Eternal Flame
Copyright© 2025 by Dilbert Jazz
Chapter 5: The Weight of Money
Romance Sex Story: Chapter 5: The Weight of Money - Eternal Flame: A raw, passionate lesbian romance. Random college roommates Nawana (part-Cherokee artist) and Jordan (driven pre-med) spark instant chemistry that ignites into fierce love. Over 12 years, they battle crushing workloads, money woes, jealousy, long-distance, med school burnout, and residency's riptide—choosing each other through explosive fights and desperate reconciliations. Sensual, unflinching, and deeply emotional, this is queer love tested by fire and emerging unbreakable.
Caution: This Romance Sex Story contains strong sexual content, including Fa/Fa Mult Consensual Reluctant Romantic Lesbian BiSexual Fiction Rags To Riches School Workplace DomSub FemaleDom Light Bond Rough Spanking Polygamy/Polyamory Interracial Analingus Exhibitionism Massage Masturbation Oral Sex Petting Sex Toys Squirting Big Breasts Caution Slow
The first cold snap of October comes early, seeping through old window glass and forcing Nawana to raid Jordan’s stash of giant hoodies. She likes the way they smell after a long day—synthetic, a little like sweat, a little like the gross hand sanitizer Jordan keeps everywhere. They wear matching ones now, sprawled on the couch watching a documentary on serial killers that Jordan’s already seen twice. Nawana’s only pretending to watch, her mind circling the same ugly thought, round and round:
Maybe you’re not enough. Not clever enough for her, not ambitious enough, not interesting enough to compete with the next crisis or the next Mia.
Jordan is more herself on nights like this, safe and loose, feet up on the coffee table, hair twisted into a bun that keeps falling apart. She pops open another can of La Croix and offers it to Nawana with a grin.
“You want some?” she asks.
“Not unless you spiked it,” Nawana says.
Jordan shrugs. “We still have vodka. If you want to get reckless.”
The word reckless hangs in the room, daring someone to touch it.
“I’ve got class in the morning,” Nawana says. “Portfolio review. I’m supposed to sound professional.”
Jordan laughs, but it’s soft, distracted. “You are professional. All those contracts and NDAs—you’re like a corporate shaman at this point.”
“Yeah, but I actually have to show up,” Nawana says, voice tight. “It’s different from hiding in a Discord server.”
Jordan slides closer, pressing their bodies together along the length of the couch. “If anyone gives you shit, tell them your girlfriend will stab them with a pipette.”
It’s such a dumb threat that Nawana can’t help but laugh, tension bleeding out of her shoulders. She presses her face into Jordan’s neck, inhaling the honest, animal warmth of skin.
“Do you ever get tired of pretending you’re not nervous?” Nawana murmurs.
Jordan considers it, hands finding the hem of the hoodie Nawana’s borrowed. “I don’t think I’ve ever not been nervous. I ... push it down.”
“It’s easier for you,” Nawana says. “You’re, like, the queen of performing competence.”
Jordan draws a slow circle on Nawana’s thigh. “It’s an act. My mother says the best surgeons are the ones who can act like nothing’s wrong while the patient’s bleeding out.”
“Nice,” Nawana says. “So you’re basically the sociopath of medicine.”
Jordan grins, but it doesn’t reach her eyes. “Only on days ending in ‘Y.’”
They fall into silence, not the comfortable kind but the heavy, shifting sort where every touch feels like a test. Nawana keeps thinking about the upcoming review, about all the eyes on her work, about the feeling that no matter what she puts on the wall, it’ll never add up to more than a pretty diversion for people who actually matter. She’s still chewing it when Jordan leans in and kisses her—slow and deliberate, like she’s mapping a new route every time.
Nawana lets herself get lost in the rhythm of it, the heat of Jordan’s mouth, the way her hand is already under the hoodie, fingers tracing along the waistband of her pajama shorts.
“You sure?” Jordan whispers, breath warm against Nawana’s ear.
“I want to,” Nawana says. “I just ... don’t want to fight again.”
Jordan freezes, lips just above her collarbone. “We’re not fighting.”
Nawana laughs, thin and bitter. “We’re always fighting, even when we’re not.”
Jordan sighs. “Maybe we could not, for one night.”
“Yeah,” Nawana says, “maybe.”
They make out on the couch anyway, even though it’s awkward, and both of them are still halfway in their own heads. Nawana lets Jordan take the lead, lets her hands travel, lets herself be split open and filled with need. She closes her eyes and thinks about anything else—Mia’s smile, sharp and perfect; the way her professor pronounced “indigenous” like he was tasting a new word; the brief, scalding email from her mother with the subject line “Update.” All of it rolls together, a single roaring tide, and when Jordan pushes her hand into Nawana’s underwear, she comes so hard it takes her by surprise, toes curling against the cheap velvet couch, breath stuck somewhere between a moan and a sob.
Jordan laughs softly, kissing her again. “You always do that. Like it surprises you every time.”
“Maybe I just forgot I’m allowed to,” Nawana whispers.
Jordan’s smile goes soft. “You’re always allowed, babe.”
They stay wrapped together on the couch until the documentary ends, the next show auto-playing in silence. Jordan drifts off first, snoring lightly with her mouth open, head tilted back in the most undignified way. Nawana resists the urge to take a photo. Instead, she stands, pulls the blanket over them both, and grabs her phone to check the time.
A new message glows at the top of her notifications. Not her mother, not her grandmother—just the portfolio review group chat, someone asking if the piece is finished.
Nawana types back, Not yet, but soon. She wants to believe it’s true.
The review is held in a classroom with bad ventilation and better snacks. Nawana’s project—six feet of digital-traditional fusion on canvas, a blend of Cherokee story iconography and her own haunted self-portraits—gets hung up at the center of the room. She stands beside it, not meeting anyone’s eyes, waiting for the professor to start the critique. The air smells like markers and burnt coffee. Someone in the back is wearing the same perfume as Mia, and it’s making Nawana lightheaded.
The professor begins with the positives, because that’s the format, but the words bounce off her like ping-pong balls. Strong sense of line. Vivid use of color. Compelling contrast of scale.
Then: “But I’m interested in what you’re really trying to say here, Nawana. Are you drawing on your heritage, or subverting it? There’s a tension I can’t quite resolve.”
The word ‘heritage’ hangs in the air like an accusation. Everyone turns to stare, even the girl who spends every class drawing horses. Nawana wants to disappear.
She shrugs. “Maybe I don’t want to resolve it.”
The professor frowns, as if she’s offered the wrong answer. “But what’s the message? If you could name it?”
Nawana picks at the hem of her sleeve. “That you can’t have the Fire without the water. That the story is just ... trying not to drown.”
There’s a pause. The professor nods, as if satisfied, but the other students keep staring, waiting for her to say more. Nawana doesn’t. She spends the rest of the critique hearing nothing, mind stuck on that one question: Are you drawing from your heritage, or are you subverting it?
When it’s finally over, she collects her piece and flees the building, fingers numb despite the gloves.
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