Namaste, Stranger - Cover

Namaste, Stranger

Copyright© 2026 by Art Samms

Chapter 9

The quiet arrived by mutual understanding. No argument marked it. No dramatic decision. Just a gradual slowing—longer gaps between messages, responses composed and unsent, words held back with deliberate care.

Jack noticed it first in the mornings. He reached for his phone out of habit, then stopped himself. The screen stayed dark, the stillness unfamiliar and faintly unsettling.

Their last exchange had been gentle, almost logistical.

Anjana:
Maybe we should give ourselves some space.
Just to understand what this is.

Jack:
I was thinking the same thing.
Not distance. Just ... clarity.

Anjana:
Yes. Clarity.

That had been three days ago. Now, the absence pressed in—not sharp, but persistent. Jack felt it while walking to worksites, while listening to students talk about erosion, while washing his hands in the courtyard at night.

Silence, he realized, was not empty. It was shaped by what had been there before.


Anjana felt it too. She went about her routines with care—checking in guests, updating reservations, editing footage—but found her attention drifting. More than once, she caught herself framing a thought as a message before remembering she had chosen not to send it.

The choice mattered.

She wanted to know whether the connection stood on its own—or whether it depended on constant reassurance.

At night, she sat with her laptop closed, letting the room fill with the ordinary sounds of home: voices from neighboring houses, the distant hum of traffic, the familiar world pressing in.


For Jack, the quiet stripped things down. Without Anjana’s messages to soften the edges of the day, the work felt heavier. Not unbearable—but honest.

He noticed how often he had leaned on her presence without meaning to. How easily comfort could blur into dependency.

And yet—something remained. A steadiness beneath the wanting.

They did not avoid each other completely. Once, Jack passed the Phewa View Guesthouse and caught a glimpse of Anjana through the window. She looked up, met his eyes, and nodded—just once.

It was enough.

No smiles lingered. No steps slowed. But something unspoken held between them.

Silence, Jack understood, was not the opposite of connection. It was the space where its shape could finally be seen.

Now, with the quiet settled between himself and Anjana, Jack turned fully toward his work. Not as a distraction—he could feel the difference—but as something solid he could shape with care.


The classroom smelled of chalk and damp paper. Jack spread his materials across a long wooden table: hand-drawn watershed maps, laminated photos from the landslide site, notebooks filled with translated terms and diagrams sketched in pencil.

Three teachers sat with him—two men and one woman—all from schools that had been affected by flooding in different ways.

“We don’t want another project that ends when you do,” the woman said plainly.

Jack nodded. “Neither do I.”

That was where the plan began. They didn’t start with technology or outside models.

Instead, they started with walking.

Jack proposed monthly “land walks” for students—short, guided routes near their homes where teachers would help them identify water paths, soil types, and vegetation patterns.

“Not lessons,” Jack said. “Observations.”

The teachers leaned in.

“One grade at a time,” Jack continued. “Same route, different questions. Over years, they’ll see change.”

A teacher tapped the map thoughtfully. “They will teach their parents.”

“Yes,” Jack said. “And correct them.”

That earned him a muted laugh.


The plan unfolded in layers. Seasonal journals where students recorded rainfall and runoff. Simple experiments using bottles and soil to model erosion. Community days where elders were invited to explain how the land had behaved before roads and concrete.

“Knowledge that moves between generations,” Jack said, careful not to claim authorship.

The teachers debated details—what language to use, how much time to allocate, how to keep the work from becoming another obligation.

Jack listened more than he spoke. And when he did speak, it was to connect ideas they had already voiced.


By the third meeting, Jack barely touched the maps.

The teachers argued with each other now, refining the plan, adjusting timelines, assigning responsibilities.

Jack watched with quiet satisfaction. This was the work he would not be remembered for. And that, he realized, meant it might endure.

As he walked home that evening, dust rising around his boots, Jack felt a sense of completion that surprised him. Not pride, but rather relief. He was building something designed to outlast his presence—not through his effort alone, but through shared stewardship.

Back at the Subedi house, Jack tucked the finalized plan into his bag, knowing he would soon step back and let it live on its own.

The quiet with Anjana still lingered. But beneath it, Jack felt steadier than before.

Some things, he was learning, were meant to remain after you stop speaking.


The first message arrived from Kathmandu. Then one from Dharan. Then one in English, carefully worded, from someone writing on behalf of a travel site Jack had heard of but Anjana had not sought out.

Anjana’s phone buzzed steadily through the morning at the reception desk of the Phewa View Guesthouse. She silenced it between guests, responding only when the lobby was empty.

The reach unsettled her. She had always imagined her work as something local—anchored in familiar streets and voices. Now it was traveling far beyond them, carried by people she would never meet.

And the criticism sharpened alongside the attention.

Comments appeared beneath her videos questioning her intentions, her tone, her independence. Some accused her of misrepresenting tradition. Others said she was encouraging restlessness among young women.

Her family noticed.

“So many people are watching you now,” her mother said one evening, not unkindly. “You should be careful.”

Anjana nodded. She had already learned that caution did not always mean retreat.


The sponsorship offers came next.

Outdoor gear companies. Travel platforms. A foreign media outlet asking for “a more personal angle.”

Each came with expectations—branding, talking points, a subtle suggestion that her voice could be adjusted for wider appeal.

Anjana read every message carefully—and promptly declined. Every single one.

She wrote polite refusals, explaining that she did not want to turn community stories into advertisements, or her perspective into a product.

Some responded with surprise. Others did not respond at all. She felt lighter with each decision.


Not all feedback was critical.

 
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