time Lang said better, her clit throbbed against the seam. She stared at the woman’s hands on the screen and copied them like homework and felt her own breath go shallow anyway.
Near the end the tape cut to a range she recognized from the brochure. Nash Brennan walked into frame in a polo with a rifle hanging across his chest on a strap, sun on his shoulders, that same easy smile he had used on her across a pair of studio chairs.
“Handgun keeps a room,” he said to the camera. “This keeps a street. Learn both or you’re renting your safety from somebody who did.”
She hated him. The hate was intact. The surge that went through her when his face filled the screen was intact too, stronger than the praise, stupid and specific, a pulse in her cunt and a pinch in her nipples that made her want to set the rifle down and also made her grip it harder. She composed her face for the dark and waited the last thirty seconds out with her teeth together.
Lang brought the lights up. “You can put your mouth away,” he said. “I can see you thinking. Range.”
The outdoor carbine range line was louder than the covered bay. Dirt wall. Heat. Paper bodies at a distance that made the red ovals look like a dare. Lang gave her ear protection, a loaded clip, and the same rifle, warmer now from her hands.
“Single shots. Shoulder. Press. You are going to notice the kick. Notice it and stay in it.”
She mounted. She pressed.
The rifle hit her harder than the .45, a deeper shove through the shoulder and the chest, and the hole it left in the paper was bigger, uglier, a dark punch that did not look like a debate. The arousal that came with it was bigger too. It landed in her pussy like a hand and left her nipples scraped and tight under the panel. She made a sound into the first kick and called it breath and lined up the next one.
“Low. You’re letting it ride you. Again.”
Under Lang’s direction, she took single shots until the first paper was a mess of large holes and her shoulder had started to hum. Lang walked her closer to the oval with his hands on her elbows and the stock, nothing tender in it, and every time a shot broke clean the pleasure hit the same places, harder than the handgun days, hard enough that she had to wait a beat before she could see the sights again.
“Two now. Same chest. Don’t snatch the second because the first one felt good.”
She gave him two. Then three. Then a longer string that walked up the paper until he made her stop and start the group over. The kick stacked. The holes stacked. Her cunt stayed a low insistent ache through all of it, wet enough that the onesie had a temperature.
On a pause, muzzle on the dirt, she heard herself ask it.
“Can I try it on full automatic?”
Lang looked at her like she had asked for a cigarette in church. “This is the civilian one,” he said. “It doesn’t do that.”
“Yeah, but this is the one that’s easy to modify for full auto, right?”
“That would be illegal.” He said it without heat and without a brochure. “You don’t do it. You don’t talk about doing it. You shoot what I handed you. Load.”
She dropped it. Her pussy did not. The ache for more sat there anyway, greedy and embarrassed, as if the rifle had a higher gear she was being kept from on purpose. She loaded. She went back to the strings. The legal version was already enough to ruin her concentration. She got better because getting better was the only way to keep the gun in her hands. Vital-area hits started landing in clusters, big dark openings in the circled chests, and each one slammed through her nipples and her clit hard enough that her knees wanted to answer. She rode the heels and kept her mouth shut and let him say good when the group finally looked like a group.
When he took the rifle, she gave it up slower than she meant to. “Trainees don’t walk the property with these,” Lang said, already breaking it down into the state he wanted. “They stay on the line. You get your pistol back. You treat it like I never took it.”
The .45 felt small when he set the case in her hand. That was a problem she was going to have to live with.
The barracks were full again. Women on bunks, women laughing, a pair of them comparing groups with their phones held too close together. Shiloh stood in the doorway with the pistol case and a body that wanted a locked room, tense enough to snap, irritable in a way that had nowhere polite to go. She ground her teeth and went to the bathroom because the bathroom had at least been a theory of privacy once.
It was not privacy. Three women at the long mirror in the onesies and the heels, doing the evening work on their faces. Steam. Little bottles. The pretty brunette from the rifle line two sinks down, hair out of its ponytail, smoothing something along her jaw like she had all night.
Shiloh watched them longer than she had meant to. Her own face in the gap looked like a press conference that had run out of powder. She felt the dowdy thing again, the unfinished thing, and hated it, and then she walked up anyway because the other option was going back to the bunk to crawl out of her own skin.
“Hey.” Her voice came out too careful. “I forgot my bag when I got here. Skin care. Could I borrow some of what you’re using?”
The brunette turned like that was the most normal sentence on the property. She had a small neat spread on a towel: a white pump bottle, a tub, a short concealer, a mascara. “Oh my God, yes. I do this every night, don’t even worry. I’m Kenzie.” She pushed the pump forward. “Hydrating cleanser. Wet your face first or it pills. Two pumps. Circles. Get the hairline, everybody forgets the hairline. Rinse it all the way off or the moisturizer balls up.”
Shiloh did it because backing out now would have been worse than asking. The cleanser smelled like almost nothing. She worked it in the way she had been shown, rinsed, and Kenzie was already uncapping the tub.
“Moisturizing cream. This one. No, not the lotion, the tub. Pea size for your whole face or you look greasy under the lights. Press it. Don’t rub it off your cheeks like you’re mad at it. Wait a minute.”
Shiloh pressed. Her skin took it and went quieter, less raw around the nose and the mouth. Kenzie squinted at her, then handed over a little sponge on a stick and a Maybelline Instant Age Rewind in a shade that was close enough.
“Dots. Under the eyes, sides of the nose, that center line you get when you’ve been in the sun. Bounce it. If you drag it you look like you did your makeup in a car. Then this.” Lash Sensational, cheap pink tube. “Wiggle the base. One coat. Two if you want to look awake on the line tomorrow. I won’t tell Lang.”
Kenzie smiled when she said it. Not unkind. Shiloh put the mascara on with the slightly stunned care of a person following instructions she had not planned to need. When she looked back at the mirror the difference was not a transformation and it was not nothing. The redness had settled. The tired under her eyes had receded. Her lashes made the rest of her face look like it had decided something. Refined. Prettier in a way she could still pretend was hygiene.
“Thank you,” she said.
“Anytime. Seriously. I keep extras. You looked like you were about to file a complaint with your own forehead.”
Shiloh made a sound that could have passed for a laugh and got out before she could ask for a second coat.
The end bunk was still the end bunk. Her backpack was under it, laptop zipped in the sleeve she had told herself would hold the exposé. She sat with the machine in reach and did not take it out. There was no urge. The cursor in her head was already behind the rifle.
She thumbed the pistol case open instead and took the .45 into her lap because it was what she had been allowed to keep. Smaller. Lighter. Wrong, now, in a way that made her restless. Her mind went back to the cold longer gun, the stock in her shoulder, the deeper kick, the bigger holes, the way the weight had pulled on her front hand and made her pussy sit up and beg for a gear Lang would not give her. She stroked the grip of the handgun without meaning to, thumb tracing the same path she had learned on the other weapon, and a soft moan slipped out of her before she could call it a breath.
She sat there with the little gun in both hands and the larger one still in her palms in memory, staring at the fence, not writing, stroking the metal like it might turn into the rifle if she asked it nicely enough.
The bag was on the nightstand when she woke up.
Shiloh stared at it long enough to be angry at a piece of canvas. No note. No explanation. Just a zip pouch that had not been there at lights-out, packed with things she had not packed: a blush compact, a thin eyeliner, a lipstick in a shade that would have looked frivolous on a panel, a brow gel. She took it to the sinks because leaving it unopened felt like losing a smaller dare, and Kenzie was already there with her towel and her CeraVe and the expression of a woman who had been waiting to be useful.
“Oh, you got the kit,” Kenzie said, as if kits appeared on nightstands at Ridge Line every morning. “Come here. You’re going to look mean if you do the liner by yourself.”
Kenzie dotted Milani Baked Blush on the apples of Shiloh’s cheeks and showed her how to sweep it back toward the hairline so the sun would not turn her into a clown. She took Shiloh’s hand and ran the e.l.f. brow gel through the dark arches until they sat sharper over the concealer from two nights ago. The eyeliner was a cheap black felt tip. Kenzie made her look down and sketched a thin line tight to the lashes, no wing, just definition.
“Liner on the range is about the eyes reading at distance,” Kenzie said, like that was a tactical fact. “And this.” Maybelline SuperStay in a dusty rose. “Blot it. If you leave it wet you’ll eat it on the first string.”
Shiloh blotted. In the mirror the woman who looked back was still her and was not. Sharp jaw, dark hair pulled into a high ponytail that left her throat bare, lashes thick from last night’s tube plus this morning’s second coat, color sitting on her mouth like a decision. The Gun Bunny mapped her breasts and the high cut of her hips without commentary. The heels put her calves into a line that belonged on a different kind of poster. She looked, she thought with a flinch that was not entirely disgust, like someone who intended to be watched while she shot.
“There,” Kenzie said. “Don’t wipe it off because you get shy. That’s a waste of my morning.”
The field Lang took her to was not the covered lane and it was not the dirt-wall range from the first rifle day. It was a lot of pale grass and scattered barrels and plywood low walls, the kind of place that wanted you to pretend a street had fallen over in the country. Paper-bodied dummies stood in the gaps and behind the cover, three-quarter figures on stakes. Someone had printed them with skin a shade darker than the old beige silhouettes, broad noses, mouths set hard, hair suggested in tight curls or short fades. Hoodies on two of them. A vest on a third that was not a plate carrier, just the cheap urban kind her old graphics used when they wanted a viewer to think victim. The coding was not a caption. It was not nothing. Shiloh saw it in the first three seconds and felt her press-conference mouth try to form a sentence.
Lang did not give her the sentence. “Rifle,” he said, and hung the AR-15 on her by the strap so the weight sat across her chest and pulled the onesie tighter over her tits. “You walk. You shoot. You get small behind a barrel when I say get small. More than one body out there. You do not stand in the open like a donor.”
The first dummy was half-shown around a barrel at a distance she could have talked across. Brown-printed face. The red oval still lived on the chest underneath the hoodie ink. Shiloh mounted as she stepped, heels biting into dirt that was not concrete, and the larger gun’s kick went through her shoulder and straight down into her pussy like the last two days had only been a warmup. A hole opened in the dummy’s chest. The flush that came with it climbed fast and did not crest.
“Keep moving,” Lang said. “You admire the hole, you eat one. Heritage neighborhoods don’t hold because people stand still and have feelings.”
“That’s not a range command.”
“It’s the only command that matters. Left shoulder. Next body.”
She went left, half-running in the six-inch heels, ponytail slapping her back, and dropped behind a barrel when he chopped a hand down. The onesie rucked up her ass when she sat on her heel. She could feel how little fabric there was between the dirt and her cunt. The second dummy was farther, darker-printed skin in the sun, a fade suggested at the skull, the oval high in the chest. She popped, pressed twice, and the bigger holes punched the figure backward on its stake. Pleasure surged through her nipples and her clit and stacked. It did not break. It sat there and hummed, mean and unfinished, while she sucked air and waited for him to tell her to move.
“Cities fail in a specific way,” Lang said, conversational, as if they were walking a fence line. “Services thin out. The people who kept a block move on. The people who don’t care what a block is move in. Then you get a Tuesday that looks like a war because nobody on that street wanted to be the adult. Up.”
She came up. The rifle came up with her. A third dummy in the shadow of a plywood wall, brown face, hoodie, hands printed empty and still somehow guilty in the composition. She hated the composition. She put two into the oval anyway because the clock in her body was already running and the only thing that made the stacked heat tolerable was another hit. The hits made it worse. She shuddered behind the wall and did not come. The feeling peaked and hung and refused.
“You’re shaking,” Lang said. He was close enough that she could smell the oil. “That’s fine. You shake after. You don’t shake in the open. Those zip codes you’re so tender about, they don’t pause because a girl in a tight suit needs a minute.”
“Don’t.” She swallowed. The dusty rose was still on her mouth. She could feel it when she spoke. “Don’t do the speech while I’m holding this.”
“I’ll do the speech while you’re breathing. Urban chaos isn’t a weather event, Kaplan. It’s what happens when a place stops belonging to the people who built it. Heritage is just the word for remembering who that was. Move.”
She moved. Heels, strap, ponytail, the onesie cutting into her hips, looking, she knew without a mirror, like the catalog woman from the belt-to-strap video if the catalog woman had been angry and wet. Makeup reading at distance. Eyes lined. Mouth a color. The rifle making her tits lift when she mounted. Lang watched her cross the gap the way he watched a sight picture, and she felt the look land on her ass and her calves and the wet seam and could not spare a hand to cover any of it.
Two dummies at once, staggered, both printed darker than the paper bodies of week one, one with a fade and a printed chain at the throat that made her old organization voice start a lecture she did not have breath to finish. Near one first. She had learned that. Two in the chest. The surge slammed her so hard her mouth opened and nothing came out. Far one. One hole, a little left, still in the oval. The stacked edge went white. Her knees dipped. She did not go over. The drill was still live, and as long as the rifle was up the feeling stayed a blade instead of a finish.
“Get small.”
She dropped behind a barrel and the blade dulled a fraction, not relief, just a cruel pause, her clit throbbing against the soaked onesie with nowhere to put the throb. She pressed her thighs together in the dirt and the pressure made it worse.
“Don’t grind on my field,” Lang said, almost bored. “That’s not how you hold a street. When a city goes dark the men who still live there don’t get to finish a feeling either. They put holes in the problem and they move. Again.”
She hated him. She came up anyway. Another dummy, this one a full torso with brown skin tone and hair drawn in tight curls, a woman-shape if you wanted it to be and a threat-shape if you used Lang’s eyes. Shiloh’s stomach turned. Her cunt did not care. She drove the sights into the oval and the kick sent another climb through her that had no landing. Sweat tracked through the blush at her temple. The liner held. She looked, she thought wildly, expensive and obscene, a pretty mouth and a rifle and a body that would not let her come.
Lang talked while she crossed to the last cluster.
“Imported chaos loves a vacuum. You take the adults off a block, you get what you get. You can call that racist from a stage. Out here it’s just counting. Who keeps the grocery open. Who keeps the porch lights on. Who is willing to walk this field for real when the paper is a person. You already know which faces show up in the aftermath footage, Kaplan. You’ve used them on mailers. You just used them the other direction.”
“Those are printed dummies.”
“And you still got wet punching them. Watch your muzzle. Left.”
She punched the last two. Big holes in brown-printed chests. Each one lifted her closer to a finish that slid away the second her finger came off the trigger, the second the string ended, the second she had to get small again behind a barrel with the rifle tucked and her pussy clenched on nothing. Close. Losing it. Close. Losing it. The onesie was a slick mess between her legs. Her nipples were scraped raw from the panel and from breathing like she had been running sex instead of a field. She could hear herself making a thin sound on the last mount and bit it back because if she moaned his name or the word please she was going to have to live with having done it in daylight.
“Last pair. Then you’re done.”
The last pair stood together in a mock doorway, darker faces, one hoodie, one cheap vest, ovals touching if you sloppy-grouped them. Near to far even at five yards. She cleared the left chest, stepped, cleared the right, and the edge went so high her vision narrowed to the front sight and the rose on her own mouth in her peripheral nothing. She hung there, shaking, one hard pulse short of coming, and Lang’s voice cut the string like a hand on a valve.
“Unload. Show me. That’s the field.”
The feeling collapsed without breaking. Not gone. Worse. A frustrated full-body throb with no peak on it, her cunt still seizing around absence, her nipples still tight, the blush and the liner and the pretty mouth all still on while she stood in the heels and wanted to drop the rifle and shove her hand down the front of the onesie in front of God and Dekker Lang. She cleared the gun because her hands knew the work now even when the rest of her was a clenched jaw and a soaked seam.
Lang took the AR-15 off her shoulder. The strap sliding free felt like being undressed in the wrong direction. “Barracks,” he said. “You want to write your little letter about heritage, write it after you walk it off. You looked like you belonged on the field today. Don’t waste that standing here leaking on my dirt.”
She did not have an answer that would survive being said in the dusty rose. She turned toward the path back, ponytail, heels, the onesie glossy at the crotch if anyone cared to look, makeup still doing the job Kenzie had assigned it. Every step toward the barracks was a prayer dressed up as posture. Let the room be empty. Let the sinks be empty. Let the end bunk and the fence window be enough cover to finish what the barrels had stacked and refused to let go. If there were women on the mattresses again she was going to lose her mind in public, and she was already close enough that the difference felt academic.
The clock on the field had been meaner than yesterday. Same barrels. Same dummies. Less air between the shots. Shiloh’s calves were still humming when Lang walked her off the grass and into the classroom instead of toward the barracks, the rifle strap cutting a line between her tits, the onesie glossy at the crotch from a day of getting close and being denied.
“Sit,” he said. “Hands on it. You don’t get to put it down because your feet hurt.”
She sat. The AR-15 stayed across her chest, cold where her sweat had not warmed it, solid enough that her arms had to work to keep it there. Lang killed the lights. VIDEO 5 came up in white on black. HOLD WHAT YOU LOVE.
Night first. Gravel. Men in vests in a line she already knew from Video 3, rifles hanging off them, breath showing in cheap light. Then Lang’s face, not a polished host, the same squint she had been staring at for eleven days, talking to a camera like it was a recruit.
“Heritage is not a slogan,” Lang said on the screen. “Heritage is who built a place and who is willing to keep it. You take that away, you get imported chaos. You get a border that is a rumor and a city that eats itself from the zip code out. People who never asked permission to be here stacking up in neighborhoods that used to have porch lights and grocery stores. White flight is just what you call it when the adults leave and pretend that it’s compassion. Crime doesn’t escalate because of feelings. Crime escalates because the people who do it think nobody standing on that street will shoot back.”
Shiloh’s mouth went tight. Every word was odious. Every word landed between her legs anyway. She squirmed in the chair and the heels scraped the tile. The rifle’s weight pulled on her nipples through the panel and her cunt answered the pull like the pull was a hand. She clutched the carbine closer, cheek almost on the receiver, solid steel and polymer against the Gun Bunny, and the heat went into overdrive. She hated the voice. She was soaked from the voice. The tighter she held the rifle the worse it got.
On screen a fake street at night. Dark bodies in doorways. Men moving the way they had in the other tape, covering, advancing. Lang kept talking over it. “Illegal entries are not a humanitarian footnote when they turn into a block you cannot walk. Urban crime is not a mystery. You import a population that does not care about your rules, you export the people who did. Then you stand in a studio and call the men who stay a militia. They are not a militia. They are what’s left.”
She pictured herself in the line.
It arrived without permission. Heels on broken glass. The onesie under a vest. The AR-15 mounted. A crime-wrecked street that looked like the tape and looked like every skyline she had ever fundraised against. Evildoers in the alleys, the same coded faces from yesterday’s dummies made flesh, and her putting holes in the vital areas that did not punch paper this time, that opened and ran. Chest. Chest. The thought should have sickened her. It made her shudder instead, a full-body shake she could not pass off as cold, her pussy clenched on nothing, her nipples scraped raw against the rifle’s weight. She did not cum. She hung there, tense, on the edge the field had built all afternoon, and the picture kept feeding it.
Nash Brennan walked into the night footage in a polo that was too clean for the gravel, smiling like the dark was a donor event. “Community defense is not a metaphor,” Nash said. “If you need it to be a metaphor, you already live somewhere somebody else is willing to hold. The rest of us do the holding. A line of armed citizens is not a costume. It is the difference between a neighborhood and a ruin. You want order, you stand in the line. You want speeches, you wait for the ruin and then you film it.”
Shiloh shook through the last of it, clutching the carbine hard enough that her fingers ached, a moan trapped behind her teeth, the edge so bright she could have come from the strap shifting on her tit. She did not. The tape cut. The flag did not even get a courtesy shot. Just black.
Lang brought the lights up.
She unshouldered the rifle like it had burned her and left it on the table. Then she was up and across the tile, steady in the six-inch heels, no wobble left in them, marching at him with her mouth already open.
“That’s racist slander with a soundtrack,” she said, loud enough for the hallway. “You put your face on a video and you call people vermin without using the word. Illegal immigrants, white flight, imported chaos. That’s a recruitment sermon for a race panic. You don’t get to wash it in gravel and call it class.”
Lang did not stand off the desk. He looked at her tits first because the onesie was doing that work, heaving with the walk and the yelling, nipples obvious, and then he looked at her face. “I called it counting,” he said. “You heard panic because panic is the only language you brought.”
“I heard you justify a purge with porch lights.” Her voice climbed. “Heritage is your polite word for who you want gone. You pointed a camera at a fake street and you told a room full of rifles that crime has a complexion. That tape is going in the exposé line by line.”
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