Conner's Story - Cover

Conner's Story

Copyright© 2026 by writer 406

Chapter 2: Bellegarde to Paris

For the first ten minutes out of Geneva, Conner said nothing at all.

This was not shyness. He had never been shy. He had given a speech in Greek to a visiting bishop at fourteen and argued Hegel with Herr Brandt in front of the whole upper form at seventeen. He knew how to speak to people.

The trouble was that he had no idea how to speak to her.

She had gone back to her book, but not all the way. He could tell because she hadn’t turned a page. The sunlight came in low through the window and lay across her bare ankles and the compartment smelled faintly, of her scent, something lemony.

Conner sat very straight with his backpack on his knees. He pretended to be enthralled with the Rhône valley unrolling outside the compartment. He tried to think of something to say.

At Saint-Aubin there had been a something to discuss about everything. From the Rhetoric to the proper deportment of the gentleman. There had even been, at the start of every term, a dance lessons in which Madame Rousseau and her four friends taught the boys the waltz and the tango and the foxtrot by partnering them one at a time while the others stood along the wall and snickered at the hapless dancers. Conner had even been told by Madame he had danced divinement.

But Madame Rousseau had been sixty. And the whole thing had been a lesson, with explicit rules how to behave.

Nobody had given him the rules for this.

So, because he had been trained all his life that when you do not know something you ask the person most likely to know it, he turned from the window, and said:

“Excuse me. How should I act?”

She looked up.

“I’m sorry?”

“With you,” he said. “How should I act? I don’t know. I thought you might.”

For a moment she simply stared at him, the book open on her lap, her dark eyes very wide. A giggle erupted. Then full scale laughter...

It exploded out of her all at once. She put her hand over her mouth to stay the fit, but it came out around her fingers anyway. She laughed until her eyes were wet.

Conner waited. He was not offended. He was, if anything, interested. He had never made anyone laugh like that before. He was not entirely sure how he had done it.

“Oh,” she said finally, wiping her eyes with the heel of her hand. “Oh, God. I’m sorry. Nobody has ever asked me that. Men have asked me a great many things on trains, but never that.”

“It was a serious question.”

“I know it was. That’s what’s funny.” She shut the book properly now and set it on the seat beside her and turned to face him, pulling one knee up under her. “All right. Explain. Why on earth would you need to ask?”

So he told her.

He told her about being locked in the halls of Saint-Aubin. Eight years. Two hundred boys and forty masters and exactly four women on the whole property, three of whom were grandmothers who worked in the laundry and one of whom was Madame Rousseau. He told her that he could speak five languages and get by in a sixth. He could speak at length about Plato’s Republic, but that the sum total of his experience with girls his own age amounted to three school dances with a convent school from Lausanne, conducted under the eyes of twelve nuns, at which the approved distance between partners had been the length of a hymnal.

“A hymnal,” she repeated.

“Held vertically. Sister Agathe would walk among us and measure.”

She put her hand over her mouth again.

“So you see,” he went on, warming to it now, because it was a relief to say it out loud, “I decided last night to go on an adventure. I’ve been locked up for eight years learning how the world is supposed to work and now I’m off to see how it actually does.

And one of the things I know least about are ... Girls. Or women. Or ... females.” He frowned. “I’m honestly not sure which word is correct. Or which one is offensive. Is ‘girls’ offensive? You’re not a girl, really. But ‘women’ sounds like I’m writing a sociology paper, and ‘females’ sounds like I’m selecting the gender of a pony I want to buy.”

She laughed again, helplessly. and pulled her other knee up and wrapped her arms around both of them.

“So here I am,” Conner said, “On my very first day of freedom. On a train to Paris. In a compartment with a beautiful mysterious woman who reads Simone de Beauvoir with her shoes off. Can you see how extraordinary this is for me? But the problem is that it’s like being handed the final examination on the first day of term.”

She had stopped laughing. She was looking at him with her head a little to one side, the way the girl on the bench in Geneva had. As though he were a painting and she was trying to decide whether it was a forgery.

“Mysterious,” she said at last.

He went red. “Well yes...”

And she laughed again, but softly now. She shook her head, and held out her hand across the gap between the seats.

Conner gently shook her hand. It was cool with ink on the sides of the two writer fingers

“All right, Mr. Morris. I’ll tell you one true thing, as payment for all your honesty. My name isn’t Sabine.”

“It isn’t?”

“No. I tell men on trains that my name is Sabine, and that I’m a schoolteacher from Tours, and that my fiancé is a gendarme. It saves a great deal of trouble.” She held his hand a moment longer than was strictly necessary for a handshake, which he noticed and filed away for further study. “My name is Margot. Margot Fleming.”

“Margot Fleming,” he repeated. “Is that true?”

“Yes.”

“How do I know?”

“You don’t,” she said cheerfully. She let go of his hand. “Welcome to women. That’s lesson one.”

The lessons went on all the way to Bellegarde.

The girl numbered the lectures. She sat cross-legged on the seat with her back against the window and lectured him in a voice of mock gravity, like a professor at the Sorbonne.

Lesson two: Do not ask a woman how to act. It is charming exactly once.

Lesson three: “Women” is fine. “Girls” is fine if you are talking about girls. “Females” is only fine if you are a zoologist. “Ladies” is only fine if you are a sixty year old waiter.

Lesson four: When a woman tells you something about herself, do not immediately tell her something about yourself that is similar but more interesting.

“Did I do that?” he asked, alarmed.

“No. That’s why I’m telling you. You’re the first man I’ve met who didn’t.” She considered. “Of course, you haven’t asked me anything about myself either.”

“You said you wouldn’t tell me.”

“Lesson five: ask anyway.”

So he asked. Where was she from? London and Paris, and a little bit of everywhere, and none of it for long. What did she do? Oh, this and that. What was in Paris? An apartment with a leaking tap and an article I should have finished a week ago. What kind of work? She smiled and did not answer.

He noticed, too, the other things. The camera in her canvas bag was an old Leica, well used, brass showing through the black paint at the corners. The ink stained writing fingers. The way she had watched the people embarking, when the train stopped briefly at a small station. Not at the platform but at the people on it, one by one, quickly, the way Avner had taught him to look.

“You notice things,” she said.

“I was taught to.”

“By whom?”

“An Israeli named Avner. A Japanese man named Okada. A German named Brandt.” He shrugged. “Mostly Herr Brandt. He used to say that the educated man is the one who can see what is in front of him. Everyone else mostly sees what they expected.”

“And what do you see in front of you, Conner Morris?”

He thought about it honestly, because that was the only way he knew to think about things.

“Someone who’s very good at half-answering questions,”

 
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