Boy, do I have mixed feelings about this. The version I read and reread when it was first posted on ASSM was deeply influentialβI can find traces of it in almost every YA I've written, even the work-for-hire stuff under a house name. Sometimes it's just a small detail or two, sometimes (in some stories here on SOL) it's overt. Something about the story, about how it's told, I really connected with me.
That ASSM version, though, was unfinished, cutting off mid-episode. Many years later, the conclusion finally came out here on SOL. I've read it once. I was, um, disappointed. Not at how dark the ending gets, as it had long been clearly signaled that something bad was going down, but the new chapters are so deeply cynical in tone. I should reread it, but I haven't wanted to. Or felt up for it, given pandemic stresses.
The first part of the current SOL version is also disappointingβit's been badly edited, as in paragraphs snipped out without spackling over the holes, so it's a jerky read with lots of sudden jars. I can sorta see why it was done, as the overall effect is to remove the sibling incest that incites the plot but is otherwise incidental to the story, but it made me cringe to see it done so badly. At least, that's what I saw in the first two chapters, after which my cringing was getting painful enough I had to stop. All of which reduces to, my recommended way to read the whole thing is look up the early chapters on ASSTR and the conclusion here.
Anyone else remember this story? Thoughts/grumps/disagreements?