Chapter 8: Erica in the Playroom

Taking her hand but making her walk a little behind me, I led Erica down the hall to our ‘playroom’. Opening the door, I walked through with Erica, a submissive half-step behind. Looking around as if she hadn’t seen it before, Erica’s eyes grew wider and wider.

“You and Harry were both in here last night, remember?” I asked her.

“I was a little overwhelmed last night,” Erica replied. “I guess I didn’t notice what, or how much, you have in here.”

“This was the kid’s rumpus room when they were young and still living at home. We moved our playroom down here from the front room, where Anna was teasing you from. We made the change because you can’t leave the curtains open with all this in the view from the street! But back here, you either need to be in the room or between our back hedge and the window to see in.”

Erica nodded her head. “Makes sense, Sir,” she said.

The playroom has the slave cross, low divan, tables mentioned earlier, and a large selection of other kink gear. There’s a sling, a set of stocks, and several padded benches. Some are straight, some in curves, all with strategically placed holes where a cock can hang through or be pushed up through, or an ass or pussy can be positioned for easy access by mouth or fingers or dick by someone above or below.

There’s even a ‘coffin’. In reality, it’s merely a padded 7-ft. by 4-ft. at the top, narrowing to a little less than 3-ft. from the hips down box where a male can lie face-up comfortably. Once comfortable, the male is securely tied into place with a series of soft leather restraints, including head straps, to stop him from moving from side to side. The male also has an ‘O’ ring tied securely in place.

A lid, with a series of holes for his cock, mouth and nose, is then securely locked down onto the box. Before going into the box, the male is brought to full arousal. Then, a leather strap is tied around the base of his shaft and balls, pulling his balls away from his shaft. This is done because it makes it more difficult for him to cum. Finally, the strap is tied firmly in place to prevent any loss of erection.

The box’s occupant’s cock juts vulgarly out through one of the holes, ready for anyone who wishes to suck or ride on with their pussy or ass. The man’s nose is outside the box, and his mouth is pressed close to the top. Anyone who wants to fuck his mouth or rub their clit across his nose and be tongued can.

We have another portable box where the person in the box is forced to kneel with their head out one end and their bare ass out the other. This box is adjustable to ensure the occupant has little room to move and can only shift minimally forward or back. The occupier has an ‘O’ ring in place, and their mouth and ass and/or pussy are all readily available for anyone to use.

Along one of the walls, there is a vast selection of whips, canes, crops, floggers, paddles, and belts. In addition, several lidded boxes around the room contain a selection of ropes of various lengths and thicknesses. Others hold blindfolds ranging from silk scarves to studded leather. Even more hold collars and leashes, from pretty pink ones to full-on, spiked, thick padded leather ones.

Clothes racks hold various fetish costumes ranging from a French maid to Policewoman, Wonder Woman and Cher. We have outfits like Tarzan to He-Man for the guys.

Another wall holds cuffs for hands and ankles, spreader bars and various Velcro restraints.

There is a fishbowl full of condoms and a set of drawers that hold various lubes, stimulating gels and even some toothpaste. Just the thing to have on your breath before going down on someone. Other drawers hold plugs, vibrators and dildos of various lengths and girths, all meticulously cleaned after use, dried, and put away by Anna at the end of every session.

Yet another dresser drawer carries various types of strap-on harnesses.

Erica was like a kid in a candy store, wandering around, eyes agog, taking down various things and looking at them. Then, giving the occasional whip, crop or flogger an experimental swish, and asked what seemed to me to be a zillion questions as to what some of the item’s uses were.

The ball gags seemed to fascinate her especially. She brought one over to me and asked timidly, “Will you tie this on for me, please, Sir?”

Indicating she should turn around, I reached around her and guided the ball into her gaping mouth. Then, tying the holding straps firmly into place, I turned her to one of the many mirrors. Erica tried to say something, but it was utterly incomprehensible said around the ball gag. Laughing, she gave me a thumbs up to indicate she liked how it felt and looked in her mouth.

Pointing at the ‘flogger wall’, I indicated she should “Choose her preferred pain causer.”

Erica happened to take down a riding crop I loved. This crop was made of carbon fibre with a large padded leather ‘clapper’ on the end. This is not a crop for the inexperienced. In the wrong hands, it will bring up blood with even the softest hits.

With the combined hardness of the carbon fibre and its extreme flexibility, this crop ‘whips’ viciously at even the smallest of swishes. But, with the large padded ‘clappers’ on the end, when used correctly, it makes a thunderous whack sound whilst, in reality, doing virtually no damage at all. Great for the mind fuck that I enjoy imparting, but causing little to no pain.

Taking a breast harness out of one of the many boxes, I quickly encouraged Erica’s arms through the holes before strapping it securely around her chest with her tits sticking salaciously through the holes. Then, tightening the straps squeezed the circular bands around her breasts so they were lifted and pushed forward. The pressure caused them to turn purple slowly.

Stroking one whilst at the same time flicking with my thumb and forefinger the other, I started to fan Erica’s arousal levels. Then, stopping the flicking, I reached between her thighs with my right hand, extended my middle finger, and found her clitoris.

Manipulating that wondrous nub, I exchanged my finger for my thumb and slipped my middle finger into Erica’s pussy. Then, sliding my finger in and out, I began twisting and tweaking Erica’s nipples and occasionally flicking them with my thumb and forefinger.

A low groan escaped her, and, with a shudder, Erica came and almost collapsed to her knees. Holding her up, I moved her across to the slave cross. Backing her up, I adjusted the hip pad to a lower position. Erica is much shorter than my submissive Anna, the previous person to be so restrained.

I placed a spiked leather collar with a braided leather leash around her beautiful neck and let the leash hang between her jutting-out tits.

Taking her left wrist, I quickly adjusted the leather straps and tied her wrist firmly to the upper arm of the cross. Next, I tied her right wrist to the opposite cross. I followed that up by stretching her legs apart and tying them securely onto the bottom rings of the cross’s legs.

Using the ratcheting lever at the back of the cross, I slowly brought Erica to full stretch. This caused her hips and pudenda to be thrust obscenely forward.

I took some warming gel out of one of the drawers and spread it across Erica’s clit and vulva. Her groans immediately became more intense. Then, I grabbed a small ‘lady finger’ vibrator and held it against her clitoris. As much as the restraints would let her, Erica began to thrust her hips up at the toy.

Satisfied that Erica was now well and truly aroused, I took the riding crop she had chosen in my right hand. Then, I held it up at her eye level so she could see and anticipate it. Next, I gave it a gentle shake, causing the clapper at the end to come together gently and create a soft slapping sound.

After tapping her just above the right breast with the clapper end of the crop, I temporarily removed the ball gag and said, “You have two safe words. Orange, if you need me to slow down and/or be a little more gentle, red if you need me to stop, do you understand?”

Erica nodded.

“Repeat my instructions back to me,” I demanded of her.

“I have two safe words: Orange if I need you to slow or be more gentle, red if I need you to stop.” She repeated accurately.

“You may also use these safe words regarding a particular activity or area of your body. For example, you may say, ‘Orange on my tits, please, Sir’. This would mean I need to leave your breasts alone until the intensity lessens. Or, you may say, ‘Orange on the riding crop, please, Sir.’ And I would discontinue using the crop for a time. But I am free to continue with something else or some other activity, am I clear?”

“Yes, Sir,” Erica replied.

“Repeat it back to me so I can confirm your understanding, Miss.” I requested.

“If I’m finding the pain is too intense on a particular part of my body, or if I’m finding a particular action too severe, I can use the safe word ‘orange’ to get you to stop doing that thing or hitting that area,” Erica told me correctly.

“Well done,” I told her. “You can also similarly use ‘red’. If you want me to stop hitting a particular part of your body, like your inner thighs, but still want the session to continue, you can say ‘red on the thighs, please, Sir. ‘. Then, I will not hit or even touch that area for the rest of the session.

Similarly, with the activity, you may say, ‘Red on the riding crop, please, Sir’, and I will not use the crop again during this session. But I am free to use anything else. Do you understand these instructions?” I asked her again.

Nodding, Erica said, “Red on a body part or an activity means that I only want that to stop, but not the session to.”

“Good girl,” I told her proudly. “To reiterate, though. A straight red means you want the session to end immediately, and I will instantly release you from the ties and step back. You are free to leave at that stage and never come back or talk to me again if you wish. You have my word. I won’t try to contact you or Harry if you do. I hope if I do get a ‘red’, though, that, when you’re ready, you will tell me what happened to cause it.

“A straight orange means you wish me to ease back the intensity or severity of my actions, but you’re happy for the session to continue. A red and a body part means that part is now off-limits. Red and an activity indicates that activity is banned until the end of the session. An orange and a body part or activity means you need me to lower the intensity, or I may cause you to use red. Are you clear?”