Brothers in Arms - Cover

Brothers in Arms

Copyright© 2026 by Oz Ozzie

Chapter 12: The Market

We were saddled and gone before the sun was up.

The publican came down to the yard himself to see us off, and bowed deeply to my mother, and refused her purse with one hand while putting the other lightly on Aelea’s shoulder for a blessing he did not say aloud. He stood in the gate as we rode out and did not move until we had turned the corner past the church. I have wondered since whether he had been hoping for us, all those years, or only hoping for someone — for proof that what he saw of his country was visible to other eyes, somewhere. I do not know. I never saw him again.

Josen took us out of the village by the road that ran south for a quarter-mile and then turned hard west onto a lesser track, and the King looked across at him sharply.

“This is not the road we marked.”

“No, Sir,” said Josen, easy. “Our publican told the lady of the armed bands. The main road runs straight where they have been seen. This way is longer by half a day, but it carries us round the lord’s quarrel — if the quarrel is real — and brings us back onto the main road two villages on.”

The King considered it a moment, and inclined his head, and said no more. He had taken the news of the bridge yesterday harder than I had let myself see at the time. He was not yet, this morning, ready to override a man who was reading the country for him. The Form bent a little further for the road.

We rode west.


The country thinned as the morning wore on. We were leaving the breadbasket behind us, by degrees — the fat dark soil giving way to thinner brown, the great wheat-fields breaking up into smaller patches with rough stone walls round them, then giving way altogether to grazing land and rough scrub. The farms grew further apart, and meaner. The orchard dogs of yesterday were gone; there were no orchards to keep here. The dogs were the kind that hung about a yard with their ribs showing and barked once, low and tired, as we passed.

I rode for an hour beside Trimmel without speaking, watching the country fade, and at last he said, almost to himself: “This is what the war eats.”

“Sir?”

“Look at it. Three days west of the breadbasket and you might as well be in another kingdom. Where do you suppose the boys went, off these places? Off to the war with my brother in command of them, I suppose. Off to the war and not coming home. So the land does not get worked. So the houses do not get patched. So the wives wear what they had when their men went, year on year, and the children eat what they can find.” He spat into the dust. “It is the same in every county west of the river. We win the war by emptying the country to fight it; the country empties; we lose. We lose either way.” He glanced at me. “I should not say so.”

“You should,” I said, low. “But not in earshot of my father.”

“I am not a fool, lad.”

“No.” I considered him. “I have begun to think you are not.”

He laughed at that, surprised, and we rode on.

I had not understood Trimmel before this road. I had taken him as Bran had taken him, with affection and a kind of indulgent dismissal — Trimmel, dear honest plodder. I had been wrong. He was not a quick man, but he was a seeing one. He looked at a country and a country was what he saw. There were worse instruments to carry on a hard road, and I had been carrying him in my mind as a less serious one than he was. I corrected the inventory.

It was at about that hour, with the country dwindling around us, that Coll, riding at the front, lifted a hand and said: “Market.”


The market sat in a clearing where four bad roads came together at the foot of a low rise — a market town in name, a clutch of permanent stalls in fact, with the canvas of perhaps fifty more stalls thrown up around them on this market-day. Smoke from a charcoal pit; the cry of children; an old donkey grumbling in the line. The smell of pies. We came to it at mid-morning, and I felt the road’s grimness lift a little around all of us.

Josen drew us up at the edge of it. “This is our last chance. After here, we eat what we shoot and what we carry. The grass, by the lord’s leave, costs nothing.”

He had it laid out. Coll would take the herbs and the dry-keep — flour, salt, hard cheese, oil, the bag of small things a man in the wilderness curses himself for not having. Josen would take the sleeping gear, two more rolls of waxed canvas, fresh oil for the saddles. Cinder would take meat that would keep and the bread for the next two days. They would go in turn through the market and bring back to where the rest of us would stand by the horses, two of them in the market and one at the horses at all times, in case the day decided to be a different kind of day.

My mother, surprising me, came down off her horse and stood with her hand on its neck and watched the market with a kind of small ferocity. “Maerith,” she said, “you will go with Cinder. The bread is to be the heaviest the baker has; the bottom of a loaf is the best meal a man eats on a road. The cheese is to be the hardest he has; we will need to carry it three days. The dried meat is to be the lean cut. Mind he does not buy the gristle. He will buy the gristle if a woman is not standing there to mind him.”

Maerith bowed her head. “Yes, Your —” she caught herself smoothly, “— yes, lady.”

“And tell the baker,” my mother went on, “that we are buying his good loaves and not his bad ones. I do not care what we pay. I care what we eat. There is a difference.”

It was the most use my mother had got out of being the Queen, on the whole of the road so far. I marked it. She had ridden two days quietly, and watched, and had now arrived at a market and was running it as she had run her household for forty years. Some part of her that had been folded up in the carriage was unfolding. Coll caught my eye, and raised an eyebrow, and the eyebrow said: that one is more than she lets on. I gave him back the smallest nod.

Aelea, beside her mother, was watching all of it with shining eyes. “Can I have a pie?”

“You may,” said the Queen. “But you may not leave my side.”

“I will get them,” I said. I had been about to suggest it. I needed to move; standing two days in the saddle had put a thing in my legs that would not come out without walking. “How many. Two each?”

“Three each,” said Coll, “and one for me besides. I am not a small man.”

“Six. Seven. Done.”

I left them. Josen, who I think had read my restlessness, said nothing.


I went into the market with my purse warm against my thigh and felt, for the first time in three days, like a free man.

I do not think I had quite known until then how much the disguise had been wearing on me. To be a hired man at the elbow of a cleric is to be no one in particular; that is the whole point of the disguise; but to be no one in particular is the freedom I had spent four years climbing down a wall to get a taste of, and I had had it, here, by the bushel, for three days, and I had not yet stopped to feel it. Now, walking alone among stalls of cabbages and bolts of cloth and an old man selling small wooden charms, with a purse and a hunger and no eye on me at all, I felt the freedom of it sit in my chest like a swallowed bird, and I think I smiled.

Last night I had stood up to four men in a pub. I had been good. The room had clapped, and a shepherd had called me a brother in arms. I had walked away clean. The danger of this road was sharpening every day, and somewhere not many hours from here a river waited with a death in it that I had given my consent to; and against all of that, walking through this market with the smell of pies in my nose, I was very nearly happy.

I should have been more careful of it. Happy on a road like ours is a thing a man should look at sidelong and not lean his weight on. But I was eighteen, and I was out of the castle, and a country market on a sunny morning is a thing to be carried by, and so I walked on, and bought my pies, and ate the first one out of hand as I walked, and that is when I made my first mistake.

The pie-woman, taking my coin, peered into my purse. It was a kindly-eyed peer, of the sort an old woman gives an unfamiliar coin to be sure she has not been cheated. Then she peered a second time, the way an old woman does not, and her eyes flicked up to my face and back.

Too much money. Too much for a man at arms in this kind of country.

I pocketed the purse, gave her my dullest smile, and walked on, eating my pie. But I had been seen. I knew it before I had walked four stalls. I felt the small particular pressure between the shoulder blades of a man being marked from behind by more than one pair of eyes.

I did not turn. Davil had taught me long ago that to turn is to confirm what the watcher only suspects. I walked on as a hired man on his easy hour, eating his pie, eyes ahead.

The crowd thinned at the end of the row. I let my pace ease, looked left and right at the stalls as a man does who is choosing where to go next, and used the eye-flick to take in what was behind me without turning the head.

A girl. Perhaps eighteen, perhaps younger. Pretty, in a sharp small way. She was looking at me, and when she caught my eye she smiled, brightly, the way a girl smiles when she means to be noticed.

Davil had taught me this one too. A pretty girl in a crowd alone is not a pretty girl alone in a crowd. Look for her men.

I did not stop. I did not return the smile. I gave her the slightly-flustered look of a hired man too country to know how to be flirted with, and I turned into the next row, and looked for cover.

The cover stood at the start of the row, where the row’s first stall ought to have been. It was not a stall. It was a tent — the small dark canvas kind a man would camp in, set up here on the market day as a private place of business. A board out front, painted in a thick uncertain hand:

Brawena the Medium. Fortunes and Curses.

I looked at the board, and at the tent flap, and over my shoulder at the corner I had just turned, and I made a small fast calculation.

A medium in a country market. In the capital, this woman would have been hanged for the sign alone. The kingdom’s writ ran thin here; she had stayed alive, and was advertising. Whatever she did inside, it was not a thing the King’s law was reaching for at the moment. And inside that tent I would be out of the line of sight of a girl whose men I did not yet know.

I lifted the tent flap, and went in.


It was dark, and full of incense, and the canvas had been hung inside with painted cloth in long stripes that the eye could not settle on. I stood blinking in the doorway. The tent was empty but for a small black-draped table and the woman behind it, and the smell of the incense was thick enough to chew.

“Welcome, young man! Come on in, don’t be afraid. My name is Brawena, famous medium of this country, known up and down the road from Tilesford to the Pass. What is your name, and what winds have blown you into my corner of the world?”

Her voice was a performance — pitched low and warm, as a medium’s voice should be — and she sat there in a quantity of black and a great deal of paint that did not move when her face did. Her hair was the colour of dried blood, and she wore a tall black hat with a brim wide enough to shade her shoulders, and she had a black robe stretched, by some marvel of stitching, across a chest that would have given pause to a much braver man than I was that morning. On the table in front of her there were six small things laid out in a row, and a silver cup, and a deck of painted cards face-down.

I felt, despite the company I was keeping, the corner of my mouth twitch.

“Davy,” I said. “Just looking around the market.”

She did not blink at the name. If she had marked the small pause before it, she did not say so.

“Davy. Well. The market is the perfect place for looking around. I find things in it I did not come for, every market day.” She gestured at the seat across from her. “Sit, if you will. I have not been busy yet. What brings you to a medium’s tent, Davy? A message from the dead? Your grandfather, perhaps.”

I had been about to refuse. The word dead stopped me, and I sat down across from her without quite deciding to, and I considered her question for a longer moment than I had meant to give it.

There was a man I might have asked her for. I had lived in his shadow eighteen years, and watched him die at a stranger’s hand three months ago, and I had come too late by the length of a breath to save him; and if there was the smallest chance that this woman, with her paint and her hat and her too-deep voice, could put me in a room with my brother for the space of one sentence — I felt the want of it rise in me, hot and strong, and I felt also the colder thing that came behind it, which was the absolute certainty that I could not bear it.

If Bran spoke to me now and said forgive me, I should not have died, I would not be able to ride out of this market. If Bran spoke and said forgive me, Gord, that I left you to it, I would not be able to draw the next breath. And if Bran spoke and said what kept you, I would not be able to live another hour.

“No,” I said. “No grandfather. Nor — anyone of mine. No dead. Please.”

She had her eye on me very carefully now. She had read the flinch.

“No, then. Not the dead. Something else. Your fortune, perhaps? Or a girl? There is always a girl. I have not yet had a young man in this tent who did not turn out to have one somewhere — a one already, or a one he was looking for. The cards are good for a girl. Tell me her name and the cards will tell me what she is thinking of you.”

The pickpocket girl’s smile sat at the back of my mind. There were no others. Su had been three years ago and was not, by any honest reckoning, a girl I could hand to a medium for the asking-after; she had not been mine, in the end, in any way that survived her vanishing. And I did not know whether I should be saying so or laughing it off, and I did neither.

“No girl,” I said.

“As you say, Davy. Then a fortune.”

“Whatever is cheapest.”

She laughed, and the laugh was real, an ordinary woman’s laugh under the performance. “Cards are cheapest. Two coppers. They are also the least true. The bones are five coppers, and they speak more.”

“What are the bones.”

She lifted them in her painted hands and let them rattle, gently, in her palm. They were small, smooth, polished to gold by long handling, and they were carved with very small black marks, and I saw what they were and my pie sat suddenly cold in my belly.

They were knuckles. Six of them.

And the marks on them — the marks on them.

I had spent three afternoons six months ago with old Grolen in the deepest of the archive’s tunnels, peering at the lower scroll he had brought up to me, the one in the Great King’s own hand. Grolen had taught me a dozen of the elvish letters before the work of the day overtook us. I had not seen them since, and I had not expected to, and yet here they were — small, careful, black, painted on bone — looking up at me from the palm of a country medium in a tent.

It was a thing for which the kingdom would hang her without a hearing.

“Where did you get those,” I said. My voice came out wrong. I made it right.

She watched me very still for a moment, and I understood that she had read my recognition, and was deciding what kind of trouble I was. Then she said, almost gently: “They are very old. My grandmother had them from her grandmother. They have been used by women of my line longer than your kingdom has had its name. I will not roll them for a man who cannot read the count.”

“I can read three of the letters.” I had not meant to say it. It was out.

She drew a slow breath. “And do you know what house has those letters?”

“I do.”

“And will you tell my landlord what you saw in my tent.”

“I will not.”

She nodded. She nodded as a woman nods to a bargain made and held; and we two understood each other, very clearly and without saying any more of it, in the space of three breaths. She would speak true to me, and I would not speak of her at all, and if the day went sideways we would each have a knife at the other’s throat in our remembering and not use it.

“Five coppers,” she said.

I put down five.


She closed her hand over the bones. She shook them. They sounded like rain on a copper roof. She rolled them on the black cloth.

Three came up with the small black side toward me. Three lay blank.

She bent close. She read them off as a woman who knows the words — not from a chart, not from a book, but the way a man reads his own house’s writing.

“Walk. Mountains. Darkness.”

She wrote it on a small square of paper with a charcoal stub, and looked up at me, and her face had gone professional. “It is the road, of course. Your road, here, this season, what is ahead of you. You will walk into mountains; you knew that. Darkness is harder. It is not the dark of night — there is another word for that. It is the dark of not seeing. Of being where the seeing-eye does not reach. Where one is lost.” She lifted her shoulders. “Or it may be peril. The peril of the unseen. Or your peril to yourself; in elvish the word is the same. Or the peril of those with you. Be told: where you walk into, the seeing-eye does not reach.” She counted under her breath, lips moving over the marks. “And it is the count of doom.”

“The count of doom.”

“In our reckoning. Some counts are good and some are not. This one is not.”

She gathered the bones. She rolled again.

“Friends. Snake. One.”

She read these too, slow. “A snake among friends; or one friend a snake; or one of you a snake to another; or a snake at one of you, alone.” She did not look at me; she looked at the bones. “I will not pretend to read it for you. The bones are saying one and the one might be in any place in the sentence.” She glanced up. “You have how many in your party?” I did not answer. “Then look at them,” she said, “and see which of them is set apart from the rest of them. That is the one. The snake is that one, or near him.” She moved her lips a moment over the bones, counting in her own tongue. “And the count of this too. Doom.”

She rolled again.

The bones came out heavier on the cloth this time, a duller sound. The hairs on my arm came up.

“House. Crown. Knife.”

She looked up at me, slow, and her painted mouth opened, and shut, and opened. She had stopped being the medium. The performance had fallen off her like a wet coat.

“House. Crown. Knife,” she said again, quietly, to herself, and then she shook her head once, slowly, as if to argue with something the bones were saying inside her head. “Three words. They could mean a hundred things — they could be a house holding a knife to a crown, or a crown taking a knife from a house, or any of a dozen things in between, and I should be telling you all of them as I told you the others, but —”

She stopped. She put her hand flat over the three bones.

“The bones will not let me. They are saying one thing, Davy. Only one. A king’s house will fall.” She drew a breath. “That is what they are giving me, and they are not letting me give you the other readings. I have rolled bones in this tent for thirty years. The bones have never told me what to say. They are telling me now.”

She lifted her hand off the bones and looked at me.

“Who are you?” she said.

I sat very still.

“A soldier in this kingdom’s service. I gave you my name.”

“Davy is not your name. Davy is a name a boy gives a midwife. Who are you?

“I cannot tell you.”

“I will not roll again until you do.” Her hand was shaking, very small, the kind of shake a woman cannot hide. “The bones have not done what they are doing this morning. They are speaking to you. They are speaking at you. Who are you.

I do not know what made me give it. It was not the threat in her hand on the bones; she could not threaten me, and we both knew it. It was the fear in her painted face — and the recognition that she had risked her own neck twice over, by showing me elvish on bones and by admitting they were doing what they were doing, and the small ordinary truth that she had earned the answer.

“Gord,” I said.

She let out a small sound, and let go of the bones, and put her face for a moment into both her painted hands, and made the kind of laugh a woman makes when she has just heard her own coffin-nail being driven, and recovered. She looked up. She picked the bones up. She shook them, and the shake was not steady, and she rolled them.

They struck the cloth with a sound that no six knuckles ought to have made — a single deep drum-thump, as though a much bigger thing had been thrown. One came up with a mark on it; one came up blank; one came up with a mark she did not know.

She bent over them. She frowned. She rose, and rummaged under the table, and brought up a small leather book with the title scraped off the spine, and turned to a page near the back of it, and bent her hat over it, and ran a black-painted nail down the line until her nail stopped.

“Crown,” she said, “and a mark that is not on my bones. And blank.”

“What is the mark.”

She looked at the book, not at me. “King. Broken. The two are the same word in the elvish. The bones do not say it because no one wrote it on them. The bones found the word anyway. I do not know how to set that down for you in plain speech.”

She wrote it on the paper without saying it again.

She rolled a fourth time.

This time the sound was like thunder a mile off. I felt my chest move with it.

“Girl. Brothers. Cup.” Her voice had gone very flat. She wrote each one with care. She did not look at me. She did not interpret them.

She rolled a fifth time.

The bones came up entirely blank. She had not breathed since the fourth roll. She let out the breath now, slowly, and put both hands flat on the table on either side of the bones, and sat a moment with her eyes closed.

When she opened them she pushed the small square of paper across the table to me.

> Walk. Mountains. Darkness. > Friends. Snake. One. > House. Crown. Knife. > Crown. King. Broken. > Girl. Brothers. Cup.

 
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