Nicholas's Story - Cover

Nicholas's Story

Copyright© 2025 by writer 406

Chapter 30

Agent Katherine Reeves finished reviewing the dossier on Nicholas Carter one final time before closing the unmarked government sedan’s passenger door. A steady rain fell across the Northumberland countryside, darkening the already gloomy spring afternoon.

“Ready?” asked Agent Malcolm Harwick from the driver’s seat, his voice carrying the faint traces of his Lancashire childhood beneath years of careful elocution.

Katherine nodded curtly. “Let’s get this done.”

Neither spoke as they drove the last miles toward Northwood Hall. The situation was unusual—an American craftsman with a peculiar background taking up residence at the Earl of Northwood’s estate to build a treehouse for Lady Louise Spencer. It was not precisely a national security matter, but the proximity to even peripheral royalty meant routine vetting had escalated to a direct interview.

Katherine had made her opinion clear during the preliminary briefing: “I don’t like it. Unconventional background, prison time, no established connection to legitimate architectural firms. Could be an elaborate approach.”

Malcolm had been more measured. “The security detail hasn’t flagged any concerning behaviors. Background checks are clean since juvenile records. Published works indicate transparency about past experiences.”

Their superior had listened to both perspectives before issuing simple instructions: “Interview him. Determine whether this arrangement presents any security concerns.”

Now, as they approached the estate’s gates, Katherine planned her approach. She would be direct, confrontational. People with something to hide often revealed themselves under pressure. Malcolm would observe, interject occasionally, and watch for inconsistencies and stress indicators.

Standard procedure, but this case irritated her. The American’s background—juvenile delinquent to Pulitzer winner to Swiss-trained carpenter—seemed designed to lower defenses through its sheer unusualness. She’d seen similar tactics before: operatives crafting compelling personal narratives to gain access to potential targets.

“You’ve read his books,” she stated as Malcolm slowed for the security check at the gate.

“Yes. Both of them.” He showed his identification to the guard, who had been expecting them. “The second one, twice. About solitary confinement.”

“And?” she prompted, knowing Malcolm rarely volunteered personal opinions without specific inquiry.

Malcolm was quiet for a moment longer than usual. “It was ... difficult reading. Especially considering he was just fifteen years old. A child.”

Something in his tone made Katherine glance over. Malcolm’s expression remained professional, but there was a tightness around his eyes.

The car stopped before the estate’s service entrance rather than the main doors—a deliberate choice to signal the nature of their visit. This wasn’t a social call.

A staff member escorted them to a small study where the American was waiting. Katherine noted the room’s layout—two exits, windows with a view of the eastern grounds, and minimal furniture. The space had been prepared for this interview, likely at the estate’s security team’s direction.

Nicholas Carter stood as they entered. Katherine registered his size immediately—substantial but not intimidating, his posture balanced rather than imposing. She watched as his eyes assessed them both.

“Mr. Carter,” Malcolm began, “I’m Harwick and this is Reeves. We’d like to ask you some questions about your arrangement here at Northwood Hall.”

“Okay. I’ve been expecting you,” the American replied.

His direct acknowledgment of the inevitable security check was the first point in Katherine’s mental assessment. Most innocent civilians expressed surprise or nervousness when approached by security services. His composure suggested either exceptional self-control or familiarity with such procedures.

“You understand why we’re here,” she stated rather than asked, taking the seat that placed her slightly forward of Malcolm, the designated lead for this conversation.

“Yes.”

She found his economy of speech irritating already. “Then perhaps you can explain the nature of your relationship with Lady Louise Spencer and how you came to be residing at Northwood Hall.”

He provided a concise account of their meeting in Switzerland, the treehouse project’s background, and the arrangement to stay on site during construction. His description matched the information they already had, without embellishment or notable omissions.

“And you have no prior connection to the Spencer family? No previous contact with Lady Louise or the Earl before your encounter in Gstaad?” she pressed.

“None.”

“It seems a remarkable coincidence,” Katherine observed, allowing skepticism to color her tone. “An American with your particular background happening to meet Lady Louise, then being invited to undertake a project of such personal significance.”

For the first time, a hint of something—not quite amusement, but perhaps acknowledgment—crossed his features. “Life does contain coincidences. I was building a lodge where she was working. Our mutual acquaintances introduced us. The project emerged from that meeting.”

“Your background is unusual,” Malcolm interjected, his tone conversational where Katherine’s had been challenging. “Juvenile detention, solitary confinement, then published author, then Swiss carpentry training. Now you’re building structures for various European elites.”

“Yes.”

Katherine fought the urge to demand more extensive answers. His refusal to be drawn into defensive explanations was both professional and infuriating. She changed tactics.

“What is your interest in the Spencer family? In Lady Louise specifically?”

This question—implying improper motivation—might have provoked defensiveness in most subjects.

Carter simply answered her question. “None. My interest is in the project itself. The technical challenges of the treehouse design, the craftsmanship required to build it properly with the collaboration with the Earl on his original concept. My only interest in Lady Louise is the fact that she is my client, and that project holds personal significance for her.”

“You’ve been in proximity to people of interest before,” Katherine pressed. “In Gstaad, your client list with Weber included political figures, individuals with international business connections. Now you’re working directly with a family connected to the royal line.”

“Weber selected his clients based on their interest in traditional construction methods and the willingness to pay for quality craftsmanship,” he replied evenly. “I was part of his team, not involved with clients. This project is my first independent commission.”

Katherine continued her line of questioning, probing for inconsistencies, contradictions and signs of deception. Throughout, Carter remained composed, answering directly, declining to speculate when asked leading questions, neither volunteering unnecessary information nor withholding relevant details.

 
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