Geometry of Shame - Cover

Geometry of Shame

Copyright© 2025 by Danielle Stories

Chapter 3: The Economy of Flesh

That night, Thursday, June 11th, 1992, the house did not settle into silence. It absorbed sound, like a sponge soaking up blood. The finality of the last taped box, the last strip of fabric sliced and bagged, did not bring peace. It left a vacuum, a hollowed-out atmosphere charged with a raw, humming shame. The air itself felt thin, starved of comfort, thick with the memory of scissors and the scent of tears and flinty determination.

Lying in the dark, I couldn’t breathe. Every time I closed my eyes, the geometry reassembled itself behind my eyelids: the stark angles of the kitchen table, the harsh line of my mother’s arm pointing, the vulnerable curves of my sisters’ exposed backs as they bent to deposit their clothing into cardboard coffins. My own role was a fixed, burning point in that constellation of disgrace, the clothed witness, the kneeling custodian, the archivist of their unraveling.

Sleep was impossible. It wasn’t just the memory; it was the ongoing soundtrack. Through the thin walls of our Cedar Springs house, the night was alive with the aftermath. From Ashley and Megan’s room came a low, constant weeping, a two-part harmony of despair muffled by pillows. But it was from Claire’s room, directly across the hall, that the most terrifying sounds emerged. Not crying, but the violent, physical language of fury and fragmentation: a stifled shout, the thump of a fist against a wall, the sharp crack of something small and breakable, a perfume bottle, perhaps meeting its end. Then, the heavy, rhythmic creak of bedsprings as she paced, a caged animal wearing nothing but her own skin.

I hated them. The thought rose in me, cold and clear as the moonlight slicing through my blinds. I hated my parents. This wasn’t discipline; it was a surgical dismantling. A beautiful, sentimental, stupid car had been wrecked. And in return, they were wrecking my sisters. They had mapped a punishment of such exquisite, relentless cruelty that it felt less like justice and more like a dark experiment. What was the dependent variable? How much shame could a person hold before they shattered? I was a control subject, clothed and condemned to watch.

The glowing red numbers on my nightstand clock bled from 9:00 to 9:47. Each minute was an agony of forced recollection. My mind, a traitor, replayed the day’s horrors in high-definition slow motion, fixating on the most piercing details.

The final act in the kitchen, after the boxes were sealed and hauled away, had been the destruction of the remainder, the laundry. A basket of clean, folded clothes sat innocently by the washing machine, a landmine of normalcy. Dad had pointed to it.

“That,” he said. “That’s the last of it. Claire, you’ll cut it. Sam, you’ll assist. The rest of you will watch. Consider it ... closure.”

Assist. The word was a brand. It meant holding the fabric taut for her. It meant being the stable anchor against which her devastation would be seen.

Claire had approached the basket as if it were coiled with snakes. Her nakedness in that moment was different from the defiant stance at the table or the furious efficiency at the stove. It was a shuddering vulnerability. Every goosebump on her arms, every slight tremble in her thighs, was visible under the fluorescent kitchen light. She pulled out the first item, one of Megan’s plaid school shirts, and Mom placed the heavy rotary cutter in her hand.

“Start with the seams,” Mom instructed, her voice devoid of anything but tired resolve. “Reduce it to raw material.”

The first zzzip of the blade was a whimper. The second was stronger. By the third, Claire had found a terrible rhythm, her jaw clenched, tears streaming silently down her face as she methodically dismembered the shirt. The sound was a violation, the crisp severing of order, of domesticity.

Then Ashley whimpered. “Not that one. Please.”

Claire had frozen, holding up a blouse. I knew it instantly. Ashley’s favorite. A light blue cotton with a delicate pattern of lavender waves she’d worn at least once a week for two years. It was soft, faded from love and washing. It smelled like her, like baby powder and the strawberry shampoo we all used.

Dad’s eyes had shifted to Ashley, who was shaking her head, her hands pressed over her mouth. “That’s the one,” he said, not unkindly, but with a horrifying pedagogical certainty. “That’s exactly the one. Sam.”

I jolted. “Yes?”

“Ask Ashley for the blouse.”

The command was diabolical. It forced me to engage, to articulate the theft. My mouth was desert-dry. I looked at Ashley, her eyes wide, pools of liquid pleading. “Ash ... the ... the blouse.”

She let out a sob that seemed to tear from her very center. She didn’t hand it to me; she let it fall from Claire’s numb fingers to the floor. I bent, the rough linoleum biting into my knees again, and picked it up. The fabric was still warm from Claire’s grip.

“Now,” Dad said to me. “You finish it. Claire, watch.”

The weight of the cutter in my own hand was an abomination. I was right-handed. I fumbled, the blade wheel spinning uselessly. I saw the pattern of the lavender waves, the little pearl button at the collar. This wasn’t just fabric; it was a piece of Ashley’s identity, a comfort object, a shield. And I was to be its executioner.

 
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