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Forum: Story Discussion and Feedback

What's good in a long series?

Big Ed Magusson 🚫

Spinning off from another thread where DBActive wrote about some long series here: "you can pick up any part of the series and not have missed anything."

I get the popularity of series where the characters don't significantly evolve. Most television series are that way and a lot of long running book series are that way (particularly in mystery and thriller).

I also get the popularity of series where the characters only change slowly over what are otherwise self-contained episodes. Again, TV sitcoms often have characters pairing up or changing jobs and such over the course of multiple seasons, but it's slow and often not a planned arc (more—"we need to keep this fresh, so now what?").

I also get the desire to see the characters grow and change over a long series. A long arc can be really satisfying if it gets finished, but can suck if it doesn't (I won't call out a couple of well-known mainstream fantasy authors here, but you know who I mean).

But as a writer, I'm not sure if there's a way to satisfy both camps or not. Especially in erotica. Many of the folks here are just reading for the sex scenes and you can only do so much before it becomes "wash, rinse, repeat."

Ulterior motive on the table time:

I've been working on a very long series—it'll be ~800kwords or more when it's done, broken up in to seven books. Book one will start being released to my Reamstories subscribers this fall and it'll show up on Bookapy and also here in the spring.

The story is planned as a full character arc. The main character is going to go from a moderately conservative guy to someone who regularly engages in wild orgies. It's going to take that many words because I need the main character's growth to be believable and that means slow change. Real people don't change overnight and "Road to Damascus" conversions are rare.

But… I also want the individual books to be logical self-standing volumes in and of themselves. If you only read book one, you get a satisfying story. If you skip book one and read book two, you get a satisfying story. I've figured out how to do that plot wise, so it's now mostly figuring out how to work the recaps of what happened earlier in without it being clunky.

So… would this satisfy both camps?

And a more general question: what's been people's experience here with erotica stories in both camps? Is episodic enjoyable enough? Are the long arcs better?

What would you want to see in a long series and what would drive you crazy?

Dominions Son 🚫
Updated:

@Big Ed Magusson

But as a writer, I'm not sure if there's a way to satisfy both camps or not. Especially in erotica. Many of the folks here are just reading for the sex scenes and you can only do so much before it becomes "wash, rinse, repeat."

I am not convinced that there is anything special/different about erotica here.

Exactly the same thing could be said about gunfights in a long running western series or sword fights/magic combat in a high fantasy series.

I think the real problem is that in dead tree, these long series get chopped up into multiple books. The average reader isn't looking at the entire series at once.

Big Ed Magusson 🚫

@Dominions Son

I think the real problem is that in dead tree, these long series get chopped up into multiple books. The average reader isn't looking at the entire series at once.

Interesting. Often they're shelved right next to each other and they're certainly tagged as a series, but I can see your point. They don't look as long.

Replies:   limab
limab 🚫

@Big Ed Magusson

Lord of the Rings is one book. Tolkien's publisher convinced him to split it so that the public would buy it.

limab

Replies:   Vincent Berg
Vincent Berg 🚫

@limab

Actually, when he first wrote it, as his magnum opus caping a lifetime of work in linguistics, it flopped, and while it got some stella reviews, no one wanted to read it, so it essentially flopped commercially.

It was only in the mid-sixties, when the whole counter-culture movement began, rejecting the 'All-American' pro-war crowd, that it was 'rediscovered', and suddenly the more-modern readers couldn't get enough of it. And that's when the publisher insisted on splitting it into three separate books, purely to maximize their profits. And it worked, as it's been popular ever since, no matter which different turn the country as a whole took after that.

But as you can tell, I spend a LOT of time studying the story's history, as I've always considered it a literary masterwork of the highest order.

Replies:   Grey Wolf
Grey Wolf 🚫

@Vincent Berg

That pattern repeats often - neglected but quality work suddenly gains prominence decades later, often for reasons unrelated to the actual quality of the work.

Look at the story of 'It's A Wonderful Life', which owes much of its rediscovery to a copyright glitch. It was virtually unknown when copyright lapsed, and is now generally considered to be one of the best American films of all time.

And then there's a book like 'Rage' by Richard Bachmann aka Steven King. It came and went, was reissued and did moderately well (because the real author was revealed) - and then was withdrawn by King because he feared it might inspire copycat school shooters.

All of which is entirely beside the point of book length, but relates to the notion of rediscovered works.

And I agree: LotR is a masterwork.

Replies:   Vincent Berg
Vincent Berg 🚫

@Grey Wolf

As always, different generations, different tastes, as literary fashions change nearly as quickly as clothing fashions do (generally every generation vs. each separate 'season' of the year). But still, those tastes change fairly frequently.

Vincent Berg 🚫

@Dominions Son

I've always referred to stories written by military vets—usually as a part of their therapy—as 'gun porn', because their description of cleaning their weapon, is almost exactly like most pornagraphic of passages, as it's single-focused and unrelenting in it's approach.

Which I understand, as with someone in combat, having a working weapon is essential, and the act itself is typically calming and self-centering, another essential element, yet from a story standpoint, it's little better than the typical 'girl of the week' variety story, where the girls are essentially meaningless, they've so utterly interchangeable.

As always, the key is the whole story arch, not what's most satisfying for you (to get you're own nut off), as the focus should always been on the reader and NOT pleasing yourself, otherwise the entire thing is nothing but mental masturbation.

However, there are a LOT of these 'porn-type' stories, car-porn, gun-porn, 'mother'-porn (where someone is hung up on their mother due to some indecent in their past). So I usually end up abandon the whole thing when it first starts, guessing where it's going to end up. As I'm more interested in the story, rather than the particular kink.

I certainly don't mind the various kinks, yet if the particular IS the entire story, then there just nothing there for the average reader—most pony-stories fit into this category as well, with 'pony-porn'.

ralord82276 🚫

@Big Ed Magusson

I will be honest here:

I love long stories/series as long as the story keeps developing ...ie not just the same BS over and over.

But my biggest pet peeve is ... serialized stories!! You say your planned series is roughly gonna be around 800k words? That would take me about 2 days to read... I am a voracious reader reading roughly 12-14M words a month... so imagine, if you will, my patience level with serialized chapter release schedules? or worse - 1-3 chapters released randomly each year.... drives me batty!
So I try to stick with fully completed and released books.

Big Ed Magusson 🚫

@ralord82276

I can understand not liking serialized stories, especially those "in progress" which might not get finished.

That said, around here it's pretty clearly the way to build up an audience. A story needs to show up on the first page multiple times before a lot of people will start reading it. If I post the entire story at once, I get a small fraction of the readers/reviewers/commenters/etc. than if I post a chapter a week. Even then, it's become clear that I need to be posting multiple times a week.

It just really is noticeable how much the readership falls off if a story isn't front and center regularly and serialization's the only way to do that.

awnlee jawking 🚫

@Big Ed Magusson

If I post the entire story at once, I get a small fraction of the readers/reviewers/commenters/etc. than if I post a chapter a week. Even then, it's become clear that I need to be posting multiple times a week.

For a story that long, reading it all in one go would be too daunting for most readers. Even long chapters can be daunting.

The optimum number of times to post each week is a question awaiting resolution. The older hands with high-scoring stories seem to choose once or twice a week, probably the latter more often.

I'm a bit like @REP in that there can be long gaps between my chapters. I know my readers hate me for it.

AJ

awnlee jawking 🚫

@Big Ed Magusson

If I post the entire story at once, I get a small fraction of the readers/reviewers/commenters/etc. than if I post a chapter a week.

Snekguy has recently uploaded a story, 'Rule of Three'. I like Snekguy's stories and I would like to read it but at nearly 150,000 words I just don't have the time.

AJ

Replies:   Dominions Son
Dominions Son 🚫

@awnlee jawking

150,000 words is not exceptionally long for a science fiction novel.

Vincent Berg 🚫

@Big Ed Magusson

SOL is unlike any other story/book site, as most other places just offer books or stories, where they purchase the whole thing. Yet on SOL, everyone reads stories differently. Then, once they've read the entire story for free, they'll then purchase the story to encourage the author to continue writing.

So again, the best solution is to cater to both crowds, so you offer the finished book, for those too impatient to wait, while posting the story at a constant pace to help build the story rating over time (it's almost impossible to achieve a score of seven any other way).

However, the main benefit of this dual SOL approach, is that the direct feedback you receive from SOL readers, allows you to focus on your strengths and strengthening any particular storytelling weaknesses, as SOL readers are more than free with their suggestions, comments are reactions. Which is something you really can't get anywhere else, especially NOT through mainstream publishing, where then ONLY time you get direct feedback in on literary promotion tours, where you're traveling from one city to another, visiting multiple book stores, overstressed and exhausted and ready for it all to be over.

The feedback can be emotionally satisfying, yet the support and encouragement isn't nearly as helpful.

The Outsider 🚫
Updated:

@ralord82276

I shudder to think how quickly you'd read one of my stories! The longest is only about 260k words!

Still, after I posted that one, I realized that I couldn't post a story if it wasn't complete. (My hang up) I felt it wasn't fair to the readers.

I'm working on Knox #3 right now (editing what I've done, not writing) and it's 224k words and 37 finished chapters. Unfortunately, since I admitted I had PTSD after 30 years in EMS, I haven't written much. It's been almost 2 years since I wrote anything substantive.

Part of me wants to publish what's done so far, but my editor and I agree that would put me under too much pressure.

I won't publish Knox #3 until it's finished on my end.

Replies:   rustyken  ralord82276
rustyken 🚫

@The Outsider

I will be looking forward to its publication!

ralord82276 🚫

@The Outsider

Your short ones? around 10 min or so...
Your 2 long ones would be 5-8 hrs probably based solely on word count. My reading speed is also affected by content enjoyment, RL interruptions, and my health.

Although I say that serialized stories are my pet peeve (and they are), I have no hesitation whatsoever in upholding an author's right to post in whichever manner they choose. I greatly appreciate authors for the ability to create an ordered story, to craft their creativity into a form that allows others to enjoy it as well.

So you write and post however you want. And Thank You for being willing to make your creativity available for us readers to enjoy.

Replies:   The Outsider
The Outsider 🚫
Updated:

@ralord82276

When I've finished Knox #3, I'll post 2 chapters a week (1 on Mondays, 1 on Thursdays), or about 70-80k a week.

I also have a plan for Knox #4, a fan-fiction follow-on to Fail Safe, and the additional chapter/follow-on to Tovette, but who knows when I'll get around to all those..

jimq2 🚫

@ralord82276

Like one author, who I won't name, that is now posting additional chapters to stories started 7, 8, or 9 years ago. I won't bother to read them since I don't know if they will ever finish.

JimQ

Vincent Berg 🚫

@ralord82276

That's why, I've always preferred, writing and editing the entire story, before posting word one online, so I can then offer the completed book for everyone who can't stand those long chapter 'teases'.

However, some phenomenal authors are utterly unable to write that way, so while I bitch and moan, I still dutifully read them, but it does get exhausting!

REP 🚫
Updated:

@Big Ed Magusson

So… would this satisfy both camps?

I doubt that you will ever satisfy both camps. One camp wants to see the character develop over a period of time to include the development of the supporting characters and done over multiple chapters. The second camp wants to see the fully developed character in the first couple of chapters. Some authors have tried the fully developed character approach with a flashback showing how they and their supporting characters evolved. I don't think that works very well for there would be too many chapters in the flashback.

One of my problems with writing a long story is that I am a write-then-post writer. That means I post infrequently. My readers may not recall what has happened during the chapters of prior parts that support a scene in the current part. At that point I have to decide to reference a prior Part and Chapter or to write a brief passage on what happened. Neither is a good solution. That is why in my Introduction, I always suggest my reader refresh their memory by rereading prior parts. Most readers don't want to spend their reading time rereading the prior parts of a story. In fact, a number of readers skip Introductions and Forwards.

A second problem with long stories is the number of characters in the story. Readers sometimes get lost when you mention a character from a prior Part for they don't recall the activities that character was involved in, which is a good argument for a character list. I maintain a character list for each of my stories containing all characters mentioned in the story, but I don't publish the list. My Opening Earth character list contains 221 characters. The lists are basically a prompt to my memory and not suitable for posting. Updating and maintaining the list would be a major task if I were to include it in a story. Most of the character lists I have seen in other author's stories are basically useless to me because they contain physical descriptions of the characters and rarely mention the characters role in the current and prior stories.

Replies:   Big Ed Magusson
Big Ed Magusson 🚫

@REP

Most of the character lists I have seen in other author's stories are basically useless to me because they contain physical descriptions of the characters and rarely mention the characters role in the current and prior stories.

Ooh, I like this. Yeah, they've been useless to me before because they're just a list of names and maybe which group or family they're with. But tagging their role... hmmm....

Mushroom 🚫

@Big Ed Magusson

I also get the desire to see the characters grow and change over a long series. A long arc can be really satisfying if it gets finished, but can suck if it doesn't

Well, a lot of that is also in the style that somebody wants to write.

A great many of my stories are "coming of age", where part of the point is that the characters change and evolve over time. And this can be good or bad, but it is a change I felt was important to the story I was telling.

In once, the MC was naïve and trusting. Accepting almost anything he was told, and having a very positive outlook in life. But later on after the knocks of life he became a lot more cynical and harder.

And another where he was an independent loner that thought he knew everything has come to learn that is not really the case at all. And that trying to get along with others is not a weakness.

In most of my longer form stories, the growth of the main character is actually a key part. And very rarely do I let them leave a story the same way they entered it.

DBActive 🚫

@Big Ed Magusson

This makes me think of the well-written story, with themes I generally like, that I dislike the most. It wasn't any of the three I mentioned in my previous post.

Replies:   Big Ed Magusson
Big Ed Magusson 🚫

@DBActive

Well, if "this" means the story I mentioned I was writing, I hope it doesn't get added to your "dislike the most" category. ;-)

Replies:   DBActive
DBActive 🚫

@Big Ed Magusson

No, "this" was just the thread, not your story.
It made me think of some very popular stories I dislike. Generally it's because I dislike the characters.
The story that popped into my mind immediately was Metamorph by Jezzaz. I like reconciliation stories but absolutely hated that one.

ginverse 🚫

@Big Ed Magusson

I don't think it is possible to satisfy both camps, but again I think it depends on the story the themes and ideas being explored and the characters with in.

I prefer stories were the characters grow and evolve, but I am not opposed to stories were that does not happen if I am enjoying the world of the story that can offset any points that I am not a fan of.

This is why reading is such a personal thing as things can captivate you and hold you that on paper goes against your stated preferences, this could be incidental things.

Vincent Berg 🚫

@Big Ed Magusson

For me, who's long focused on the whole story arch, 'writing towards the ending', it's how I think, though now that I'm getting older, I'm no longer able to keep nearly as much in mind at once.

However, the biggest key is to keep each 'book' separate, by giving each it's own main conflict (within the overall series conflict), as that allows each book to have it's own satisfying resolution, allowing you to include a 'preview' chapter, giving readers a 'peek' into the following book's own conflict, to help build the readers' anticipation.

Overall, nothing is worse than a great story premise, with a weak, unsatisfying ending, as each time it happens to me, I end up either throwing the book against a wall, or just tossing the entire thing in the trash, and refusing to EVER read another of the author's work, as an unsatisfying ending is a sign of someone with no clear view of what they're doing.

Most often, when it happens, the author has simply painted themselves into a corner, and simply can't think of any way out (which is also the cause of most writer's block, and thus the cause of most abandoned stories too. Though in these cases, they end up tacking on whatever conclusion they can dream up to someone end the story and get away from the story as quickly as possible.

So, it can and does happen to decent authors too, yet it's usually a warning sign.

Therefore, focusing ON the ending (as I'm a 'pantser' and prefer letting the story evolve as I'm writing it), I can usually guarantee I'll arrive at the right place (unless my main editor, keeps changing the ending on me, usually upsetting the entire story arch and story trajectory both. So, when that happens, I usually end up abandoning the already finished book.

However, that editor, a long-term personal friend, did it by design, not wanting to 'quit' on me, he instead set me up to drop him. We eventually reconnected, and he did feel guilty for it (especially as that was the trigger point when I stopped publishing my stories altogether for nearly five years), yet the damage was already done..

So, the other caveat is, always remains true to your story, and if any editor, seeks to undermine the story itself—not just making suggestions as is what editors are supposed to do, then drop them like a hot potato, as that's an inherently self-destructive relationship.

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