The Extreme Bound Artistry - Cover

The Extreme Bound Artistry

Copyright© 2024 by E. J. Bullin

Chapter 3: Watcher Within

BDSM Sex Story: Chapter 3: Watcher Within - A young mother signs a contract for a second job. Forty dollars an hour. Three nights a week. The catch? She must remain naked forever—at work, at home, everywhere. No exceptions. Now her husband and daughter are hostages. And the gallery won't let her leave. Ever.

Caution: This BDSM Sex Story contains strong sexual content, including Ma/Fa   Fa/Fa   Blackmail   Consensual   NonConsensual   Reluctant   Slavery   Lesbian   Heterosexual   Fiction   Crime   Horror   Mystery   Workplace   BDSM   MaleDom   FemaleDom   Humiliation   Light Bond   Rough   Exhibitionism   Lactation   Pregnancy   Voyeurism   ENF   Nudism   AI Generated  

The Morrisons did not rent the three-bedroom.

I could not blame them. It was hard to focus on square footage and closet space when the woman showing you around was completely naked, her body on display with every gesture she made toward the kitchen island or the master bath. Mrs. Morrison had stared at my breasts the entire time, her mouth slightly open, while Mr. Morrison had pointedly looked at the ceiling, the floor, anywhere but at me.

“Thank you for your time,” I had said at the end, my professional smile fixed in place despite the trembling in my hands.

They nodded, exchanged a glance, and walked out without another word.

Margaret had not commented when I returned to the office. She had simply handed me the next set of keys and said, “Two o’clock. Building B. The young couple with the dog.”

The day had stretched on like that, hour after hour, showing apartments to people who could not quite hide their reactions. Some stared. Some looked away. One woman had actually gasped and covered her child’s eyes, as if my nakedness were a danger to be protected against.

It is legal, I reminded myself over and over. You are not breaking any laws.

But the law and social acceptance were two very different things, and by the time five o’clock rolled around, I was exhausted in ways I had never experienced. Not just physically tired, though my feet ached and my back hurt from the tension I had been carrying all day. But emotionally drained, scraped hollow, like something essential had been scooped out of me and thrown away.

“Nellie.” Margaret appeared in my cubicle doorway, her expression softer than I had ever seen it. “Go home. Rest. We will figure this out tomorrow.”

“I have the gallery tonight,” I said. “My first official shift.”

“Can you call in sick?”

“The policy”

“Right. The policy.” Her lips pressed into a thin line. “Then at least take an hour for yourself before you go. Eat something. Sit down. Breathe.”

I nodded, gathered my purse and my keys, and walked out of the office. The parking lot was half-empty, the afternoon sun casting long shadows across the asphalt. My car sat where I had left it that morning, ordinary and unchanged, as if the world had not shifted on its axis.

I drove to Tiny Treasures, collected Daniela from Ms. Patricia’s careful arms, and held her close in the backseat of the car before driving home. Her baby smelled of powder and milk, and something uniquely her filled my senses, grounding me in ways nothing else could.

“You are my reason,” I whispered into her soft hair. “You and Daddy. That is why I am doing this. Never forget that.”

She babbled something in response, her small hand patting my bare shoulder, and I laughed despite everything.

Pete was already home when we arrived, a rare occurrence that told me he had skipped his evening class to be with us. He took Daniela from me, kissed my forehead, and guided me to the couch with a gentleness that made my eyes sting.

“I made dinner,” he said. “Nothing fancy, just pasta and jarred sauce, but it is hot, and it is ready.”

“I am not hungry.”

“You need to eat.”

He was right, of course. I had not eaten since the sad desk salad at lunch, and before that, the granola bar I had grabbed on my way out the door that morning. My body was running on fumes and fear, and if I did not fuel it properly, I would collapse.

I ate. The pasta was bland, the sauce was watery, and I could barely taste any of it. But I chewed and swallowed and chewed and swallowed, because Pete was watching me with worried eyes, and I could not add to his burden by starving myself.

“Tell me about your day,” he said when I had finished half the plate.

I told him. About the Morrisons and the woman who covered her child’s eyes, and Margaret’s unexpected kindness. About the stares and the whispers and the way my skin had crawled every time someone looked at me. About the exhaustion that went beyond the physical, that touched something deeper and more fundamental.

“It is like I am not a person anymore,” I said finally, staring down at my empty plate. “Like I am just ... a body. Something to be looked at and judged. And I cannot escape it, Pete. I cannot put on armor and hide. I am just ... here. Exposed. All the time.”

He reached across the table and took my hand. “You are still a person, Nellie. You are still you. No contract can change that.”

“It feels like it is changing me. Like every day I spend like this, something inside me gets a little smaller. A little quieter.”

“Then we will fight it. Together. Every day.”

I looked up at him, my husband, my partner, the father of my child, and saw the fear in his eyes behind the determination. He was scared, too. Scared for me, scared for us, scared of what this was doing to our family.

“I love you,” I said.

“I love you too. Now go. You have a shift in two hours, and you need to rest before you go back to that place.”

He was right. I lay down on the couch, Daniela nestled against my chest, and closed my eyes. Sleep did not come. My mind was too full of glass enclosures and banging rhythms and Zara’s calm, implacable voice, but the rest helped. Gave me just enough strength to face what came next.

The drive to the gallery felt different this time. Not short, the distance was the same, the traffic was the same, but something in me had shifted. I was not a curious newcomer anymore, eager to prove myself. I was a prisoner returning to her cell.

The employee lot was empty except for my car, the same as before. The west entrance was dark, the keypad glowing faintly in the evening light. I scanned the QR code with the My Enclave app, and the door clicked open.

“Welcome back, Nellie.” Zara’s voice came from the ceiling speakers, warm and welcoming and utterly terrifying. “Your first official shift begins in fifteen minutes. Please proceed to the orientation room to prepare.”

Prepare. That was what they called it: preparation. Not stripping, not exposing, not surrendering. Preparing.

The orientation room was unchanged, with a safe, lockers, a counter, and a tablet. I went through the motions mechanically, removing my clothes, storing my belongings, wiping away the mascara I had allowed myself to wear during the day. The cameras watched, recording everything, storing who-knew-what in some database somewhere.

“Verification complete,” Zara announced. “You comply. Please proceed to the main exhibition hall.”

I walked through the labyrinth, my bare feet silent on the concrete, my body cold despite the temperature-controlled environment. The banging started before I reached the door, Tina’s SOS signal, steady and desperate.

Thump. Pause. Thump-thump. Pause. Thump.

I pushed through the doors and into the darkness.

The main exhibition hall was exactly as I had left it, glass enclosures gleaming under strategic lighting, shadows pooling in corners, the smell of antiseptic and stale air hanging heavy. But something was different. Something had changed.

It took me a moment to realize what it was.

The enclosures had been rearranged.

Sara was no longer in the first position on the left. She had been moved to the center, her glass box elevated on a platform, her bound body illuminated from every angle. Tina was to her right, her SOS banging continuing even as I approached. Marcus stood to her left, his arms still raised in permanent supplication, his eyes still empty.

And Jasmine

Jasmine was gone.

“Where is she?” I asked, my voice sharp with sudden fear. “Where is Jasmine?”

“The participant you knew as Jasmine has been moved to a different exhibition space,” Zara replied smoothly. “She required more intensive support than this environment could provide.”

“More intensive support,” I repeated the words, tasting their euphemistic poison. “You mean you moved her to the basement. To the permanent exhibits.”

There was a pause, the first pause I had ever heard from Zara, a hesitation that lasted less than a second but felt like an eternity.

“That information is not available to comfort staff.”

“I saw her down there. During orientation. She was in one of those “ I stopped myself, swallowed hard. “I saw her.”

Another pause. Then: “Your access to restricted areas has been noted. Please proceed to Sara’s enclosure to begin your shift.”

I stood frozen, my mind racing. Jasmine was in the basement. Jasmine was in one of those clinical cages, being fed through tubes, her body wasting away while her mind retreated somewhere unreachable. Jasmine was becoming a permanent exhibit, like the others I had seen in that hidden room.

And there was nothing I could do to save her.

Not yet.

I walked to Sara’s enclosure, knelt beside the hatch, and opened it. Her hand found mine immediately, cold and trembling.

“You came back,” she whispered.

“I told you I would.”

“I did not believe you. No one ever comes back.”

I squeezed her fingers, feeling the bones beneath the skin, the fragility of her body after months of confinement. “I am here. And I am not leaving. Not until you are free.”

Her laugh was hollow, bitter. “Free. I had forgotten what that word meant.”

“Then let me remind you.”

The shift passed slowly, each hour stretching into what felt like eternity. I moved between the enclosures, offering water and comfort and the brief warmth of human touch. Sara talked when she had the strength, telling me about her life before the gallery, her job as a curator, her love of Renaissance art, the boyfriend who had left when she announced her “artistic project.”

“He said I was crazy,” she murmured, her eyes fixed on the ceiling of her glass box. “He said I was throwing my life away for something that was not even real art. I told him he did not understand. And now...” She trailed off, her hand tightening on mine. “Now I think he was right.”

“You are not crazy,” I said. “You made a choice based on incomplete information. That is not the same thing.”

“Isn’t it?” She turned her head to look at me, and I saw the self-loathing in her eyes. “I signed the same contract you did, Nellie. I read the same words. I just ... I did not believe they would enforce them. Not like this. Not on me.”

“They enforce them on everyone.”

“Now I know.” She closed her eyes. “Now I know.”

 
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