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A writing error

Switch Blayde 🚫
Updated:

For the authors out there, we haven't discussed much about writing in a while. I'm not talking about typos and grammar. I'm talking about technique.

Reading stories on SOL, I keep coming across something that drives me nuts. Everything is going fine and then, all of a sudden, the author jumps ahead with no warning. I'll give you an example that I just read.

In the story, the mother and son are talking in her bedroom. And then the next paragraph is:

"There doesn't seem to be anything good on tonight." Mom says, flipping channels. We've just finished dinner and I'm anxious to try out the new suggestion.

They are no longer in the bedroom. And enough time has passed for them to have completed dinner and gone to the living room to watch TV. Unfortunately, the reader doesn't know that until the second sentence in the quoted paragraph (which, btw, should be a new paragraph, but that's not what this thread is about). That sentence it: "We've just finished dinner and…" For that matter, the reader doesn't even know where they are yet. Only that they somehow went from the bedroom to having had dinner and now they are somewhere else.

I find this immensely troubling. Annoying. And talk about being taken out of the story! The author is making the reader stop to orient themselves to where the story is now.

Anyone else notice this? Anyone else find it annoying?

It's such a simple fix to have a few transitional words to orient the reader with the time/place change. Maybe simply putting that second sentence before the dialogue. Even if it were a scene change the author would orient the reader. But for it to happen from one paragraph to the next in a scene is just wrong.

awnlee jawking 🚫

@Switch Blayde

The story is marked as concluded in 2011, but a review in 2012 wishes it were complete. Curious.

Those 40,000 word chapters are way too long for me :-(

AJ

Replies:   Switch Blayde
Switch Blayde 🚫
Updated:

@awnlee jawking

Those 40,000 word chapters are way too long for me :-(

Yeah, I agree. I noticed many places in the 1st chapter where I would have made a new chapter or at least a scene break. But that's not the focus of this thread. And I used this story simply as an example. I find the problem too often in many stories on SOL.

Replies:   awnlee jawking
awnlee jawking 🚫

@Switch Blayde

I encounter it too, though seemingly less than you. An instance I came across recently had a scene change in the middle of a paragraph that could only be discerned by going back and trying to work out what the author was trying to say.

AJ

Replies:   Switch Blayde
Switch Blayde 🚫

@awnlee jawking

that could only be discerned by going back and trying to work out what the author was trying to say.

That is the problem and why the reader is taken out of the story so why it is so bad.

jimq2 🚫

@Switch Blayde

So what story are you talking about? You have everybody biting their fingernails.

AmigaClone 🚫

@jimq2

So what story are you talking about? You have everybody biting their fingernails.

Using the Advanced Search feature it appears to be 'Neuro Submission Transmitter' by SamSlam

Replies:   awnlee jawking
awnlee jawking 🚫

@AmigaClone

Using the Advanced Search feature it appears to be 'Neuro Submission Transmitter' by SamSlam

It's not my story but I'm not sure it's good etiquette to fat-shame an author when a matter or principle is being discussed. As you discovered, the actual story is easy to find using Advanced Search, and if a free member really needs to know it can always be communicated by PM.

AJ

Replies:   Dominions Son
Dominions Son 🚫

@awnlee jawking

I'm not sure it's good etiquette to fat-shame an author when a matter or principle is being discussed.

On the other hand, is it fair to criticize a story without naming it, thus denying the author the opportunity to defend themselves.

awnlee jawking 🚫

@Dominions Son

is it fair to criticize a story

The story wasn't being singled out, it just happened to be a handy example. Perhaps the excerpt could have been rewritten to make it unidentifiable - I've done that a few times.

Another concern is that I've seen authors delete all their stories and leave the site for less. I don't think that benefits the site.

AJ

Dominions Son 🚫

@awnlee jawking

The story wasn't being singled out, it just happened to be a handy example.

SB's original post was just using it as an example. However I would not agree that your comment throwing in a complaint about the chapter lengths fits into that "handy example" category.

Bondi Beach 🚫

@awnlee jawking

Another concern is that I've seen authors delete all their stories and leave the site for less.

Wow. Those authors must not have received the thick skin recommended for anyone who posts a story.

~ JBB

Switch Blayde 🚫

@Dominions Son

On the other hand, is it fair to criticize a story without naming it, thus denying the author the opportunity to defend themselves.

I wasn't criticizing the story. I was pointing out a common writing problem I've encountered in many stories. I just happened to use what was done in this story as an example.

Replies:   Dominions Son
Dominions Son 🚫

@Switch Blayde

I wasn't criticizing the story.

You weren't. AJ did.

Replies:   awnlee jawking
awnlee jawking 🚫

@Dominions Son

I didn't identify the story. And I don't suspect any authors would be upset by an observation about long chapters.

AJ

Switch Blayde 🚫

@jimq2

So what story are you talking about?

Yeah, it's 'Neuro Submission Transmitter' by SamSlam. (I read it years ago so I'm re-reading it after it was mentioned in a thread on this forum.)

But I'm not singling out this story or author. Although he does it a lot in this story, it's something I see often when reading stories. It's such an annoying thing yet so easy to avoid so I brought it up.

Switch Blayde 🚫

@Switch Blayde

Okay, here's another example from the same story. Not as bad as the other example, but still jarring. And so simple to fix. This is the end of one chapter and the beginning of the next:

Resting her head on my shoulder, I wrap my arm around her back and we drift off into a blissful sleep.

Mom works late on Thursday night and I try to write an outline for the writing contest to show Miss Edwards on Friday.

See how it jumps to a new time and location? All it would take to fix that is to put some transitional words like "After we woke up, Mom went to work. She works late on Thursday night and…"

Again, I'm not picking on this author or this story. If I were, I'd talk about his misuse of paragraphing. But the problem I'm addressing is often found in stories on SOL by many authors. And, as I said, it's so easy to fix if the author is aware of it. The point of this thread is to make authors aware of it.

Replies:   Bondi Beach
Bondi Beach 🚫

@Switch Blayde

See how it jumps to a new time and location? All it would take to fix that is to put some transitional words like "After we woke up, Mom went to work. She works late on Thursday night and…"

Isn't that a good place to put the handy-dandy divider?

~ JBB

Replies:   Switch Blayde
Switch Blayde 🚫

@Bondi Beach

Isn't that a good place to put the handy-dandy divider?

You can, but you don't always need a scene change to do it.

And even when starting a new scene/chapter, you need to orient the reader to the place, time, and POV character.

JoeBobMack 🚫

@Switch Blayde

Yes, I've seen it (here and other places), and yes it bothers me. As you say, takes me out of the story.

My question is can AI help authors learn to see and correct these kind of structural mistakes? From my experience, I'd say yes, but I can't give a specific example on this point. I've put some of my writing (not the NSFW stuff I've written intended for this site) into some of the major AI models and asked them to serve as "developmental editors." I find that they can spot things of this nature, at least occasionally.

Of course, sometimes they also suggest things I don't want to do, like perhaps lavish more description on a scene or character that isn't important enough to warrant the words. Or, at least, that's been my opinion.

But, as Ethan Mollick of Penn's Wharton School of Business says, all AI has to do to be useful is to be better than the best available human being. As has been mentioned recently in this forum, getting an editor isn't easy, and getting one who will do more than grammar and spelling is even harder. And almost none of use can afford paid help. So "available" is a pretty tough standard to clear for human beings in this role.

I'm not a fan of AI writing. But I see a lot of work, including at a Writers' Meetup I attend weekly, that could benefit significantly from dumping it in one of the major AI models and saying: "Serve as a developmental editor and give me the five best suggestions to make this section of my fiction story better." Of course, the more one tailors the prompt, or the more background on the story - plot, characters, setting, etc. - one provides to the AI, the better the results will likely be. But I suspect just that simple request would help a lot of authors improve their work.

Replies:   Switch Blayde  REP
Switch Blayde 🚫

@JoeBobMack

including at a Writers' Meetup I attend weekly,

That is great. Ages ago, I used to participate in an online writers group where, if you reviewed 5 other works, someone would review yours. That was when I was told I had done what I'm bringing up here. I had characters approach the front door of a haunted house and the next paragraph had them inside the house looking around. The reviewer pointed out, "How'd they get inside the house?" or something like that.

REP 🚫
Updated:

@JoeBobMack

Yes, I've seen it (here and other places), and yes it bothers me. As you say, takes me out of the story.

Takes me out of the story big time. I go back to the point where the scene began and go through the scene to find something related to the out of context passage that I may have missed.

My question is can AI help authors learn to see and correct these kind of structural mistakes?

I doubt it. The author needs to see and recognize the error in order to correct it without outside assistance. When you rely on something like AI to find the error, then YOU don't improve your proofreading skills.

The author needs to learn to look for continuity from one sentence and paragraph to the next.

This type of error is made by an author thinking ahead and then writing passages to support the point in the plot they are focusing on. Then, assuming that they proofread the chapter/story they wrote, they need to look for continuity. Relying on AI doesn't create that habit.

Replies:   JoeBobMack
JoeBobMack 🚫
Updated:

@REP

Hmmm... Maybe. Or maybe new authors have to see the mistakes and have them and the correction explained before they can learn to correct that type of mistake for themselves. There have been writing errors that have worked that way for me.

steven.b.langer 🚫

@Switch Blayde

I don't think this is a problem AI could solve well, as it is more on the perception of time passing in the story, which is more a feeling of the reader.

I have had 2 examples recently with stories on here, that have done this.

Both times it was mentioned to the author, in the comments, the first example was:
The events of the day were written in a way that made it feel like the Characters woke up had breakfast then went to bed.
The author did go back and change the text and added a little more to the story but only to give the impression that a full day had passed, rather than it feeling like only an hour or so had.

The second example was worse, as in the chapter the main character is in his room being told that his diner will be soon, then the next line he is at a garage a day or two later with his car having his tyres looked at. It was very discombobulating to read, I had to go back and reread the last couple of lines just to double check I had not changed chapters in the story.

Just adding a couple of transitional lines would have helped that a lot rather than the whip effect it had when reading it.

Replies:   Switch Blayde
Switch Blayde 🚫

@steven.b.langer

Just adding a couple of transitional lines would have helped

Exactly.

And as you experienced, it's a common writing error with SOL stories. And one that is easy to fix. You don't need to take a writing class or learn grammar or anything like that. That's why I brought it up.

Paladin_HGWT 🚫

@Switch Blayde

Transitions can be difficult to handle.

I have tried to imitate those who I enjoy reading.

To start a story or chapter, I tend to use:

Bob's House, Seattle
Morning, Friday 13 December, 2024

Tell portion of story.

Bellevue Square
Afternoon, Friday 13 December

Another part of the story, taking part in the parking lot, describing strolling into the mall, and then eating at the food court.

-----------------------------

A bit later, events inside a store, without describing the transition, but after the dashed line:

After lunch Bob spent an hour browsing the book store, looking for a good mystery, while waiting for...

xxxxxxxxxxxxx

The above are several methods I use to transition in time, location, or both.

steven.b.langer 🚫

@Switch Blayde

I think what got me was that when it was pointed out in example 2 the author just ignored it and carried on like nothing was wrong, I am not asking them to rewrite anything but when I have reread that part of the story again, that abrupt jump still gets to me.

Replies:   Switch Blayde
Switch Blayde 🚫

@steven.b.langer

when it was pointed out in example 2 the author just ignored it

How do you know the author was told?

Replies:   steven.b.langer
steven.b.langer 🚫

@Switch Blayde

It was mentioned in the comments section of the story. And the author had replied to another post.

akarge 🚫

@Switch Blayde

I once started reading the whole set of a particular authors works. A prolific author. I sent private messages about particular word choices that were consistently wrong. Birth, instead of berth, etc.

No reply. No corrections.
So, no more messages from me, but I never finished his collection.

jimq2 🚫

@Switch Blayde

You also have to consider that to some of our authors, English is not their primary language. There was one author I was reading where I thought his grammar was stilted. Turns out he was German.

Replies:   Switch Blayde
Switch Blayde 🚫
Updated:

@jimq2

You also have to consider that to some of our authors, English is not their primary language. There was one author I was reading where I thought his grammar was stilted. Turns out he was German.

But that has nothing to do with this type of problem. It's not a grammar problem. It's a flow problem.

And it's a common problem. I've done it myself. I simply want authors to be aware of it, to look out for it in their stories.

Replies:   jimq2
jimq2 🚫

@Switch Blayde

Sorry, I was responding to akarge's comment. I just hit the wrong button.

Replies:   akarge
akarge 🚫

@jimq2

Actually, I know he's from the US.

Diamond Porter 🚫

@Switch Blayde

It is difficult to proofread something that you wrote yourself. When you look at text you wrote, your mind snaps back to when you were writing it, and you see what you meant to write, instead of what you did write. (If you wait several years, you can get around this, and proofread your own work, but that is rarely an option.)

This is why spell-check software can catch mistakes that you can't find yourself. Similarly, AI can probably catch some things. Other mistakes will be missed by both kinds of software, and require a human proofreader.

Replies:   rustyken  BlacKnight
rustyken 🚫

@Diamond Porter

And unchecked autocorrect can create odd sentences that may not be caught when rereading it.

BlacKnight 🚫

@Diamond Porter

I write in raw HTML in a text editor, and proofread the formatted output in a Web browser, which helps a lot with the "seeing what you expect to see rather than what's actually there" problem. Though it does mean that when I find an error, I have to hunt down where it is in the editor window.

I turn off autocorrupt wherever possible. It introduces more errors than it fixes.

hst666 🚫

@Switch Blayde

If an author is not inclined to add some transitional words or start a new chapter, another option I have seen is simply to have some sort of section partition on the page such as, for example,

*********

I have seen that (usually centered) used for a scene change.

Replies:   Grey Wolf
Grey Wolf 🚫

@hst666

I write in Scrivener, which 'thinks' in terms of 'scenes'. Scene changes are thus fundamental to the writing process - if there is a scene change, start a new scene.

While that's only relevant to Scrivener users (or other more structured tools), what's relevant is the output process. I output to Word. When Scrivener outputs to Word, scene changes render as a centered '+++'. SoL's input turns '+++' into a centered horizontal line (horizontal rule), which is a pretty obvious scene change.

In fact, SoL's formatting guide says that, for plain text:

The last thing is Horizontal rules, any combination of '-' (dash), '=' (equal), '*' (asterisk), '_' (underscore), '@', '#', '~' (tilde), '+', 'β€’' (bullet), 'x' and 'β€”' (m-dash) β€” without the quotes) β€”On a line of their ownβ€” will be converted to a horizontal rule.

I believe that carries through to Word, even though it's not mentioned. The Word description says that {hr} (also supported in HTML) will convert to a horizontal rule, but '+++' is not {hr} (internally or as rendered).

Which means your '*********' example should probably render as a horizontal rule on SoL (and, if it doesn't, it might be interesting to figure out why).

As far as I'm concerned, scene changes by horizontal rule separation are often superior to word-based changes, because one immediately knows (with no reading effort at all) that the scene has changed. They are also 'worse' if one is using a text-to-speech engine that does not properly flag the horizontal rule, but that's a bug in one's text-to-speech engine (in my opinion, anyway).

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