Hypersonic
Copyright© 2026 by nyra
Chapter 104
Romance Sex Story: Chapter 104 - Arielle Hawthorne lives for illegal street racing. Fast cars, high stakes, no attachments. Nate Carter races the same streets with reckless swagger and infuriating charm. Rivals by choice and partners by necessity, they’re forced together as rival crews and the police close in. Their chemistry is dangerous, their trust fragile, and falling for each other may be the riskiest move of all.
Caution: This Romance Sex Story contains strong sexual content, including Ma/Fa Fa/Fa Consensual BiSexual Heterosexual Fiction Crime Humor Cream Pie Masturbation Oral Sex Sex Toys Body Modification Violence
The One With A Goddess
NATE
We’re standing outside a museum. It was Zara’s idea to come here, despite Chase’s many very vocal reservations about it. However, she insisted we experience something other than partying, so here we are.
Currently, we’re waiting for our guide, Alex, to come back and start the tour. We’re standing in a group just outside, high up on a hill that overlooks the sea. Everyone else is deep in conversation, but I’m having a hard time focusing because Arielle is a couple steps off the group where she’s leaning over the railing as she peers out at the view.
It’s so fucking hard to not stare at Arielle like a fucking psychopath. I can’t help it, she looks beyond gorgeous in her long white skirt with red polka dots and her red cropped top. The skirt features an opening in the front that reaches just above her knee and has ruffles on either side. The top is off the shoulder, having these small cuffs and with her hair falling down in soft waves against her bare shoulders, it’s difficult to tear my eyes off her.
Fuck the view that people pay millions to see when she’s standing here looking the way she does.
While everyone else is chatting about some statue out front, facing in the direction of it while discussing what it could be, I wander off. I lift my phone from my pocket and discreetly snap a photo of Arielle as she looks. I can’t help it, she looks stunning and with the view behind her, it’s right out of a magazine.
I’m not sure why I feel the need to hide it, but I do, pleased with the way the picture looks—her hair billowing out behind her in a gust of wind, her smooth leg peeking out from the slit in her skirt, her eyes wide in wonder. I quickly make the new picture my background and move to rejoin the group as she does the same.
Alex begins the tour by walking us into the first room where a large statue sits in the middle. He points to it, explaining, “This is Philemon and Baucis.” I study the two nearly-nude people who stand together—the man stands behind the woman, a single hand wrapped around her waist. They’re extending an arm towards the ceiling, where their arms gradually morph into what appears to be the branches of a tree.
It’s striking.
“Philemon and Baucis were a couple who weren’t very wealthy,” Alex tells us. “One day, Zeus and Hermes disguised themselves as wayfarers in need of shelter. All of the richer neighbours turned them away, but Philemon and Baucis welcomed them into their home.”
As he begins telling their story, I find myself glancing over at Arielle, observing her as she listens intently. She looks so fucking beautiful.
“As a reward for their generosity, they were saved from a flood that drowned everyone else. Their quaint cottage was also turned into a temple and they became priest and priestess. As their last wish, they asked to die together, at the same moment, and to ultimately, be turned into trees.” He extends a hand, pointing at the area where their joined hands form into the beginnings of a branch.
I can’t help that the sound of that makes me think of Arielle. To die together—to not have to live a day without one another—and be turned into something that’s not only beautiful, but brings life to other things, sounds ethereal. To be immortalized in something with strong roots sounds like a dream.
I approach Arielle from behind, reaching my left arm forward to place it parallel to the outside of hers. I intertwine our fingers, just like the statue, as if we’re anchored in one another. Because I believe we are.
She leans backwards into my chest, relaxing as we stare at the statue. I press a kiss to her hair, sighing in content. I’ve missed moments like this more than I could ever express. I really don’t care what we’re doing, it’s just nice to be able to safely spend time with Arielle without constantly looking over our shoulders.
Arielle and I pull apart as Alex leads us into the second room where another single statue rests in the middle. This one appears to be of a woman. She has a sword raised in the air, a shield in the other hand, and she’s yelling to the sky. She wears an ornate headpiece and the fabric of her robe billows off to the right, where it partially conceals a cobra that is ready to strike.
“This, is Enyo.”
Before he even begins telling us her story, I know she likely wasn’t good. There’s no way the snake can be a positive thing. Is there any snake in mythology that was a good guy? In literally any story?
“She was the Goddess of Destruction. Goddess of War. She was the daughter of Zeus and Hera.”
“That cobra looks fuckin’ deadly,” Chase comments, leaning in to get a closer look.
“She enjoyed war and destruction, especially when it came to bloodshed and demolition of entire cities.”
Sounds a bit like Vivien, doesn’t it?
I take a closer glance at the face, not surprised that Enyo even shares similar features as the late Vivien. Vivien seemed to get off on making other people suffer, as Ezra does. However, I honestly think a lot of the shit Ezra did had Vivien’s puppeteering in the background. I think she was pulling those strings and making that puppet fucking dance for her and laughing about it all along. He was her human shield and she did it well.
Until, well, she didn’t.
The guide then leads us to another ivory form on the far side of the room of two nude people, each atop separate columns. The man is squatting, with his knees brought to his chest where he has his face tucked behind his arm, almost as if he’s hiding from the woman. The woman is also squatting, with one hand set on her thigh and the other flat to the surface beneath her feet. Her neck is twisted as she glances in his direction, her braid flowing down her bare back.
“Echo and Narcissus,” Alex informs the group. “Echo fell in love with Narcissus. However, despite how much Echo tried, Narcissus never felt the same because he was far too into himself. Narcissus—narcissist. Echo pined over him until eventually, her body withered away to nothing and all that was left was her voice.”
I’ll admit, Echo sounds a bit like QuickDraw. He was obsessed with Arielle, even though she never returned those affections. Sure, she humoured him at the start, but she never felt anything serious towards him.
Nothing but anger, anyways.
Even Narcissus sounds a bit like him. He can be so self-absorbed, it’s fucking wild. It’s fucking exhausting.
I mean, I don’t blame him. Arielle is someone I’ve fake died for. With a woman as incredible as her, it’s no wonder he’s captivated.
I’ve zoned out, missing conversation shared between Chase, James, Jin, and Arielle. She’s smiling, laughing in this magnificently beautiful way and I can’t help but snap another sneaky photograph.
Jesus, never mind QuickDraw, I’m obsessed with her.
The next piece of art we see is the first one that isn’t of obvious humans. It appears to be two almost gargoyle-looking forms. They squat on the balls of their feet, with their hands formed in fists that are pressed to the ground in front of them. They have horns and wear expressions that make it clear that they’re up to no good.
“Deimos—” Alex points to the left guy, then the right, “—and Phobos.”
“They were the sons of Ares and Aphrodite. Deimos was the God of Panic, while Phobos was the God of Terror and Fear. The two of them had a wicked cruel streak, reveling in bloodshed and mass slaughter. One of their key indicators was the fact that they often rendered soldiers incapable of fighting to make it easier to kill them.”
Vivien.
That’s fucking Vivien to a tee. Loved creating panic and fear, but particularly that last line—rendered soldiers incapable of fighting to make it easier to kill them. She literally poisoned Ezra in order to weaken him. She was doing whatever she could to make him unable to fight back.
It’s fucked, innit?
To claim that you love someone and then do them irreparable harm in such a fashion. However she fed him the poison, she did so willingly and then stood by and watched him wither away, surely feigning concern as she did so. That’s so conniving and heartless and just, plain cold that I can’t really think of anything more psychotic.
Even the things that Ezra did to her weren’t as heartless. Minus, maybe the strangling, but like, at the same time, it’s not as if while his hands were around her throat, he was faking concern for her well-being. She knew what was coming as it was happening.
Although, I’m not defending the fucking psychopath. No matter what she did to him, he never should’ve laid hands on her.
If he ever touched Arielle, I know I wouldn’t be able to idly stand by. I don’t think I could kill him—I truly don’t know if I have the capacity to do so in me—but I can safely say he’d be thoroughly injured and regret the very day he did so.
I don’t give a fuck what he’d do to me in retaliation. There’s simply no way I’d allow him to touch her or physically harm her.
Alex gathers our attention, leading us to the next room. I follow behind Arielle, admittedly—and shamefully—admiring the way her hips sashay as she walks.
“This is Apollo of Cyrene.” The statue is of a man, nude and missing both arms. The only clothing he’s wearing are sandals on his feet and a robe wrapped just above his knees, not concealing any of the more intimate areas of his body. He’s standing beside and leaning on some sort of intricate instrument—perhaps a lyre or harp?
“His story starts with Cyrene. She was a beautiful and strong woman who Apollo watched wrestle a lion that had attacked her father’s flock. Apollo was so amazed by what he saw that he instantly fell in love with her and he carried her to Mount Pelion in Thessaly where he founded the city of Cyrene and made her its queen.”
My gaze isn’t on the piece of art as he speaks, it’s on Arielle. Cyrene sounds so much like Arielle that I’m unable to tear my eyes away from her. A woman of great beauty and strength? That’s my girl.
Cyrene fought off a lion that attacked her father’s flock? Sounds eerily like Arielle fighting off Ezra, the man who attacked and killed her father.
I admire the way Apollo loved Cyrene. It’s what I want for Arielle—to carry her to safety and treat her like the queen she is.
She’s my queen. Forever.
“La reina,” I hear James say and when I twist my neck to glance at him, he’s smiling at Arielle.
If I know my Spanish well, he’s just said the queen. Better than labelling Arielle his queen, which I think he used to do while they were dating and I was in jail.
When Arielle stops beside the statue, I take another picture of her, pretending as if I’m being a typical tourist.
“Dolos, the Spirit of Trickery,” Alex’s voice brings me back to the present.
I don’t know what it is about this sculpture, but it’s fairly comical. He’s nude and laid out on his side—in an almost paint me like one of your French girls pose. His ankles are crossed and he has one hand on his thigh, while the other has his palm pressed flat to the surface below him.
Chase laughs out loud when he takes in the pose, “Look at this fuckin’ guy.”
“He’s ripped.” Jin chuckles, moving to get a better look.
“He was a master at cunning, deception, and treachery. He was a crafty guy who made a fake copy of a statue of Aletheia to trick people into believing it was the real one.”
I’m not sure who this one reminds me of more—QuickDraw or Langley? They’re both deceptive and cunning. They both have lied and made fraudulent stories to further their agendas. I guess it would depend on who’s more crafty.
Maybe Langley then, simply because of his connections through Ezra.
“And this, is Moros,” Alex takes a step to the left, beside another one, folding his hands together and smiling.
This one seems more modern, but I could be incorrect. I honestly don’t know much about Greek statues. However, this one is simply a head from the neck up. The man wears a floral crown, indicating he was likely a God. He wears a dark expression, along with a long beard. His face is cracked in half, exposing a skull beneath it.
“He had the uncanny ability to make mortals foresee their death. He was known for being relentless, not giving up on his victim right until they made their way into the Underworld. He was associated with suffering, so his name was only spoken to pray he never came.”
Fuck me, if that doesn’t sound like the epitome of Ezra.
Relentless? Check. The man hasn’t so much as left us alone long enough to take a fucking shit since I’ve come into Arielle’s life.
Only spoken of to pray he doesn’t show up? Does anyone ever speak positively about the guy? We only ever chat about him because we’re hoping he’s gone for good—which, he never is.
Fucking asshole. I hope he’s gone for good this time. I can’t imagine what else he could have up his sleeve. However, that’s Ezra for you. You really don’t know what the cockroach will do next, it’s part of his wonderful charm.
Super annoying though that the only way we could do some serious damage to him and his power was unintentionally through Vivien. It would’ve been nice if I was able to do it. Would’ve made it that little bit more satisfying to know that I was the reason for it all.
But, at the same time, it’s kind of nice to not be the cause. Someone died because of it. And though she wasn’t a stand up person, it’s still a morally bad thing that she died. I’m not completely heartless.
I must get lost in thought again, because when our group begins moving, I don’t initially notice it. It isn’t until Arielle’s hand grabs mine and she pulls me to follow her, that I realize.
As we hold hands and trail behind the rest of the friend group, she questions, “What are you thinking about?”
“Everything. You, me, us, Ezra, Vivien, QuickDraw.” She seems a bit confused, so I further explain, “These stories he’s telling us remind me of certain people in our lives.”
“Good or bad?”
With a shrug, I answer, “Both.”
She goes quiet, her hand squeezing mine. She appears thoughtful, as if the words I’ve just told her are making her rethink some of what the guide is telling us.
“Perseus and Andromeda,” Alex signals to the piece beside him.
There’s a woman in a man’s arms, she appears to be in distress, with chains loosely wrapped around her that secures her to some sort of rocky surface behind her. Perseus is cradling her while pointing to the sky.
“While flying home after defeating Medusa, Perseus passed over Andromeda. She was helplessly chained to a wall of rocks, waiting to be sacrificed to a sea monster. Perseus fell in love with her the moment he saw her and he used Medusa’s recently decapitated head to turn the monster to stone and rescue Andromeda.”
This sounds like everything Arielle and I have gone through. I’m Perseus, Arielle is Andromeda, Vivien is Medusa, and Ezra is the sea monster. Arielle was like Andromeda—left precariously dangling in danger for the sea monster, Ezra. We managed to turn Vivien against Ezra and use her as a weapon, essentially the same as taking Medusa’s head to the monster to end him.
Arielle takes a couple photos, not straying too far. She then leans in closer to me and I wrap a hand around her waist as she takes a selfie of us.
I really can’t believe this is what my life has become. When I was in prison, if you’d have told me that I’d be here, in Greece with her, I wouldn’t have believed you. After my sentencing, I truly didn’t think I’d ever leave.
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