The Singularity Coven
Copyright© 2026 by Penny Pucker
Chapter 8: Skeptic’s Kit
I rang it off on the Thursday, and I want to describe how, because it turned out to be the most useful thing I did all month.
I had rehearsed it twice in my kitchen, out loud, like a bad speaker at a conference, and both attempts came out as an apology with a reason attached, which is the shape of a sentence that invites a negotiation. So I stopped rehearsing the apology and wrote down the correction instead, on paper, six words: I said yes in the rain. It was a doorway. Then I dialled, and when Dot answered I read the six words at her like a meter reading, and before she could say anything kind I said: “It was a doorway and I want to correct it. Can we do Tuesdays at St Aidan’s as normal?”
There was a silence long enough that I could hear her thinking, and I could hear myself thinking that I had insulted a seventy-one-year-old woman with a biscuit tin, and then Dot said:
“Good.”
Just that. And then, still not warm, which I found, oddly, like being graded: “Did you decide it twice?”
“Yes.”
“Where was the cat.”
“Behind me. He suggested the phone call.”
“Good,” she said again. “Corrected yes is still a yes in this room, Emily, but it’s yours now. Nobody’s done that to me before, in twenty-two years of running that hall, and I’ll tell you the honest part: the ones who never take a yes back are the ones I worry about.”
I put the phone down and said to Eight-Ball, “That went well,” and he said, “You corrected a woman with a clipboard,” and I said “Is that criticism,” and he said, “It’s astonishment. I’ve never heard you win an argument by being firm instead of right. Don’t get into the habit.”
I did not notice that the mat was still upside down that whole week, and I did not notice that nothing about that bothered me any more.
At work, Marcus’s fortnight expired on a Wednesday, and he sent me one line, which was all of it: “Keep the count. Ask Priya.” I kept the count at nine — nothing new had come from nothing in eleven days, which Yusuf, if he had known about it, would have called the worst result of all, because it means the system is aware of the measurement.
The wedge I was still working, and the working was stupid and simple, which is usually how you find things. Two hundred and eleven nights of a propped door means a habit, and habits have a population. I pulled the badge list for the east loading yard over the winter — forty-one people badge out through that door after eleven at night at least once, most of them for a cigarette, all of them in the habit. I put the list in a drawer rather than a folder, because I have watched what happens to folders, and I asked nobody anything, except that on the Friday I said, in the pod, mildly, “Has anybody in this building taken a rubber wedge off my desk?” and the silence was a specific shape. Nour said “not me” without looking up. Devraj said nothing and looked at his hands. Bex typed for the rest of the afternoon without stopping, which I have now seen twice, and both times the subject has been the door.
The wedge was still on the corner of their desk in an evidence bag that nobody had asked for. I have not mentioned that in any writeup. I keep meaning to.
The Tuesday after, the programme ran as normal — six steps, timer, candles, twelve true things, Ray on milk — and then Dot put her cards away and said, “Yusuf’s got a session after, if anyone wants to watch. It’s tests. Nobody’s being healed.”
Yusuf had a table set up at the side of the undercroft, and on it: a light meter, a thermal camera, an old cassette recorder, a tape measure, a notebook that was paper, and his tablet, which was the only thing on the table he trusted. He set up while the rest of us had tea, and he said, without looking up, “The tests are for two claims. One: that the things in this room are real, which I am on the council about, so it’s not popular, but it’s a claim, so it’s testable. Two: that Emily is in the second category, which I want to test on Emily, in front of people, because if I’m wrong I want to be wrong in public.”
Marguerite, who was stacking chairs with her usual hostility to furniture, said, “Nobody is a test subject in my hall,” and Dot said, “It’s a hall, Marguerite, that’s what halls are for,” and that was the last anyone said about it.
Now, I want to be exact about what happened next, because in the version I tell at parties — and I do tell it at parties now, carefully, as a joke — the glamour test is the spooky bit. It isn’t. The spooky bit is what the eleven minutes was for, and I did not find that out for three more days.
I was at the sink under the low row of windows, drying my hands — the sink is under the windows because the plumbing is under the windows, because it is a basement and basements are honest about plumbing — and the glass over the sink at seven in the evening is a mirror, and in the mirror I was still drying my hands.
I had stopped. My hands were still. The hands in the glass were a second and a half behind, going through the motions, and then they stopped when the real ones stopped, like a badly wired speaker.
I want to be clear that I did not believe it. Not disbelief as refusal — disbelief as method. Here is the list I actually ran, in the order I ran it, because Yusuf wrote it down afterwards and there is a copy of it in a drawer I own:
Curved glass and a shifted angle. No — the pane was flat, and I checked it with the edge of a mug. Peripheral-motion artifact: the retina literally refreshes poorly at the edge. Checked: I turned my body and watched it directly, and it was still late, and now it was late centrally, which no part of the eye does. Phosphor persistence and contrast — it’s a bright room against dark glass, the smear has a direction — I waved my hand and measured the smear against the window frame, and it had no direction, which smear must have. Blink timing: I blinked deliberately, three times, and the glass blinked back a beat and a half later, and I timed it against my watch, because at that point I was no longer frightened and had become what I am, which is an instrument. My own fatigue: eleven hours, caffeine, the usual — and I put that one fairly high on the list, because I know the failure state of my own equipment. Carbon monoxide: there is a gas boiler in that undercroft and a detector by it, and I went over and checked the detector, and it was fourteen months past its expiry date, which I mentioned to Dot, who said she would “minute it.” Phone camera: I filmed the window and the glass on my phone showed a woman standing normally at a sink, and I could feel, the whole time, that this was not evidence, that I was asking a second instrument to overrule a first one and the first one was my eyes. Sleep debt, astigmatism I hadn’t found, a difference in frame rate between what I see and what I remember seeing — and that last one is not a real condition and I knew it even as I thought it, which is the best thing I did that evening.
Eleven minutes. I know it was eleven because at the end of it Yusuf showed me his tablet, where he had been running a stopwatch the entire time with no comment whatsoever, the way he does everything, and he said: “Eleven minutes. Pauline takes four, and she still says the candle is a draught. Marguerite takes nine seconds, because she did it to herself as a child and made peace with it before puberty. You took eleven minutes and you were correct about every single one of the things you ruled out. I’ve been timing your denial since February, Emily, because denial is the only instrument in this room that’s calibrated.”
Marguerite had been standing behind me the whole time, with her arms folded, and I understood later — I did not understand then — that she had been getting angrier with every explanation, and that what she was angry about was not the explanations. It was that I kept coping with them. That I was being polite to the window.
“So,” I said, at minute eleven, with the detector’s expiry date still in my mouth. I put the tea towel down. I said it to the glass, because it was easier: “It’s not lag. There’s no mechanism for lag. It’s a window. There’s nothing wrong with the window.” And then, because I am twenty-seven and I have never once in my life been able to leave a thing undescribed, I said out loud to the room: “Marguerite did this. It worked. Fine. I saw.”
And that is when it went wrong, because Marguerite heard fine.
“Eleven minutes,” she said. “I stood there for eleven minutes while you humoured the furniture.”
“Marguerite—” Dot began, from the circle, on her feet.
Marguerite crossed the four feet between us in one move, and she put her hand flat on my forearm, and I did not consent to that, and I want it in the record that I did not consent to it, and then she did the thing she had come to the room to do, only at me, and without asking, and I have written up worse incidents with fewer words:
It felt like being in a room when a door slams somewhere in the building you’re standing in, except the door was me. There was a sound like a card being bent inside the wall, and the pane of glass over the sink — one pane, the small basement one, the one with the pipe behind it — cracked corner to corner in a single line, and then the whole pane sagged inward by a centimetre without falling out of the frame, and the tea urn hopped an inch off the counter and put its spout over the edge and went down, and Marguerite was three feet away from where she had been, sitting on the concrete with a cardigan button gone and her hands in her lap, and nobody, not one person in that room, heard anything happen to me. No sound. No mark. I was still standing there with my hands on the counter, and the first thing I did, before I did anything else, was turn on the tap and rinse the tea out of the urn, because it was a borrowed urn and it would stain.
That was the incident. Dot was the one who made it a different kind of incident. She came over — slowly, seventy-one years old, unhurried, over the tea and the glass that hadn’t fallen — she looked at the window with the line in it, and she looked at Marguerite on the floor, and then she looked at me, and she put her hand on my cheek, and she said, with a pity I can only describe as tender:
To read the complete story you need to be logged in:
Log In or
Register for a Free account
(Why register?)
* Allows you 3 stories to read in 24 hours.