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Unrealistic ending to a story

REP ๐Ÿšซ
Updated:

I am disappointed by the first person narrative in the final scenes of a number of stories, when the MC is the narrator.

To be specific, in the final scenes of a story, the MC is dying. Once the MC is deceased, the first-person narrative continues as if the MC is still narrating what happens after their death. Obviously that is not possible.

In most stories of this type, the reader is not informed of who is providing the narrative. It is also true that the speech pattern and the speaker's point of view continues to be that of the MC.

I find this type of ending to be unrealistic and a poor way to end what was a good story.

Switch Blayde ๐Ÿšซ
Updated:

@REP

Most stories are written in past tense, even 1st person stories. So if the 1st-person narrator is telling the story and dies at the end, he's telling the story from the grave.

My novel "The Nymphomaniac" is written in first person past tense. The last sentence of the novel is: "I smiled, exhaling one last time, never hearing the priest's response."

The last chapter jumps 70 years where the MC, the 1st-person narrator, is on her death bed telling a priest her story. So past tense makes sense. I almost switched to present tense for the last chapter, but thought that would be more jarring to the reader.

Replies:   REP
REP ๐Ÿšซ
Updated:

@Switch Blayde

The last sentence of the novel is: "I smiled, exhaling one last time, never hearing the priest's response."

That is my point - the MC died just before or as the priest was making his response, so the MC could not have made that statement. The MC would have had to be still alive to make the statement.

I haven't read the story, but based on your description, I think it would have been better if you had identified the priest as the speaker making his response in present tense. Then having the priest say something like, "I wonder if my words were a comfort?"

Replies:   Switch Blayde
Switch Blayde ๐Ÿšซ

@REP

The MC would have had to be still alive to make the statement.

Which is a major difficulty writing in 1st-person. I ended the story when she died so the reader doesn't know the priest's reaction or what he said.

Replies:   REP
REP ๐Ÿšซ
Updated:

@Switch Blayde

As you said, the last sentence that was spoken by the MC indicates the MC never heard the priest's response.

The priest's response was, as you said, after the MC's death.

This is a chicken and egg conflict.

Grey Wolf ๐Ÿšซ

@REP

One of the better solutions I've seen to this is to end the story with an epilogue clearly written by someone else, either a character or by quoting an obituary.

Replies:   Switch Blayde
Switch Blayde ๐Ÿšซ
Updated:

@Grey Wolf

One of the better solutions I've seen to this is to end the story with an epilogue clearly written by someone else,

Like switching to third person.

Replies:   Grey Wolf
Grey Wolf ๐Ÿšซ

@Switch Blayde

It can still be first-person, if the person is a known character or can introduce themself.

Sorry to be the bearer of bad news, but this is Mrs. MC. Unfortunately, Mr. MC passed away just after the most recent set of events. I wanted to make sure you knew what happened next. [...]

As the executor of Mr. MC's estate, I would like to clear up some details about his unfortunate passing. [...]

Yes, in both cases the first-person narrator is more clearly narrating from a given perspective than most first-person narrators are, but it still counts.

scotti ๐Ÿšซ

@REP

Solitary Arrow's ending is really good

awnlee jawking ๐Ÿšซ

@REP

To be specific, in the final scenes of a story, the MC is dying. Once the MC is deceased, the first-person narrative continues as if the MC is still narrating what happens after their death. Obviously that is not possible.

Perhaps a sequel will start with the disembodied soul watching his former body being buried, before it gets reincarnated in a new body :-)

AJ

Replies:   Switch Blayde
Switch Blayde ๐Ÿšซ

@awnlee jawking

will start with the disembodied soul

The second line of "The Lovely Bones" is something like: "I was fourteen years old when I was murdered."

So the 1st-person narrator was already dead when the story began.

samuelmichaels ๐Ÿšซ

@REP

There are a few different conventions to first-person narration. One is to assume the MC is narrating it to you, the listener (or alternatively, the reader is basically reading a transcription of potentially multi-hour, multi-session narration).

Another is that the MC has been writing his journal or memoir.

In both of these, there is an opportunity of asides and explicit foreshadowing, or some other breaking of the fourth wall; as well as obvious editing people do when they tell of their history (aka unreliable narrator).

The third is you in essence get a direct consciousness tap from the MC. There could still be unreliable memory or bad judgement, but no conscious falsehoods. It also allows MC to continue to his last breath, as it were. This is obviously a fiction, but then so is the entire story.

I find the last approach to be most immersive. I am not a big fan of explicit foreshadowing or other 4th wall breaks because they interfere with my immersion.

Note, implicit foreshadowing, like noticing suspicious behavior in your colleague but not realizing he is embezzling until too late, is quite different.

Replies:   REP
REP ๐Ÿšซ

@samuelmichaels

Another is that the MC has been writing his journal or memoir.

Are you addressing the subject of my original post or something else?

The original post is addressing the MC speaking after he dies. (Although it could be extended to include the MC writing in their journal or memoir after they die.)

The only way something like that would be realistic in a story would be if the story were a DoOver. The stories I was referring to are not DoOvers.

Replies:   samuelmichaels
samuelmichaels ๐Ÿšซ

@REP

Are you addressing the subject of my original post or something else?

I was addressing the case of Switch Blayde's example of reading the last thought of the first person MC just before expiration.

To be clear, if post-mortem narrative is present in a first-person narrative, it needs to include either a viewpoint shift, or some supernatural mechanism.

To some extent, this even applies to tight third-person narrative, as the author needs to switch to third-person omniscient or something like that.

Replies:   REP
REP ๐Ÿšซ
Updated:

@samuelmichaels

Switch Blayde's example of reading the last thought of the first person MC just before expiration.

I was just checking.

You may want to reread Switch Blayde's post. The last line of the story isn't referring to the MC's last thought. The last line is in parenthesis indicating a spoken statement. The wording indicates the statement is being made by the MC just prior to their death.

As written, the last line is not possible. As you said, the MC stating circumstances that occurred after their death would require a change in the story's perspective, which Switch Blayde didn't mention in his post. I haven't read the story, so I don't know is such a change is defined earlier in the story.

Replies:   Switch Blayde
Switch Blayde ๐Ÿšซ

@REP

You may want to reread Switch Blayde's post. The last line of the story isn't referring to the MC's last thought. The last line is in parenthesis indicating a spoken statement.

I assume you mean quotes when you said parenthesis.

No, the last line is not in quotes in the story. It's part of the 1st-person narrative. I put it in quotes here because I was quoting the story. I should have used the "Quote" feature here. The last paragraph in the story is:

I closed my eyes and waited for the next journey in my life. Would it be heaven or hell? The priest had said I had a good heart. I did. I was at peace. I smiled, exhaling one last time, never hearing the priest's response.

Replies:   REP
REP ๐Ÿšซ

@Switch Blayde

Yes, I was referring to the quotes in your post, not parenthesis.

Yes, inclusion of the quotes around the stories final line is confusing. I had the impression that they were in the story.

irvmull ๐Ÿšซ

@REP

Sounds more like a lack of imagination on the part of the reader than an error on the part of the writer.

A site devoted to fiction, and full of stories about fairies, space aliens, and absurb physical measurements is not the first place I would look for absolute realism. Try the DMV.

Replies:   REP
REP ๐Ÿšซ
Updated:

@irvmull

Sounds more like a lack of imagination on the part of the reader than an error on the part of the writer.

The author is responsible for their story's timeline and content - not the reader. When the author includes something that is not possible in the context of their story and timeline, responsibility for the error is not that of the reader's lack of imagination.

When the author has the MC speaking or contributing to the story's content after the MC's death, then that is an error made by the author; unless is a DoOver and I was not referring to DoOver stories in my OP.

Replies:   Dominions Son
Dominions Son ๐Ÿšซ

@REP

When the author has the MC speaking or contributing to the story's content after the MC's death, then that is an error made by the author

It isn't necessarily an error. I have the Kindle version of a dead tree series where the entire series takes place after the MC's death. The entire series is set in an afterlife.

Replies:   Switch Blayde
Switch Blayde ๐Ÿšซ

@Dominions Son

the entire series takes place after the MC's death.

That's like "The Lovely Bones." But that's different. You know the 1st-person narrator is talking from beyond the grave. That's not the same as @REP's issue.

If it's not a memoir or a ghost or something like that, then the story ends when the 1st-person narrator dies unless another narrator takes over (another 1st-person or 3rd-person narrator, hopefully not an omni narrator because that would sound like the author). That has to be done with skill so not to be jarring to the reader.

Paladin_HGWT ๐Ÿšซ
Updated:

@REP

in the final scenes of a story, the MC is dying. Once the MC is deceased, the first-person narrative continues as if the MC is still narrating what happens after their death. Obviously that is not possible.

In most stories of this type, the reader is not informed of who is providing the narrative. It is also true that the speech pattern and the speaker's point of view continues to be that of the MC.

Using the example in Switch Blayde's post:

The last sentence of the novel is: "I smiled, exhaling one last time, never hearing the priest's response."

That is merely an "unreliable narrator" as we have no idea if the priest actually responded or not. It seems that the MC is presuming that the priest would respond.

It is completely valid in a story for a character to anticipate what may occur. Perhaps the character is correct, or perhaps not.

We cannot know what our last moments will be like, until they occur.

However, I did experience being rendered unconscious by an IED blast a mere few meters away (under the front axel of an M1114 "up-armored" HMMWV) and I had a series of distinct thoughts, and was able to observe the fireball expand over me and the other personnel aboard the vehicle. I have solid professional knowledge of the speed of an explosive blast.

Thoughts may be processed at incredible speeds. I had an experience followed by a period of utter blackness. Nothing has been more surprising than waking up alive!!! It was surreal, as we were in an uninhabited area, and my unit was practicing noise and light discipline; so, I was not at first aware of where I had regained a degree of consciousness.

I now grant a greater degree of tolerance for a character experiencing final thoughts in a story.

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