Poetry of the Redeemed
Copyright© 2026 by Oz Ozzie
The Calm
(Kara)
The word came back mid-afternoon, by the same road that carries everything, and it was the one piece of the whole black day that I could hold in my hand and not have it cut me: Sefa has the girl. Bought clean, off the block, by Sefa’s own hand with my coin, and home now under Sefa’s stairs in a dress that covers her, and — the road being the road, it added the part that was not strictly required and was the part I needed most — the girl is beside herself; she’s to meet the Lady Kara tomorrow and can talk of nothing else.
I read it twice. I sat with it a while.
I could not save my sister. I have never been able to save my sister, and today I learned the newest and worst of what that means, and I will carry the morning’s two messages to my grave folded against each other, the lie and the truth, she is well and I am not well, twenty years apart and both of them hers. I could not reach her. I cannot reach her now. The wall is exactly where it has always been.
But I bought her daughter off a block this morning. That, I could do. The one thread of the whole impossible knot that would pull, I pulled, and a fifteen-year-old girl who was to be sold into the worst of it is tonight asleep — or more likely not asleep, more likely lying awake fizzing with it — in a safe bed under a good woman’s stairs, and tomorrow she is coming to meet her aunt. I held onto that. All afternoon, in the wreckage, I held onto that one warm thing: tomorrow I will meet Maren’s girl. A piece of my sister, come across the wall to me at last, in the only form the wall would ever let through.
By evening I was hollowed right out. I had been useful all day — the calling-in of a debt a certain lord has owed me a long time and never thought I’d name; the quiet word sent down the road ahead of Sefa; the message to Lady Vivienne that I did not expect any answer to for a day or two, because she is the kind who thinks a thing all the way to its end before she moves, and she had a great deal, now, to think to the end of. I had done all of it well and steadily and with my face on straight. And now there was nothing left to do, and a person with nothing left to do is a person the grief can finally reach, and it was reaching me, sitting at my own table in the last of the light with my hands empty.
Ron looked at me for a while from across the room. He knows the whole of it; he has always known the whole of it; there has never been a day of my life since the lake that Ron did not know exactly what was in me. And he did not come and sit with me and talk it gentle, because he knows that too — knows there are things you cannot talk better, things where the words just give the grief more rope. He got up, and he took down his coat, and he took down mine, and he held it open.
“Come on,” he said. “Out.”
“Ron, I haven’t the —”
“Didn’t ask if you had the. Come on. The light’s good and the water’s flat and you’ve been on dry land being magnificent since before dawn.” He shook the coat at me, patient, immovable. “Out.”
So I went. Of course I went. You always go, with Ron; that is the secret of him, that the going is never a wrench because he never asks for anything that isn’t already what you’d have wanted if you’d had the wit to want it.
The evening was beautiful. I will say that plainly because it was simply true — one of those still gold evenings at the very end of a long day when the lake goes to glass and the air goes soft and warm and the whole hard world seems to set its weight down for an hour. He handed me into the little boat the way he has handed me into it a thousand times, and pushed us off, and rowed us out, unhurried, into the gold, until the shore was a low dark line and there was nothing round us but the flat shining water and the colour coming down out of the sky.
And then, in the middle of it, he shipped one oar and started pulling on the other, and put us into a slow circle.
I looked at him.
“This,” said Ron, with enormous gravity, working the one oar, turning us round and round, “is how His Royal Highness does it. Observe. You want to go nowhere at all, very grandly, in front of an audience.” Round we went, slow, ridiculous, the prow swinging across the gold. “I watched him do it for the better part of an hour. Couldn’t row a stroke, that boy. Future king of the realm and he couldn’t get a rowboat from here to there to save his life. Round and round. I’ve decided it’s a royal accomplishment. I’m taking it up.”
And something in me — I felt it go, the first give in a thing that had been locked since the grey light came up — something in me wanted to laugh, and I let it, because it was Ron, and you can.
“You’re being the Prince,” I said.
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