Defenceman: Parallel Ice (Non-Canonical Saga) - Cover

Defenceman: Parallel Ice (Non-Canonical Saga)

Copyright© 2025 by Cold Creek Tribute Writer

49. Transcendence

Coming of Age Story: 49. Transcendence - Defenceman: Parallel Ice (A Non-Canonical Saga) builds on Cold Creek’s Defenceman series while offering a new interpretation. Michael Stewart’s journey extends beyond the rink into intrigue, modeling, and the launch of his AI: Aegis. From Ann Arbor to London, Japan, and Spain, the story explores honor, love, betrayal, and resilience. Rivals and allies test his limits in the arena, courts and shadows—where triumph demands sacrifice and heart both on and off the ice.

Caution: This Coming of Age Story contains strong sexual content, including Romantic   Celebrity   Sports   Interracial   White Female   Oriental Female   White Couple   Royalty   AI Generated  

The Transition Plan

The MIG Offer, April 15 - 16, 2011

Stephanie arrives early at the Matsuda Compound, dressed in plain, careful clothes, as if anything too bold might give a reason to take the offer back. Her hands give her away, fidgeting with the strap of her bag, smoothing the fabric of her skirt. I recognize the posture from freshmen who think one mistake will follow them forever.

Kiyomi joins us in the small conference room off the main hall. She’s made this practical on purpose, and I appreciate that. No soft lighting, no comfortable couches designed to put people at ease. Just a table, chairs, and a folder with the MIG logo embossed on the cover.

“The position is operations coordinator,” Kiyomi says, sliding the folder across to Stephanie. “California office. You’ll report to their regional manager, not to anyone in this room. Page three outlines the scope and responsibilities.”

Stephanie opens the folder, and I watch her eyes move across the text. She’s looking for the catch, and I don’t blame her.

“This isn’t a favor disguised as a title,” I say. “The job is real. So are the expectations. Kiyomi wouldn’t put her name on something that wasn’t.”

Stephanie looks up at me, and for a moment I see the girl from the programming lab, the one who used to quiz me on data structures while we split a pizza. That feels like a long time ago.

“Before we go any further,” I say, “I need to tell you what I need from you. Not what I hope for. What I need.”

She sets the folder down and waits.

“Honesty. Consistency. And distance from Sammi.” I keep my voice level. “Even when she tries to pull you back with guilt. Especially then.”

Stephanie’s jaw tightens, but she doesn’t argue.

“My life is not a place you can drift into,” I continue. “That boundary is part of the help. You need to understand that before you accept anything.”

“I understand,” she says.

Kiyomi glances at me, and I give her a small nod. We discussed this part beforehand.

“There’s something else you should know,” Kiyomi says. “Regarding your sister’s career.”

Stephanie’s hands go still on the table.

“The fashion houses are already moving,” Kiyomi says. “Actions are being coordinated through the appropriate channels. Within the next few weeks, consequences will arrive.”

“Why?” Stephanie asks.

“Because of what she did,” I say. “Hanna told you what happened to me. How Sammi facilitated the attack through Claudia.”

Stephanie closes her eyes for a moment. When she opens them, they’re wet but steady. “She told me. I didn’t want to believe it.”

I push back from the table and stand. Stephanie watches me, uncertain.

“I’m not asking you to believe anything,” I say. I reach down and pull up the hem of my shirt, exposing my side.

The scar is still angry, a puckered line of tissue where the blade went in, surrounded by faded bruising that took weeks to disappear. It’s ugly.

Stephanie recoils, her hand flying to her mouth, but she doesn’t look away. Her eyes trace the damage, and I watch her take it in.

“This happened,” I say. “This is what your sister helped make possible.”

She’s pale now, her breathing shallow, but she holds it together without crying or making excuses.

“Many people would turn you away because of your connection to her,” I continue, lowering my shirt and sitting back down. “I’m not doing that. But I need you to understand that this offer is generous, and it comes with expectations.”

Something shifts behind her eyes, a door closing.

“She can’t be part of my life anymore,” she says. It’s not a question or a negotiation; it’s a decision.

“I understand,” she says again, and this time there’s something firmer in her voice.

“Good.” I lean back in my chair. “Do you have questions?”

She hesitates, then asks, “What about school? And housing?”

Kiyomi answers before I can. “MIG has a tuition assistance program for employees pursuing degrees. You can transfer your credits to a California institution and continue part-time. MIG will provide a moving allowance to cover your housing needs: first and last month’s rent plus a security deposit in a safe neighborhood near the office.

Stephanie accepts the terms as they’re offered, without negotiating or asking for more.

“Okay,” she says. “I agree.”


The next day is pure administration: identification, onboarding paperwork, payroll setup, a video call with her new manager in California. No drama, no ceremony.

Her manager assigns her a first task that can’t be faked: data cleaning for shipping logs and vendor contacts, work that rewards focus and leverages her computer science background. Nothing glamorous, nothing that will make headlines, just work.

“You’ll be expected in San Francisco next week for full onboarding,” Kiyomi tells her as we wrap up. “We will deposit the moving allowance by Friday.”

Stephanie gathers her paperwork, arranging it. I’ve kept my involvement minimal; this is her transition, not mine.

At the door, she turns back. “Michael.”

I look up from my phone.

“Thank you,” she says carefully, as if gratitude might obligate her to something she can’t afford.

“You can repay it by building a life that’s yours,” I tell her. “That’s the only repayment I want.”

She holds my gaze, looking for the anger she expected or the disappointment she deserves, and finds neither. What happened between us is in the past; what Sammi did is being handled, and what matters now is whether Stephanie can become someone who doesn’t need rescuing.

“I will,” she says finally.

I nod once. “Good luck, Steph.”

She walks out, and I don’t watch her go. Kiyomi squares the papers on the table and looks at me, assessing whether I’m handling this well or just pretending to.

“That showed discipline,” she says.

“That’s the job,” I say. “Discipline and boundaries. No drama.”

“You’re learning,” she says, almost smiling.

“I had an excellent teacher.”


The Boundary Call, April 18, 2011

The dishes from dinner are cleared, and the four of us settle in for the evening. Willow’s curled up on the couch with her guitar, working through chord progressions, Molly’s making tea in the kitchen, and Hanna’s scrolling through her tablet, monitoring the usual social feeds.

The phone rings just after seven, and Hanna glances at the caller ID: Stephanie’s name on the screen. She holds it up, and I nod. “Speaker.”

“Michael,” Stephanie’s voice comes through clear and controlled. “I wanted to let you know what happened.”

“Go ahead.”

“Sammi called me this afternoon. I told her about the job, and that I’m leaving.” There’s a pause, and I hear her take a breath. “She said I was betraying her. That I was choosing you over family. That everything she built for us, I was throwing away for some corporate desk job in California.”

Willow looks up from the couch, and Molly stops mid-pour, kettle in hand.

“What did you say?” I ask.

“Nothing,” Stephanie’s answer is immediate. “I didn’t argue. I didn’t explain. I said goodbye and ended the call.”

This is the moment that matters. Not the paperwork, not the job offer, not even the decision to leave New York: the first time Sammi pulled the guilt lever and Stephanie didn’t fold.

“That took discipline,” I say.

“It took everything I had.” Her voice wavers slightly, then holds. “She called back three times. I didn’t answer.”

Hanna catches my eye, and I gesture for her to take over. She leans toward the phone, her tone professional but gentle. “Stephanie, this is Hanna. You did exactly right. Keep doing what you did. Brief responses, if you have to respond at all. No justification. No emotional negotiations. She’s going to try different angles: guilt, anger, maybe even fake emergencies. The pattern stays the same.”

“Okay.” Stephanie sounds different now, steadier. “I can do that.”

“You already did,” Hanna says. “That’s the hard part. Now you just have to keep doing it.” She pauses, then adds, “I want you to think about finding a therapist once you’re settled. Someone who can help you work through the guilt and all these feelings. That made a difference for me, that and having people around who actually had my back. You’re going to need both.”

“One more thing.” Hanna stays even, but her tone picks up an edge. “Right now Sammi still thinks she has options, so the guilt is all she’s throwing at you. That changes in a few weeks. When the bookings dry up and the fashion houses stop returning her calls, you become the only thing she has left to blame. She’ll come at you harder than, not softer. Tears, threats, family, money, whatever she thinks will land. Expect it before it happens, so it doesn’t catch you off guard.”

The line is silent for a moment. “You think she’ll figure out it was Michael,” Stephanie says.

“I think she’ll need it to be someone’s fault, and you’ll be the closest target,” Hanna says. “Hold the pattern anyway. The worse it gets on her end, the more it means you’re free.”

“And again after that,” I add. “Until she stops trying. Or until you stop caring which one happens first.”

There’s a long pause on the line. When Stephanie speaks again, there’s something in her voice I haven’t heard before.

“Thank you. Both of you. I know I don’t deserve—”

“Stop,” I cut her off, but not harshly. “You don’t owe us gratitude for treating you like a person who can make her own choices. That’s the baseline, Steph. That’s what normal looks like.”

“Right.” She takes another breath. “I should let you go. I just wanted you to know.”

“I appreciate the update. Get some sleep. You’ve got a flight to catch in a few days.”

The line clicks dead, and Willow sets down her guitar, crosses to where I’m standing by the counter, and leans her shoulder into mine.

“She did the right thing,” Willow says finally. “Now she has to do it again. And again, after that. The first time is the hardest, but it’s the second time that proves you meant it.”

I’ve learned that lesson myself in different contexts: discipline isn’t a single decision; it’s a habit you commit to until it becomes who you are.

Molly sips her tea, her expression less generous. “I still don’t trust her.”

“I know. Can’t say I don’t harbor some suspicion myself. But I want to believe she’s taking control of her life. So I’m giving her the benefit of the doubt while staying vigilant.”

“That’s a lot of benefit,” Molly says, her British accent sharpening the words.

“It’s a calculated amount. She chose us over Sammi without asking me to fight for her. That means something.”

Willow nods. “It means she’s learning that she has to be the one to draw the line. Not you. Not anyone else.”

“Exactly. That’s the only rescue that sticks.”

The Past Loses Oxygen

The Trade Silence, April 19, 2011

The condo fills with afternoon light, low-angled and gold across the floorboards. Hanna arranged fresh lilacs on the kitchen island this morning, and the scent drifts through the space like a reminder that spring arrived while I wasn’t paying attention.

David Keane’s email sits open on my laptop: a fashion trade publication that tracks who’s ascending and who’s falling. I scroll through the “Top 100” list twice to be certain, and Sammi Merks isn’t on it.

“She’s not there,” I say, turning the screen toward Molly, who’s curled up on the couch reading Vogue.

Molly leans forward, her eyes scanning the list. A slow smile spreads across her face, not cruel but satisfied. “Couldn’t have happened to a nicer person, could it?” The British accent makes the sarcasm land harder. “I mean, truly. The industry finally worked out what the rest of us knew ages ago.”

Willow looks up from the small canvas she’s been working on, brush suspended mid-stroke. “She’s really gone? Just like that?”

“Not just like that.” I push the laptop back. “It took a lot of discreet influence. The documentation we leaked didn’t explode. It seeped. Booking agents started asking questions. Creative directors started having second thoughts. Nobody wanted to be the one caught working with her when the next story dropped.”

“A slow-motion poison,” Molly says, nodding. “Rather elegant, actually. No single killing blow. Just a thousand tiny cuts until she bled out professionally.”

Willow’s brush moves again, adding a streak of deep blue to whatever abstract shape she’s building. “So the major houses won’t touch her now?”

“She’s become a toxic variable.” I lean back in my chair. “The risk calculation changed. Whatever she might bring to a campaign no longer covers the exposure. That’s not revenge. That’s just math.”

Asuka stands in the kitchen, preparing tea with the same precise movements she brings to everything. Her expression reveals nothing. To her, this is a piece removed from the board, one less threat to track.

Molly sets down her magazine. “You know what I find most delicious about all this? She wanted fame more than anything else. Craved it. Would have done anything for it.” She pauses. “And now that same industry she was so desperate to conquer has simply ... forgotten her. Not dramatically. Not with scandal. Just muted erasure.”

I watch Willow paint, her brushstrokes fluid and rhythmic against the harsh reality of what we’re discussing. She processes things differently than the rest of us, turning them into color and movement instead of strategy and calculation.

“The industry stopped trusting her,” I say. “That’s what actually happened. Not because we destroyed her, but because she destroyed herself. We just made sure people noticed.”

Hanna wanders in from her room, phone in hand. “Her social engagement is way down. The algorithm buried her.” She shrugs. “Nobody’s even hate-following anymore. They just ... moved on.”

During a lull in conversation, Asuka catches my eye and tilts her head toward the balcony. I follow her out, sliding the glass door closed behind us.

The spring air carries the distant sounds of campus: students heading to class, the occasional car horn. Normal life continues while we discuss things that are anything but.

“Rika and I will be gone for a few days,” Asuka says. “Final loose ends.”

I study her face. The mask is in place; that calm, almost pleasant expression she wears in public. But her eyes tell me everything I need to know.

Sir Alaric Voss. Cormac Doyle.

“How final?” I ask.

“Completely.”

The old me would have hesitated, would have felt guilt or at least uncertainty about what she’s describing, and might have asked if there was another way.

I just nod.

“Be careful,” I say.

Her expression flickers before the mask settles back into place, and she’s Asuka again, demure and forgettable to anyone who doesn’t know better.

We step back inside. Molly is examining the trade publication again, scrolling through names with apparent satisfaction. Willow adds another layer to her painting, something darker now, shadows bleeding into the blue.

“You know what strikes me?” Molly says without looking up. “She had everything. The look, the connections, the momentum. And she threw it all away because she couldn’t stand that someone told her no.”

“Some people can’t handle rejection,” Hanna says. “It breaks something in them.”

I think about how Sammi’s fixation on me, on what she couldn’t have, metastasized into something that consumed everything she’d built. They didn’t punish her for being demanding; they punished her for being unreliable, unpredictable, and a liability.

“She’s not our problem anymore,” I say finally. “None of them are.”

Willow sets down her brush and looks at the canvas, a swirl of blues and shadows. “So, what now?”

I close the laptop, setting aside the publication and everything it represents. “Now we move forward.”

Willow turns back to the canvas and pulls one last line of gray through the blue.


Captain’s Dinner, April 20, 2011

The dinner is loud and gloriously chaotic.

“Alright, alright, settle down, you animals,” Cason bellows, standing up in the booth with his beer raised. “This was supposed to be a Captain’s dinner. A dignified gathering of leadership. And somehow you mouth-breathers crashed it.”

“Dignified?” Zonk snorts from across the table. “Cason, you’ve got wing sauce on your chin.”

The Brown Jug is packed tonight, the deep wooden booths groaning under the weight of most of the roster. Decades of Maize and Blue memorabilia cover the walls: old pennants, faded photographs, championship banners yellowed with age.

We don’t plan this. Hanna has a stroke when I tell her we’re just going to “wing it” for the celebration dinner.

“Wing it?” She stares at me as if I’d suggested holding the event in a dumpster. “Michael, you just won a national championship. You can’t just wing it.”

“Watch us,” I say.

And here we are, with no reservations, no coordinated arrival, and no social media strategy: just twenty guys crammed into a corner of the Jug, stealing each other’s fries and reliving the best season of our lives. The manager and wait staff are ignoring who should or shouldn’t have a beer; as long as we keep it controlled and don’t make asses of ourselves, nobody’s checking IDs too thoroughly. I guess winning the Triple Crown has its perks.

“To the Captain!” Noley shouts, raising his glass in my direction. “Captain Smooth-Balls himself!”

“Will you stop calling me that?” I groan, but I’m laughing.

“Never,” Reilly says flatly. “It’s in the bylaws now. Section four, paragraph two. Captain Smooth-Balls in perpetuity.”

“There are no bylaws.”

“There are now. I wrote them on a napkin during the second intermission of the Duluth game.”

Someone at the next table recognizes us and sends over a basket of wings. Then a second basket arrives from across the room, and pretty soon we’ve got more food than we can eat, which is saying something for a hockey team.

I stick with my Diet Coke, nursing it while the chaos swirls around me. Noley is in the middle of a story, gesturing wildly with a chicken wing.

“ ... so there I am, blood dripping down my chin, butterfly bandages barely holding, and the trainer looks at me and says, ‘You want stitches now or after?’ And I said, ‘After what?’ And he said, ‘After you kill this penalty.’ And I said, ‘Doc, I’ll kill this penalty if you let me kill the guy who high-sticked me.’”

“You didn’t say that,” Reilly says, his arms crossed, but there’s a smile tugging at the corner of his mouth.

“I absolutely said that.”

“You said, and I quote, ‘Ow, that hurts.’”

“That’s a vicious lie, and I won’t stand for it.”

Laughter erupts, and I lean back in the booth, feeling the worn leather creak beneath me, and let myself be here without scanning the room for threats or calculating exit strategies. Just teammates, friends, and the aftermath of something incredible.


“Stew.” Cason slides into the seat next to me, his voice dropping below the noise. “What’s the off-season look like for you?”

I shrug. “Rehab. Lifting. Skating. Got some modeling stuff lined up, and I need to finish the semester strong. Plus, the AEGIS work never stops.” I pause, then add, “And after graduation, I report to Detroit in July for Development Camp.”

Even as I say it, something tightens in my chest. The words come out smooth and confident, as they’re supposed to, but underneath there’s a whisper I’ve been trying to ignore. The split-second brace before committing to a rotation that never used to require thought. I skated well this season, and I know that; the Triple Crown proves it. But skating well in college and skating well against men who’ve been doing this professionally for a decade, that’s a different calculation entirely. I don’t know if my core can handle eighty-two games of a regular NHL season compared to a college schedule.

I push the thought down before it can settle: not now, not here.

“Man.” He shakes his head. “You make the rest of us look like slackers.”

“You’re going to the show, Shawn. You don’t need to do anything except keep being you.”

He grins with that easy confidence that made him such a leader. “Yeah, but I don’t have a tech empire on the side.”

“It’s not an empire. It’s more like ... a very ambitious science project.”

“Sure, buddy. Whatever helps you sleep at night.”

Zonk appears at the end of the table, squeezing in next to Bobby. His face is flushed from the heat and the celebration, but his eyes are distant for a moment, as if he’s seeing something far away.

 
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