A Contract of Honor - Cover

A Contract of Honor

Copyright© 2025 by Megumi Kashuahara

Chapter 7: First Conflict

The quiet threat issued by Jedediah Shaw did not fade with the dust cloud he left behind; it settled over the ranch like a poisonous mist. Shaw’s visit was more than a trespass; it was a psychological assault that affirmed Elara’s deepest fears: that her safety was conditional, and that her survival depended on her ability to escape before the next buyer arrived. Steward had fought the outside world, but now he had to contend with the internal fallout.

Steward found himself increasingly restless. He avoided the kitchen, knowing he reeked of the deception he’d been forced to maintain in front of Shaw. Instead, he worked. He rode long hours checking the fences, pushing the horses until his physical exhaustion could momentarily eclipse his gnawing guilt. When he returned, Maria would only communicate the girls’ status in Spanish, deliberately softening the tension.

Over the next two days, the girls’ fragile routines began to unravel. Miya (9), usually happy to chatter and practice her English ciphering with the dried beans, grew quiet, her eyes constantly darting toward the distant canyon entrance. Elara (13), however, didn’t retreat; she grew distant and fiercely meticulous. She redoubled her efforts on her lessons, seeing them now not as gifts, but as tools—weapons for self-determination. She rode ‘Silas’ relentlessly, demanding a hard gallop around the main corral until the mare was winded and Steward had to intervene.

Steward watched her from the porch, understanding the message: She was preparing to run.

The confrontation came on the fourth night after Shaw’s visit. Steward had dismissed the ranch hands and sat alone in the parlor, the house silent save for the crackle of the wood in the fireplace. He was reviewing the trust papers Kroll had drafted—documents meant to secure the girls’ financial future—when Maria appeared in the doorway, her face shadowed and grave.

“Señor Grainger,” she whispered, her voice tight. “Elara has gone.”

Steward’s heart seized, a terrible, visceral punch that stole his breath. He dropped the papers onto the small reading table. “Miya?”

“Miya is asleep, still near the hearth. Elara left a note on the table. She wrote it in their language, but she left the chalk.” Maria held out the chalk. “She knows you are trying to be kind, but she does not believe in permanent safety. She believes she must protect her sister by disappearing first.”

Steward bolted to the kitchen. He saw Miya, still curled peacefully under a blanket, and felt a rush of both relief and dread. Elara, the protector, was making the ultimate sacrifice to ensure her sister’s life.

He grabbed his hat and gun belt, not bothering with a coat. “Which direction?”

“The canyon, toward the mountains,” Maria said, already saddling the mare. “She took a saddle, a water skin, and some jerky. She took ‘Silas’.”

“Damn the girl!” Steward muttered, the anger a sharp shield against the fear. He knew the gray mare was fast, and Elara was a quick, natural rider. She had several hours head start, riding through terrain she was learning by heart.

He mounted his own powerful gelding, ‘Justice’, and spurred him into the dark. The canyon mouth was a black maw, but Steward knew the land. He knew Elara wouldn’t ride toward Tucson, not after the trauma of the auction block. She would ride into the mountains, toward the Sonora border, believing she could somehow reach the Yaqui homeland, or at least lose herself in the peaks until the danger passed.

He pushed ‘Justice’ hard, riding by the feel of the land and the faint signs of a horse on the rough soil. The moon offered only slivers of light, forcing him to rely on his decades of knowledge of the canyon’s subtle dips and rises.

After nearly two hours of hard riding, pushing deep into the rugged, uninhabited foothills, he found his first unmistakable sign: the faint, distinct smell of a camp fire, extinguished quickly but recently. Elara was not just fleeing; she was trying to survive, using the lessons he taught her.

Steward dismounted, leaving ‘Justice’ to graze. He proceeded on foot, moving with the slow, deliberate stealth he had learned in his younger days running cattle in disputed territories.

He found her nestled near a small granite outcrop, the gray shape of ‘Silas’ tethered nearby. Elara was not sleeping. She sat bolt upright, holding a heavy, smooth river rock—a weapon—in her small, dirt-caked hand. She was watching the stars, waiting for the inevitable.

“It won’t work, Elara,” Steward said softly in English, stepping out of the shadows.

Elara gasped, scrambling to her feet, dropping the rock. Her face, tear-streaked and pale in the faint moonlight, was a raw picture of desperate defiance. She immediately scrambled toward ‘Silas’.

“Don’t,” Steward ordered, his voice sharp but controlled. He advanced slowly, his arms held wide, showing his empty hands. “I told you. You are safe. You do not have to run.”

Elara stopped, trembling. “The bad man,” she choked out in broken English. “The bad man—he come. He buy Miya. I go. You sell me. You keep Miya safe.”

Steward’s heart broke. The trauma of the auction block was so deep, so absolute, that she truly believed her only value lay in being a marketable sacrifice. He realized the depth of the betrayal he had been forced to enact with the indenture papers.

He walked forward until he stood just a few feet away, close enough to be imposing, but distant enough not to be threatening.

“Elara,” he said, speaking entirely in English, forcing the most important words to be understood without the linguistic buffer of Maria or Spanish. “I told you the truth. I bought the paper so no other man can buy you. I bought you so you are mine.” He repeated the word, not as ownership, but as possession of responsibility. “You are my family. You are my daughter. That means I cannot sell you. I cannot let you go. If you disappear, the bad man—the government—they take Miya. They send her far away. Your running makes Miya unsafe.”

 
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