The Misanthrope
Copyright© 2025 by Drabbles
Chapter 3: The Archaeology of Grief
Tanya appeared at his desk at 4:47 PM, which Henry knew because he’d been watching the clock with the kind of dread usually reserved for terminal diagnoses.
“So,” she said, leaning against his doorframe with her arms crossed, “Paul told me you paid for my car.”
Henry’s fingers stilled on his keyboard. “He wasn’t supposed to tell you that.”
“I asked him directly. He’s a terrible liar.” She tilted her head, studying him. “Four thousand dollars, Dr. Gordon. That’s not a small favor.”
“You needed your car repaired.”
“And you needed to pay for it? Why?”
Henry had no good answer for this. The truth—that he’d done it on impulse, that he couldn’t bear the thought of her struggling, that something about her relentless optimism made him want to protect it—was too revealing. “Consider it a loan.”
“A loan.” Tanya’s expression softened. “You know I can’t pay you back. Not anytime soon.”
“Then consider it a gift.”
“I don’t accept gifts that expensive from people I barely know.”
“We’ve spent two weeks in a car together. That’s more time than I spend with most people in a year.”
She laughed, but it was gentler than her usual laugh. “That’s really sad, Dr. Gordon.”
“Henry,” he said, surprising himself. “You can call me Henry.”
Something shifted in her expression—pleasure, maybe, or surprise. “Okay. Henry.” She tested the name, seemed to like the way it felt. “I’m making you dinner. Tomorrow night. At your place. And before you say no, this is non-negotiable. You paid for my car. I’m making you dinner. That’s how this works.”
Every instinct Henry possessed screamed at him to refuse. His apartment was his sanctuary, his carefully controlled environment. No one had been inside it in five years except him. The thought of Tanya there, in that space, seeing how he lived—it made his chest tight.
“That’s not necessary,” he managed.
“I know it’s not necessary. I want to. Unless—” She paused, suddenly uncertain. “Unless you really don’t want me to. I don’t want to make you uncomfortable.”
And there it was: an easy out. He could say no, could maintain his boundaries, could keep her at arm’s length where it was safe. But when he opened his mouth, what came out was: “Seven o’clock.”
Tanya’s smile was incandescent. “Seven o’clock. Text me your address.”
After she left, Henry sat in his office and wondered what he’d just agreed to. Then he wondered when he’d last cleaned his apartment. Then he wondered if it mattered, since cleaning wouldn’t change what she’d see: a man living in a mausoleum, surrounded by the careful absence of everything that had mattered.
The next evening, Henry left work at 5:30—early for him—and drove home in a state of low-grade panic. He’d spent his lunch hour at the grocery store, buying wine because that’s what people did when someone cooked them dinner, wasn’t it? He’d stood in the wine aisle for twenty minutes, paralyzed by choice, before finally grabbing a bottle of red that cost forty dollars because expensive meant good, probably.
At home, he looked around his apartment with new eyes, trying to see it as Tanya would. The living room was neat, almost aggressively so. Books alphabetized. Surfaces clear. Everything in its place. But there, on the armchair by the window, was Allison’s cardigan—cream-colored cashmere, draped over the back exactly where she’d left it five years ago. He’d never moved it. Never even touched it after that first month when he’d buried his face in it every night, breathing in the fading scent of her perfume.
He should put it away. He should hide it, along with the stack of New Yorkers on the coffee table that she’d been reading, that he’d never thrown out. He should do something about the kitchen, where her favorite mug still sat in the cabinet, where the spice rack was still organized the way she’d liked it, with the labels facing out.
But he didn’t. He couldn’t. Moving those things felt like erasing her, and he’d already failed her in every way that mattered. The least he could do was preserve the evidence that she’d existed.
Tanya arrived at exactly seven o’clock, carrying two canvas grocery bags and wearing jeans and a soft gray sweater that made her look older, more serious. “Hi,” she said when he opened the door, and her smile was a little nervous, like maybe she was having second thoughts about this too.
“Hi.”
“I brought ingredients. I hope you have pots and pans? And a stove that works?”
“I have those things.”
“Great. Then we’re in business.” She stepped inside, and Henry watched her take in the space. Her eyes moved across the living room—the books, the bare walls, the single piece of art that Allison had chosen, an abstract print in blues and grays. She didn’t comment, just followed him to the kitchen.
“Nice place,” she said, setting her bags on the counter. “Very ... organized.”
“I prefer order.”
“I can see that.” She started unpacking groceries—chicken, vegetables, pasta, cream, garlic. “I’m making chicken piccata. It’s one of my specialties. My mom taught me. She said every person should have at least three dishes they can make perfectly, for emergencies.”
“What kind of emergencies require chicken piccata?”
“The kind where you need to impress someone.” She glanced at him, then away. “Or thank them.”
Henry leaned against the counter, watching her move around his kitchen with easy confidence. She found a cutting board without asking, located a knife, started chopping garlic with quick, efficient movements. She was comfortable here in a way he hadn’t been in years. This kitchen had been Allison’s domain. He’d only ever been a visitor.
“You can sit,” Tanya said. “I’ve got this. Or you can help, if you want. Do you cook?”
“Meal prep on Sundays.”
“Right. The efficiency thing.” She smiled. “What do you make?”
“Chicken and rice. Vegetables. Sometimes fish.”
“Sounds nutritious.”
“It’s adequate.”
“Adequate.” She shook her head. “Henry, food isn’t supposed to be adequate. It’s supposed to be good. Enjoyable. One of life’s pleasures.”
“I don’t need pleasure. I need fuel.”
Tanya stopped chopping and looked at him, really looked at him, and Henry felt exposed under her gaze. “That’s the saddest thing I’ve ever heard,” she said quietly.
He didn’t know how to respond to that, so he opened the wine instead. Poured two glasses. Handed her one.
“Thank you.” She took a sip, then went back to cooking. “This is a nice kitchen. Good layout. Lots of counter space.”
“My wife liked to cook.”
The words were out before he could stop them, and the air in the kitchen changed. Tanya’s hands stilled for just a moment, then continued their work.
“Liked,” she said softly. “Past tense.”
“She died. Five years ago.”
“I’m sorry.” Tanya didn’t look at him, kept her attention on the chicken she was seasoning. “That must have been terrible.”
“It was.”
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