The Bare Margin - Cover

The Bare Margin

Copyright© 2026 by BareLin

Chapter 1: The Runaway

Three weeks before, our parents took a trip as a family to Las Vegas with just my two adult sisters and me, the youngest of the three. I’m standing before what I call a closet, or a hole in the wall that barely fits my body and my clothes at the same time, and I’m making decisions that feel like life-or-death.

Out of the scraps of fabric in the tiny apartment that I split rent on near the university. I own about three wearable dresses, two decent pairs of jeans, and several faded t-shirts. One pair of shoes that doesn’t hurt my feet. When I choose to wear one, the one bra that’s held together by hope and a safety pin. Panties that I bought in a five-pack two years ago and have been rotating like a carousel of shame. Living on the college scraps of money only goes so far and shows me what poverty looks like when you are not poor.

This is what poverty looks like when you’re not poor. This is the gap between “I can afford groceries” and “I can afford dignity.” I live in that gap. I’ve made it my home. On the table is the measuring cup that is blue. The Cheerios inside it are stale. The water stain on the ceiling above the kitchen table looks exactly like the shape of Florida.

That stain has been watching me now for three years, two months, and eleven days. I’ve never reported it. I’ve never tried to fix it. I’ve let it grow, watched it spread, given it a name, Florida, because naming things makes them less threatening. Florida doesn’t judge me. Florida doesn’t ask why I’m eating stale cereal at 10 PM on a Tuesday. Florida just sits there, brown and vaguely peninsula-shaped, being the only constant in my life.

Here’s what no one in my family knows, not the parents, not the sisters: I have been waiting for an excuse like this trip to Vegas for three years, two months, and eleven days. Not that I’m counting. I’m counting. I’ve been counting every single day since the Bodily Autonomy and Expression Act narrowly passed federally.

Let me back up. You’re going to need context, and I’m not the kind of narrator who doles it out in trickles. I’m the kind who dumps the whole bucket on the floor and dares you to stand in it, which only makes everyone in the family uncomfortable.

The Bodily Autonomy and Expression Act was passed into Federal law; it has been contested by nearly everyone who has a heartbeat. In short, it strikes the stick in the heart of the control of those who are in the business of policing the bodies, the female bodies. Nevada’s legal jurisdiction is one of nineteen states that have recognized and adopted it as policy. In states like Nevada, the short version of the federal law in states like Nevada, public nudity was no longer automatically considered indecent exposure. The state of Nevada states that if the context was non-commercial, non-sexual, and the person was in a place where they had a legal right to be. For example, public places such as parks, public sidewalks, and common gathering places. In the research, I found it legal to be fully naked inside the airports, through security, on the entire flight, to arrive at the destination. Though several of the airlines are still in a heated legal fight in court.

For everyone who has read the longer version will know it is boring. The long version involves seventy-three pages of legislative compromise, a Supreme Court challenge that went 5-4, and a lot of op-eds from men named things like Bartholomew who wrote sentences like “What’s next, jogging without trousers?” I read all seventy-three pages. I read the dissents. I read the Bartholomews. I did this at night, in bed, on my phone, while my roommate slept three feet away and dreamed about whatever normal people dream about.

Here’s what I concluded: the law was a start in the effort of policing the body, but the laws don’t change how people look at you. The laws just change what they can do about it in protecting their narrow version of the world around them. Ever since the moment it was signed by the President, I have been wanting to test that. Over the past years, there have been those who challenged it in practice with various amounts of resistance. I knew what I was up against, and I wanted to stand somewhere in public wearing nothing to see what would happen.

I wasn’t doing this for a photoshoot, not for a dare, especially since I wasn’t doing this for a social media stunt that would get me fifteen minutes and a podcast deal. I wanted to do it because I was tired. Tired of the arithmetic every woman learns by age twelve, regardless of their culture or where they live on this earth. The calculation of how much skin is too much? How much is too little? How much will make others around you debate that I was asking for it? How much will make her think I’m desperate?

I wanted to stop doing math with my body in the amount of fabric needed, and began dressing comfortably. In the sense of the term, dressing comfortably comes down to complying. So, I waited for the right place, time, and the right excuse. Then the father texted during the week of the university’s spring midterms about a Vegas vacation to cover the last days of the week into the extended weekend in April, and I thought: Vegas. A city built on people taking their clothes off for money. I’ll do it for free. That’s the protest.

But it wasn’t just a protest. It was a promise. A promise I made to myself in the dark of my Tempe apartment, staring at the Florida-shaped water stain, knowing that if I didn’t do this now, I would spend the rest of my life doing math. The arithmetic. The calculation of whether I was allowed to exist in the body I was given.

I made a vow. A real one. The kind you whisper to yourself when no one’s listening because you’re afraid of how ridiculous it sounds, as I wrote it down in the notes on the phone. The self-binding pledge from the second the non-smoking light in the overhead is turned off after departure until the moment the non-smoking light is turned on upon arrival back to Phoenix Skyharbor, not a single stitch of fabric will be worn over the skin. I will not cover for the family, not for the hotel, not for the authorities, not for anyone. The pledge to be free of all fabric every second of the trip from the beginning to the end without apology, I will not cover up, and I will not run.

I said it out loud. In the dark. To the water stain. To the measuring cup. To the ghost of my roommate, who will likely not come back until the end of the semester for finals. That night, I said something else to myself that I didn’t fully understand until later in the trip. I told myself, if I break this promise, if I put on a single piece of fabric before arriving back in Phoenix, I will never forgive myself. That I will have to spend the rest of my life knowing that I was too scared to be who I really am.

I made the vow binding by making the consequences worse than the act itself. Unlike other promises that are made, there are no legal or social consequences binding that promise in terms. The personal ones, the kind that kept you up at night, staring at a water stain, wondering who you could have been if you’d just been brave enough to try.

I didn’t tell anyone. Not my roommate (who wasn’t there anyway). Not my therapist (I didn’t have one; I had a journal and a wine problem that I called “a hobby”). Not my sister Sienna, who would have spent the intervening weeks trying to talk me out of it, and who would have used words like “think about the brand” as if my body was a product she was co-signing.

I told myself I wasn’t planning anything. I was just ... gathering information.

Here’s what gathering information looked like:

Night one: I searched “public nudity Las Vegas resort policies” and found a forum post from a woman named DesertRose44 who said she’d been asked to leave the pool at the Bellagio even though the law was on her side. She didn’t fight it. She just put her clothes back on, went to her room, and cried. I bookmarked the page. I made a note: Don’t be DesertRose44.

Night two: I searched “Bodily Autonomy Act enforcement Nevada” and found a PDF from the state attorney general’s office. The language was so dry it could have been used to put out a fire. I read it twice. I highlighted three passages on my phone. Then I deleted the highlights because I was afraid someone would see them.

Night three: I searched “Las Vegas nude activist” and found a woman named Mara who’d been arrested in 2022, before the law passed, and had spent a weekend in jail. She was forty-seven. She had gray hair and a smile that looked like it had won arguments. I sent her a DM. She never replied.

Night four: I searched “Oasis Horizon Resort controversies” and found a thread about the hotel’s connection to a man named Vincent Moretti, a developer with ties to the Strip’s shadier elements. The thread was deleted within hours. I took screenshots anyway.

Night five: I searched “Showgirls Las Vegas 1988” and found a grainy photo of a woman who looked exactly like my mother.

That was the night I realized I wasn’t just gathering information about nudity. I was gathering information about secrets. About the things my family had buried. About the past that was about to resurface.

I didn’t sleep that night. I lay in bed, staring at Florida, and I thought about my mother’s hands, those short-nailed, gold-band-wearing hands, and I wondered what else they’d done besides change my diapers and sign my permission slips.

I wondered if she’d ever been as scared as I was.

I wondered if she’d ever been as brave.

Three weeks until Vegas. Three weeks to prepare. Three weeks to figure out how to tell my family that I wasn’t coming home the same person who left.

I whispered it to Florida. Just to the ceiling. Just to the water stain that had become my confessor.

“I’m going to do something they’ll never have the nerve to copy.”

Florida didn’t respond. Florida never does. But somehow, that silence was exactly what I needed.

The next morning, with no classes or scheduled work, I began my practice. Not the kind of practice you do in a mirror, striking poses and checking angles. The kind of practice that strips you bare, literally, and forces you to sit with discomfort until it becomes ordinary.

I took off my clothes at 8 AM and didn’t put them back on for forty-eight hours, which wouldn’t be just restricted to the apartment but the grounds of the complex. It stated in the lease that it was protected under federal jurisdiction as long as it was within the guidelines. While the first few hours were easy, they included the walk to the dumpster. I felt rebellious, powerful, like I was starring in my own indie film. Made coffee, prepared a meal, and did the electronic stuff like social media, emails, and other tasks. I stood by the open window and watched the Tempe morning traffic roll by, and I thought, Look at me, world. I’m doing it.

In the second hour, the novelty wore off. The air conditioning kicked on, and goosebumps erupted across my arms and thighs. The cold was sharp, invasive; it reminded me that my skin was a boundary, not a statement.

By hour six, I was uncomfortable in ways I hadn’t anticipated. The cheap fabric of my couch abraded the backs of my thighs. Every time I bent over to pick something up, I felt the strange, naked vulnerability of my lower back stretching. I realized I had never known the weight of being constantly exposed to the way the air itself becomes a pressure on your skin as I ventured out to the community mailbox.

By hour twelve, the sun had shifted, and a beam of light fell across the living room floor. I stepped into it deliberately, letting the warmth hit my stomach, my breasts, the inside of my thighs. It felt like a benediction. It felt like the first time I had ever truly felt sunlight.

I stayed naked through the night. I slept on the couch, no blanket. The first time I woke up, shivering, I nearly reached for the throw blanket on the armchair. My hand hovered over the fabric for a long moment. Then I pulled it back. I curled into a ball, hugging my knees to my chest, and forced myself to sleep without insulation.

The second night, I didn’t shiver. My body had adjusted. The cold was still there, but it was no longer a threat; it was just weather.

On the second morning, I looked at myself in the full-length mirror. I had stopped shaving a few months earlier, not as a statement, but out of laziness. Now I am grateful for it. The hair on my legs, under my arms, between my thighs, it was a reminder that this body was natural, not manufactured. I ran my hands over my ribs, the ones that stuck out slightly more on the right side. I touched the mole on my hip that my mother used to say looked like Australia. I traced the scar above my eyebrow from a bicycle accident when I was twelve.

This was my body. It wasn’t a statement. It wasn’t a protest. It wasn’t a political position. It was just the thing I lived in. But in less than six days, it was going to be seen, photographed, recorded, and documented with or without my consent. Standing before the mirror, at my reflection and whispering, “You’re not brave. You’re just tired.”

The reflection didn’t argue.

My phone buzzed. A text from Sienna.

Sienna Vasquez: Are you packed yet?

Chloe Vasquez: Yes.

Sienna Vasquez: What did you pack?

Chloe Vasquez: The usual.

Sienna Vasquez: Chloe.

Chloe Vasquez: Sienna.

Sienna Vasquez: Promise me you won’t be weird on this trip.

Chloe Vasquez: Define weird.

Sienna Vasquez: Promise me you won’t make it about you. For once. Can we have one family vacation that isn’t about whatever cause you’re currently dying on?

I stared at the phone. I thought about the journal entry I’d read the week before. The one who said I was selfish. The one that said love felt like a liability.

She wrote that. She meant it. She wasn’t wrong.

But she wasn’t right either.

Chloe Vasquez: I promise I’ll be myself.

Sienna Vasquez: That’s what I’m afraid of.

I put the phone down. I didn’t have a response to that.

Sienna’s apartment was a monument to things I would never understand.

The walk-in closet, I said walk-in, like it was a luxury, but it was bigger than my entire bedroom, which was organized by color. Whites, creams, and beiges on the left. Blush, coral, and magenta in the middle. Deep jewel tones on the right. Shoes in clear plastic boxes with labels: “Vacation,” “Work,” “Grief.”

I stopped at the Grief section.

What did Sienna have to grieve? She had money, followers, a boyfriend who posted about her on Valentine’s Day, a condo with a pool and a gym, and a concierge who remembered her name.

What grief could fit in a closet?

I didn’t open the boxes. I didn’t want to know. I wanted to stay angry. Anger was easier than sorrow.

But I was in her apartment for a reason. She was in Cancún, some influencer junket where she’d be photographed in bikinis and paid for the privilege, e and her journal was in the nightstand drawer, navy blue, gold elastic band, smelling like her perfume.

I shouldn’t be doing this. I knew I shouldn’t be doing this.

But I couldn’t stop.

The page was open to the one she had written before she left. The one I’d already read three times. The one I could recite from memory.

“Chloe came over today. She asked about Vegas. She has that look again, the one she gets when she’s about to do something she thinks is brave but is actually just selfish. She wants to be naked so someone will finally look at her. But Mom and Dad already looked. They just didn’t like what they saw.

I’m tired of being the sister who has to clean up the mess. I’m tired of explaining her to people who don’t matter. I’m tired of loving someone who makes love feel like a liability.”

I read it again. For the fourth time.

Love feels like a liability.

That’s the line that gets me. That’s the line that lives in my chest like a stone I swallowed.

She’s not wrong. She’s not wrong, and I hate that she’s not wrong.

I took a picture of the page. The flash was off. The photo was slightly blurry, but you could still read the words. You could still see her handwriting that loopy, careful cursive she learned in private school, the kind that costs money and looks like it.

Evidence, I told myself. Evidence of what? A trial that only exists in my head?

I put the journal back. Same position. Elastic band around the same pages. I tucked it into the nightstand drawer, next to the candle that smelled like verbena and linen.

Then I sat on her bed. Her $2,000 bed. Her silk sheets. Her pillows were arranged just so, like a display in a store window.

She wrote that about me. She meant it. She’s not wrong.

But she’s not right either.

I stood up. I walked to her closet. I stripped.

Not because I needed to. Not because I was practicing. Because I wanted to feel something other than the weight of her words.

I took off my shirt. My shorts. My bra. My underwear. I stood in front of the full-length mirror, the one with the gold frame, the one she uses for her outfit-of-the-day posts, the one that’s seen more curated smiles than a yearbook, and I looked at myself.

Same body as always. Scar above the eyebrow.The rib that sticks out slightly more on the right side. Mole on my hip.

But in Sienna’s closet, surrounded by twenty thousand dollars of clothes I couldn’t afford and wouldn’t wear, I felt like an intruder. Not because I was naked. Because I was real. Real in a space designed to manufacture a version of reality that could be monetized.

This is what she hates about me. Not my politics. Not my nudity. My refusal to perform.

Sienna performs. Not in a fake way. In a survival way. She performs because she learned, early, that performing kept the peace. That smile kept our parents from fighting. That being pretty kept the boys from being cruel. That being successful kept the world from asking questions she didn’t want to answer.

I stopped performing around age fifteen. Sometime between the bike accident and the first time I saw a woman cry in a clinic exam room. I just woke up one day and realized I was tired of asking for permission to exist.

Sienna never woke up. She’s still sleeping, still dreaming, still arranging her closet by color and her life by brand deals.

I stood in her closet, naked, surrounded by clothes that weren’t mine, and I made a decision.

I texted myself: “Do it in Vegas. Not for them. For you.”

Then I deleted the text before it was sent.

Coward, I thought. You can’t even send a text you’ll never show anyone.

I was getting dressed when the buzzer rang.

I froze. Sienna’s apartment had security, the kind where you had to be announced. I wasn’t expecting anyone. Sienna wasn’t expecting anyone.

I pulled my shirt over my head, shoved my feet into my jeans, and walked to the intercom.

“Who is it?”

“Marcus. From next door? Sienna said I could borrow her wine opener.”

I knew Marcus. He was tall, good-looking, the kind of man who wore his arrogance like an accessory. He’d hit on me at Sienna’s holiday party a few months ago, but I’d brushed him off. He wasn’t my type, too slick, too sure of himself.

But I wasn’t fully dressed. And I was still raw from the journal.

I buzzed him up.

He came through the door with a practiced smile, holding a bottle of red wine like a prop. “You’re not Sienna.”

“Astute observation.”

“She said she’d be here.”

“She’s in Cancún. Taking pictures of herself in a bikini for money.”

He laughed. “You’re the sister. The intense one.”

“I’m the sister. Whether I’m intense depends on who’s asking.”

He moved closer. I could smell his cologne, something expensive and woody. He was close enough that I could see the edge of his jaw, the slight shadow of stubble.

“Sienna said you were having a rough time,” he said.

“Sienna talks too much.”

“She talks about you a lot. Says you’re always trying to prove something.”

“Maybe I am.”

“What are you trying to prove?”

I could have answered honestly. I could have said, I’m trying to prove that I exist outside of other people’s expectations. I could have said, I’m trying to prove that my body belongs to me.

But I was tired of explaining myself.

I kissed him instead.

It wasn’t a good kiss. It was aggressive, performative, the kind of kiss you see in movies where the characters are trying to prove something to themselves. He responded immediately, his hands grabbing my hips, pulling me against him.

I let him. For a moment, I let myself feel desired. I let myself forget about the journal, about the vow, about the plane.

But when he tried to push me toward the bedroom, I stopped.

“No.”

He pulled back, confused. “What?”

“I said no.”

“You’re the one who kissed me.”

“I know. And now I’m the one saying no.”

He stepped back, holding up his hands. “Okay. Fine. I’m not going to force you.” His voice was tight, controlled. I could see the anger simmering just beneath the surface, the humiliation of being rejected.

“I’m not trying to be a tease,” I said. “I just...”

“You just what?”

“I just wanted to feel something.”

He laughed in a short, bitter sound. “And I wanted to have sex. Same thing, different outcome.”

He turned and walked to the door. He didn’t look back.

I stood in the middle of Sienna’s living room, still tasting his cologne on my lips, and I realized I felt even emptier than before.

I used him. I used him to feel wanted, and it didn’t work. It didn’t fill the void. It just reminded me how deep it was.

That was the second thing I learned about my body that week: it wasn’t just a tool for protest. It was also a weapon I could turn against myself.

The cardboard box was filled with winter coats. Puffer jackets in pastel colors. A wool peacoat that belonged to my grandmother. Three sweaters with tags still on, because Elena buys things on sale and then forgets she owns them.

We were in her kitchen. The same kitchen I grew up in, with white cabinets, granite countertops, a fruit bowl that holds only lemons because lemons last longer than anything else. The house was in Gilbert, which is to Tempe what Tempe is to a college town: slightly farther from the airport, slightly closer to a golf course, slightly more likely to have a “Live, Laugh, Love” sign in the entryway.

Elena put one up last year. I didn’t comment. She didn’t ask.

“Don’t mix the men’s and women’s,” she said, not looking up from her sorting. “The shelter separates them.”

“Okay.”

“Did you go through your closet?”

“I don’t own coats. It’s Arizona.”

“You own one. The black one from the Old Navy.”

“I donated it last year.”

“Where?”

“I don’t know, Mom. A dumpster. A fire. The universe.”

She stopped sorting. She looked at me. Elena has a look that says I am disappointed, but I am too polite to say so. She’s been giving me that look since I was fourteen and came home with a B-plus in geometry.

“You’re in a mood.”

“I’m always in a mood. It’s my brand.”

She went back to the coats. I watched her hands. They’re her mother’s hands, short nails, no polish, a gold band on the left ring finger that’s been there for twenty-five years. Those hands have changed my diapers, made my birthday cakes, and signed my permission slips. Those hands have also, once, been the hands of a showgirl.

I know this because when I was eight years old, I couldn’t sleep. I got up to get a glass of water. I found my mother on the couch, in the dark, with a photo album open on her lap.

She didn’t hear me coming. I stood in the doorway for a long time, watching her cry. Silent crying. The kind where your face crumples but your mouth stays closed.

The photos were of her in Vegas. Young Elena in a feathered headdress. Young Elena with other women, all of them smiling, all of them wearing almost nothing. Young Elena was standing in front of the Mirage sign, arms crossed, looking like she’d just won something.

I didn’t say anything. I went back to bed. I pretended I hadn’t seen.

I’ve been pretending my whole life. The naked thing is just me stopping.

“So,” I said, folding a sweater I had no intention of donating, “did you ever feel free? In Vegas?”

Elena’s hands stopped moving.

“What?”

“Vegas. When you lived there. Before Dad.”

She didn’t ask how I knew. That’s the thing about secrets in families, everyone knows everyone knows. The pretense is the only thing holding it together.

“I worked at a buffet,” she said.

That’s the lie she’s been telling for thirty years.

“Mom.”

“It was a long time ago.”

“I’m not asking about the job. I’m asking about the feeling.”

She put down the peacoat. She looked at me. Really looked at me, the way she used to when I was little and I’d scraped my knee, assessing, calculating, deciding whether to comfort or correct.

“Why are you asking me this?”

Because I’m about to do something you never dared to do. And I need to know if you regret it. Your silence. Your shame. Your box of sequins in the back of the closet.

“Because we’re going to Vegas,” I said. “And I want to understand what it meant to you.”

“It meant nothing. It was a job.”

“That’s not what the photos say.”

The air changed. It got smaller, tighter, the way a room does when someone says something that can’t be unsaid.

I didn’t plan for this. I didn’t plan for the look on her face. Not anger. Not denial. Something worse. Something that looks like relief.

“You found them,” she said.

“I was eight. I couldn’t sleep. I didn’t mean to.”

“You never told your father.”

“It wasn’t my secret.”

She laughed. A short, wet sound that wasn’t happy. “You’ve been keeping it for thirteen years.”

“Someone had to.”

She got up from the table. She walked to the window. The kitchen looks out onto a backyard with a pool no one uses and a lemon tree that produces fruit so sour even the birds leave it alone.

“I felt watched,” she said. “That’s not the same as free.”

“I know.”

“Do you? Do you know what it’s like to have men look at you like you’re a vending machine? Like they’ve put in a coin, and you owe them something?”

I thought about the man in the pickup truck. The one who slowed down when I was sixteen. The one who told me what he’d like to do to my “little body.”

“Yeah,” I said. “I know.”

She turned around. She was crying. Not silent this time. The kind of crying that comes with a sound is a small, animal noise that makes me want to leave the room and stay forever at the same time.

“I was twenty years old,” she said. “There was a producer. His name was Frank. Frank Calhoun. He said he could help my career. He said he knew people. He said all I had to do was...”

She stopped.

“What?”

“Nothing. It doesn’t matter.”

“Mom.”

“He put his hand on my thigh. Under my costume. I was on a couch in his office. I didn’t say no. I didn’t say anything. I just sat there until he finished.”

Finished. The word hung in the air like smoke.

“What happened after?”

“I went back to my apartment. I took a shower. I didn’t tell anyone. Not for thirty years.”

“Until now.”

She wiped her face with the back of her hand. “Until now.”

I didn’t know what to say. I’m good at arguments. I’m good at comebacks. I’m good at the kind of conversation that ends with someone else feeling small. But this isn’t an argument. This is a wound.

“Mom,” I said. “Who was Frank Calhoun?”

“Someone who doesn’t matter anymore.”

“Did he hurt anyone else?”

She looked at me. Her eyes were red. Her face was wet. “I don’t know. I never asked. I just wanted to forget.”

She never asked. She never told anyone. She never reported him. She just let it go.

I can’t judge her for that. I would have done the same thing. I did the same thing. The man in the pickup truck I never reported to. I just walked faster and pretended it didn’t happen.

We’re more alike than I want to admit.

“Mom,” I said. “I’m going to do something in Vegas. Something you never got to do.”

“I know.”

“I’m going to be naked. The whole time. Every second.”

“I thought so.”

“And I’m not going to be ashamed. Not for a single moment.”

She sat down across from me. She took my hands. Her hands were cold. Her hands were shaking.

“I spent thirty years being ashamed,” she said. “Ashamed of my body. Ashamed of what I did. Ashamed of what was done to me. I don’t want that for you.”

“Then don’t ask me to hide.”

“I’m not asking you to hide. I’m asking you to survive.”

“Those are the same thing.”

“No,” she said. “They’re not. And someday you’ll understand the difference.”

 
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