Available Immediately a Wanting Series Story - Cover

Available Immediately a Wanting Series Story

by Wesley Doyle

Copyright© 2026 by Wesley Doyle

Romance Story: Ash is a nine-hundred-year-old incubus, summoned twice a week by people who want something. That leaves a hundred and sixty-six hours—and lately he wants just one thing: to be expected instead of wanted. So he applies for a job at Costco. No papers, no legal existence since Henry the Second, just a résumé reading "Available immediately." A warm, funny, aching short about a creature of appetite who'd trade eternity for a torn red vest.

Tags: Romantic   Heterosexual   Fiction   Paranormal   Demons  

“I’d like a job,” Ash says.

I have a mouthful of coffee. I hold it there for a moment, in the interest of not redecorating.

“A job.”

“An occupation. Employment.” He is buttering toast with the terrible focus he brings to all small tasks. “A thing I do on a schedule that has nothing to do with anybody wanting anything.”

“You’re a demon.”

“I’m aware.”

“You’re a nine-hundred-year-old creature of appetite who materializes out of the dark when people light candles.”

“Twice a week,” he says. “Which leaves a hundred and sixty-six hours.”

And there it is, and I put my cup down, because I know exactly where this came from. It came from a hedge cutting in a jar on my windowsill, and a Sunday he spent in a rambler in Vancouver because he chose to, and a conversation at this table about what happens in forty years.

“You want somewhere to be,” I say.

“I want somewhere to be expected,” says Ash. “There’s a difference. Nobody has ever expected me. They’ve wanted me, which is the opposite, because wanting is what makes me arrive and expecting is what happens when you already know I’m coming.” He puts the knife down. “Cora, do you know what it would be like to be somewhere at nine o’clock because I said I would be?”

“Okay.”

“Okay?”

“Okay,” I say. “Let’s get you a job.”

That was Tuesday. I’d like the record to show that on Tuesday I thought this was going to be easy.

✦ ✦ ✦

“He has no social security number,” Priya says.

We are around my dining table again, which is where this family now conducts business. Margot has the binder. Priya has the laptop. My mother is on speakerphone from her kitchen, which is a thing that happens now, and which nobody has ever formally agreed to.

“He has an address,” Margot offers.

“An address is not identity.”

“He has a Costco card—”

“Margot.” Priya takes off her glasses, which is how you know it’s serious. “I want to be gentle about this. A Costco membership is not a government-recognized form of identification. It is a promise between a man and a warehouse.”

“That’s beautiful,” says Ash.

“It’s ruinous,” says Priya. “You have no birth certificate. No passport. No driver’s license, no tax history, no bank account, no credit file, no school records, no vaccination record, no fixed date of birth, and no legal existence in any jurisdiction on this planet.” She puts the glasses back on. “You are, from an underwriting perspective, the single most alarming individual I have ever encountered, and I once did a file on a man who owned nine boats.”

“So what do we do?” I say.

There is a silence.

“We could forge it,” says Margot.

Margot.

“What! People do!”

“People go to prison—”

“I’m just saying I have a laminator,” my sister says, with enormous dignity, “and nobody in this family has ever once let me contribute.”

“Margot,” says my mother, from the phone.

“Mom—”

“You will not laminate a federal document.”

“It was one idea—”

“It was a felony,” Ellen says. “Priya. Is there a lawful route?”

Priya looks at the ceiling for a while.

“There’s a route,” she says. “It is long, it is grim, it involves a delayed registration of birth and a judge, and it would require him to produce evidence of continuous residence, which he cannot, because he has been continuously resident since the reign of Henry the Second.”

“Third,” says Ash.

“I’m going to ignore that,” says Priya.

✦ ✦ ✦

So the plan, such as it is, becomes this: we get him an interview anyway.

Not because it can go anywhere. Priya was extremely clear that it cannot go anywhere, in the tone of a woman putting a disclaimer on the record so she can’t be blamed later. But Ash wants to know what it’s like, and I have watched this creature discover free samples and a hot dog and a laminated card with his name on it, and I have learned that the experience is the point.

“Where?” Margot says.

And Ash says, in the voice of a man who has been thinking about it since Tuesday and waiting to be asked:

“Costco.”

✦ ✦ ✦

I need to describe the résumé, because I have it in front of me and it is the funniest document ever produced by a human hand, and no human hand produced it.

ASH DELANEY

Available immediately.

“That’s a good line,” he says.

“It’s a true line—”

“It’s both, Cora, that’s the whole art of it.”

Under EXPERIENCE he has written: Consulting (approx. 900 years).

“You can’t put nine hundred years.”

“It’s the number.”

“They’ll think it’s a joke.”

“Then they’ll ask about it,” says Ash, “and I’ll say it’s a family firm, which is also true, in the sense that it was my father’s, in the sense that I don’t have one.” He takes the pen back. “Cora, I have been lying to human beings since before this country had a name. Let me have this.”

Under SKILLS he has put: Listening. Conflict de-escalation. Comfortable with irregular hours.

Under REFERENCES: Available on request.

“Who,” I say. “Who is the reference. Who on this earth is the reference.”

“Deloris,” he says.

✦ ✦ ✦

She is at the end of the frozen aisle with a convection oven and a tray of pierogi, and when we tell her, she sets down the tongs.

“You want to work here,” Deloris says.

“I’d like to try.”

“Doing what?”

“Anything,” says Ash. “I’d like to do what you do.”

And Deloris — fifty-something, hairnet, terrible knee, eleven years on this floor — looks at him for a long moment with an expression I can’t read at all.

“You know it’s not glamorous,” she says.

“Deloris, I have spent nine hundred years being glamorous,” Ash says. “It’s the worst job there is. Nobody remembers your name and everybody wants something and at the end of it you’re standing in a room you didn’t choose being the wrong answer to a question.” He puts his hands in his pockets. “You stand here and you give things to people for nothing and you tell them to come back. I’ve thought about it every day for six weeks.”

Deloris is quiet.

“I’ll talk to Renata,” she says. “That’s the hiring one. She does Thursdays.” She picks up the tongs and points them at him. “You wear a collar. Not that shirt.”

“What’s wrong with the shirt?”

“Nothing’s wrong with the shirt, hon,” says Deloris. “That’s the problem with the shirt.”

✦ ✦ ✦

Thursday. Ten-forty in the morning. The little room off the front of the warehouse with a table, three chairs, a poster about lifting technique, and a woman named Renata who has been a hiring manager for nineteen years and has the specific unflappability of someone who has heard every possible answer to every possible question.

I am in the chair by the door, because Ash asked me to be, and because I said I’d drive.

It goes — and I want to be clear about this, because of what happens at eleven-oh-four — it goes beautifully.

“Tell me about a time you dealt with a difficult customer.”

“Which one?” says Ash, and Renata laughs, and I watch him land the first one clean.

He is good at this. He’s good at people, he’s always been good at people; he listens like it costs him nothing and he asks the follow-up question nobody asks. Renata mentions in passing that she’s short-staffed on the closing shift and he says that must be hard on the openers, and something in her face opens up about four millimetres, and she talks for two minutes about the openers.

And here’s the thing I can see from my chair by the door, that Renata cannot.

He can hear exactly what she wants.

 
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