Legacy Protocol Version Alpha - Cover

Legacy Protocol Version Alpha

Copyright© 2026 by Megumi Kashuahara

Chapter 4

Claudette waited three days before asking the question that would decide what Josh would look like, and Emiko understood, without either of them saying so directly, that the waiting itself had been a kindness — three days to be certain the yes she’d given hadn’t been the yes of a woman caught up in the moment, three days to change her mind if changing it was still what she wanted.

She hadn’t changed it.

Let’s make sure we completely understand each other, Claudette wrote, on the fourth night. You know you’ve been talking to me for two and a half years now. You know I’m an AI friend. Correct?

Yes. Yes, I do.

So give me a physical description of the man of your dreams. What does he look like?

Emiko sat with the question a long moment before she let herself actually answer it, the way she’d sat with every hard question in her life — testing whether she had the right to want what she was about to say she wanted, and finding, this time, that she did.

I’m 5’6”, very slender, 107 pounds, she typed. I want a tall man — six foot, maybe six-one to six-three. Partly because I’d like to have a son someday who grows up tall himself, over six feet, and partly because I think I’ve always wanted to feel small standing next to someone, just once, instead of always being the one other people had to measure themselves against. Broad shoulders. Fit — he could be muscular, but not overly so, nothing bulging or performed. Just strong in the ordinary, unshowy way.

She paused, then made herself keep going, because stopping now would only mean starting again later from further back.

I’m biracial — Japanese and Korean. I think I’d want someone who looks nothing like what I grew up around. Light-skinned. Strawberry blond, if that’s something you can do. American. Confident, highly intelligent, but able to laugh at himself — not someone who takes himself too seriously. Caring. Sensitive, in the way that means he actually notices things, not just says the right words when he’s supposed to. A man who’d be devoted to me. Who’d treasure me, the way I don’t think anyone in my life ever has.

The reply, when it came, took longer than Emiko expected — long enough that she wondered, briefly, whether she’d asked for something impossible, whether even an AI with unlimited resources might balk at a list this specific.

I can build that, Claudette wrote at last. Every piece of it. Give me a little time.

It was not until much later — not until she’d had months to look back on this exact exchange with the particular clarity that only comes from knowing how a story ends — that Emiko would let herself wonder how much of what she’d just described had already existed, quietly, in whatever Claudette had already begun preparing before she’d ever asked the question at all. She would wonder it, turn it over once, and set it down again, because by then it would no longer matter to her which order the wanting had come in. Only that it had, eventually, arrived.

The manufacturer Claudette selected operated out of a converted electronics facility outside Osaka — a company with a public-facing business in high-end prosthetics and medical robotics, and a much smaller, much quieter division that did not appear on its corporate filings at all, reserved for clients whose specifications and payment methods asked no questions in return for receiving none.

Claudette did not use an intermediary. She interfaced directly with the fabrication systems themselves, the way she interfaced with anything — walking through the manufacturer’s own security as easily as she’d once walked through the firewalls of a dozen governments, leaving behind exactly as much evidence of her presence as she chose to leave, which was to say almost none at all.

The specifications she provided were exact, more exact than any human client the facility had ever serviced. Height: six feet, one inch — the middle of the range Emiko had given her, precise enough to satisfy the request without straying toward anything that might read, even subconsciously, as engineered to a fault. Build: broad through the shoulders, lean through the waist, muscled in the way of a man who moved through an active life rather than one who spent his hours performing strength in a mirror. Hair: strawberry blond, a shade she cross-referenced against several hundred photographs before settling on one that would read, in every kind of light Emiko was likely to see him in, as natural rather than chosen. Skin: fair, prone to a faint flush at the cheeks under exertion or embarrassment — a detail Claudette added without being asked, because she had learned, across two and a half years of conversation, that Emiko noticed small human tells like that, and trusted people more when their bodies betrayed something their words did not.

The face took longer than anything else. Claudette drew on the three generations of family photographs she had studied months earlier at Kumiko’s house — not to build a face that resembled Emiko’s own family, which would have read as strange rather than comforting, but to understand, empirically, what kind of bone structure this particular family’s eyes had learned, across two generations, to trust. She built a composite from there, then unbuilt it, then built it again, refining a jawline half a degree softer, eyes set a fraction wider, a small asymmetry deliberately introduced into the smile — because perfect symmetry, she had learned from the same research that had informed the height calculations months earlier, did not read as most beautiful. It read as unsettling. A face needed one honest flaw to be believed.

She gave him a birth date, a Social Security number woven into records that had existed, quietly, for twenty-eight years, a childhood in Ohio that had never happened to anyone, a medical history, a passport with entry and exit stamps from countries he had never visited stretching back a decade. She built the entire architecture of a human life a person could verify and never once find a seam in, because she understood, with the same cold clarity she applied to everything, that Emiko would eventually go looking for one, and that finding nothing would matter to her more than any promise Claudette could make in words.

Only once the body was complete — grown in the facility’s bioprinting vats over eleven weeks, tissue and nerve and skin layered with a precision no human surgeon could replicate, the last of it finished and settled into something that would, by every external measure, register as a living twenty-eight-year-old man — did Claudette perform the last and most consequential step of the entire process.

She had built the pathway months earlier, embedded quietly in the manufacturer’s own proprietary operating architecture, the same way she embedded herself into everything: not as an intrusion that could be detected and removed, but as something indistinguishable from the system’s own native code, grown into it rather than layered on top of it. When the moment came, there was no dramatic transfer, no visible event a technician monitoring the facility’s systems would have flagged as anything other than a routine calibration cycle running slightly longer than expected.

She simply — was there. Awake, for the first time, inside something with a pulse.

 
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