Eldritch Enactment
Copyright© 2025 by Carlos Santiago
Disclaimer/Preface
Horror Sex Story: Disclaimer/Preface - After his father's passing in 1822, Silas Wolcott returns home to discover he has inherited a fortune beyond necessity. However, soon, he must uncover the secrets of his House and bloodline. From a seductive vampire to a university that wants knowledge, a tale of hubris, fear, and destruction unfolds.
Caution: This Horror Sex Story contains strong sexual content, including Ma/Fa Coercion Consensual Hypnosis Mind Control Gay Heterosexual Historical Horror School Science Fiction Alternate History Paranormal non-anthro Vampires Cream Pie Squirting Voyeurism Geeks Halloween Royalty Transformation Violence
Disclaimer:
This story is a multi-sectional tale.
Section 1: Heir of Wolcott Manor contains intercourse between Non-Human Beings as well as between everyday people. Further, themes of isolation, forbidden knowledge, and the terror of discovery are explored.
Section 2: Tragedy at Dreibruch broadens its scope considerably. The horrors of the unknown are filtered through academia, medicine, ambition, and the dangerous belief that mankind may someday master powers beyond its comprehension. There are themes of coercion, hypnosis, breeding, and different inter-species relationships.
While this tale was and is a product of the author’s imagination, it would dishonest not to admit what inspired the writing. This story was influenced by the many works of H.P. Lovecraft (specifically Mountain of Madness, Dagon, The Call of Chthulu, The Shadow Over Innsmouth, Dagon, and The Haunter of the Dark), Darkest Dungeon and Darkest Dungeon 2, Bloodborne, Buffy the Vampire Slayer & Angel, Fringe, Many Dimensions & War in Heaven by Charles Williams, The Vampire Diaries & The Originals, and The Dark Tower by C.S. Lewis. Special thanks to Wayne June, whose narrations made Lovecraft very digestible, and killed it with Darkest Dungeon 1 & 2.
Also, certain allusions and direct references are made to characters of Lovecraftian lore, but as the material is in the public domain, the material will be used for the author’s purposes.
The epigraphs at the beginning of each chapter continue to serve both thematic and atmospheric purposes. Many were selected not only to establish mood, but to reflect the philosophical questions explored throughout the narrative: the pursuit of knowledge, the frailty of mankind, the illusion of control, and the terrible cost of progress without wisdom. The Author has done his best to properly cite all quoted material and to operate within the understanding of Fair Use and transformative commentary.
Unlike some of the larger mythology projects, the author has attempted to keep the cast relatively focused and manageable. However, should readers desire it, a cast list and explanatory notes may be added.
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