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Process in Constructing a Story?

PotomacBob 🚫

I'd be interested in reading about how authors on SOL go about constructing a story.
Where do you get ideas for a story? Other stories that you turn into your own? Stuff you hear about in real life? An idea from a song or movie?
In constructing a story, how do you write - from an outline in your head or maybe a written outline? Before you begin, do you know how the story is going to start and how it's going to end? Or do you write a chapter at a time and then figure out where the next chapter is going to go?
I once talked to an author who wrote very long stories, did not work with an outline, but mostly did lifelong memoirs. This author did not write sequentially, but wrote episodes from anywhere in the M.C.'s life regardless of age, then went back later and rewrote to connect the episodes together.
I hope some of you will be willing to share whatever process you use for the stories you write.

Vonalt 🚫

@PotomacBob

Ginny B started out as a retelling of a stalking girlfriend that made my life hell my Jr and Sr years in college. My imagination took over. I was always told I had an over active imagination. Maybe that's true. The serial killer part was a figment of that over active imagination.

Alex Weiss 🚫

@PotomacBob

Most story ideas come out of the blue. Some come fully-formed, which is awesome and convenient, but most are just a clever setup or situation that could be developed into a full blown story with more consideration. Because I write a lot of older man/teen girl stories, the circumstances that bring the two main characters together is critical. I strive for plausibility, so I spend a lot of time contemplating how to make that happen in a believable way. Those contemplations often form the basis of the stories you see published here.

I generally have an ending in mind when I start to write, but not always. Sometimes, if it's just a short, situational story, I'm happy to let it develop naturally, nudging it here or there if it starts going off in wild directions, but surprising myself with whatever ending the story demands.

More recently, my stories have become more intricately plotted, and I've begun to outline my stories to establish the major story beats. Hook, inciting even, midpoint, climax, etc., and might even fill in some of the periods in between if I know I need a certain thing to happen at a certain point. I've become more concerned with story structure and pacing, and now find my stories are shorter and the plots tighter.

After writing the opening one or two chapters, I decide if the story is worth continuing. If it is, then that's when I start sketching character profiles and doing research. As mentioned earlier, I strive for believability, so getting the details right are important to me. Even on shorter works, if I'm writing on a topic about which I'm not well-informed, and it forms an important aspect of the plot, then I'll take the time to learn about it so that it reads as believable. In my opinion, such attention to detail can help elevate a mediocre story to a good one, and a good story to a great one, especially if the reader learns something new and interesting.

By the midpoint, I've settled on the ending. I won't continue writing until I have the ending firmly settled, as all the setup in the first half needs to pay off in the second. This is also where I might go back and pencil in some foreshadowing and set hooks for later payoff.

My big weakness is editing. I edit as I write, then do a final read-through at the end, then I publish. I may go back after a short time to refine the editing with one more pass, but not always and probably to my detriment. My guess would be that my haste to publish probably ends up costing me a half point or so from readers irked by typos and grammatical issues.

Argon 🚫
Updated:

@PotomacBob

Most stories germinate from an initial meet-cute scene in my mind, throwing two characters together who would not meet otherwise. Of course, the 'cute' is not cute at all in most of my stories. The meet can be life threatening (In The Navy, In Her Genes), coercive (His Lucky Charm, Pelle the Collier), or job related (Girl, Refurbished, Constable Hereward…, Good Advice from the Afterlife). The point is to have your main characters defined in one early scene to set the tone.
The meet-cute is of course a tried trope in romantic comedies and sitcoms, but for me it works.

Big Ed Magusson 🚫
Updated:

@PotomacBob

Ideas are easy. I have "what if" thoughts all the time. Probably one in five actually make it to the page. Yeah, back when I started a lot of the "what ifs" were from my own life but these days they're from scenarios that sound interesting (What Happens in Europe), or other stories I've read (Tsunami Mary, Ghost Images).

After that, the process really varies depending on the idea and how long I expect it to take to tell the story. I figure out the major characters, the major plot points, and the climax. For longer stories, I often do a bit more outlining, but for shorter ones I don't bother. Then I start.

That said, one thing I do that many authors here don't do is finish the story before I begin posting. Abandoned stories drive me nuts. So I'm not going to do it. One side effect of that is that if something squirms in a later scene/chapter, I can always go back and revise an earlier one with no impact to the readers.

rustyken 🚫

@PotomacBob

The first story I wrote and published started as an idea. It was started several times until it began to flow and boy did it flow. I let the characters take over and drive the story line and it just evolved into six fairly long novels. While I didn't have an outline, I did maintain a character list, a timeline, and a description of locations in the story.

Currently working on another story, and have about 20 chapters written. This time I am using an outline which is also a timeline, a character list, and a location description. It is proceeding slowly due to me not knowing how I want it to end. Only time will tell whether this sees the light of day.

Wish you the best on your writing endeavor.

Comedy 🚫

@PotomacBob

All of the above?
I've had stories pop into my brain fully done. A lot of what I've written is autobiographical in some fashion and based on real people I know/have known. One story started cause I wanted to redo a scene in another story I wrote to see if I could.

Depending on the length I've written straight through and I've had detailed outlines of what I want to do. Those usually come about as I think about the characters. I figure out who they are and what they want and the rest of it comes from that. I almost always know the end before I put words to paper.

akarge 🚫
Updated:

@PotomacBob

I write in what most people would consider a horrible manner. I think of an opening scene and I start writing. I generally have no clue how the story will go or how it will end. This is why I have LOTS of unfinished stories on my computer. The one story that I had completely plotted out in advance was finished in one day. It is the lowest rated story that I have posted.

On the plus side, I never post anything until the final chapter is ready to go.

JoeBobMack 🚫
Updated:

@PotomacBob

I was watching a youtube video by an author about the process he had developed for outlining stories. He wrote his first book by "writing into the dark" as it is sometimes called, a/k/a "pantsing" -- just sitting down and writing forward from the beginning, something like the process akarge describes. He talked about how much more productive it had made him. Then admitted that his first story was, by far, his best seller.

To me, the most important thing about a story is that it hold a reader's interest, page by page, chapter by chapter. I wonder if, for some authors, plotting and outlining doesn't turn into "moving the story along" causing them to miss what could be interesting bits.

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