@REPCan you go into some detail on what you think would make a compelling movie out of the story? I've read a few of Lazlo's stories and they didn't seem to really commit their premise in ways that seemed strange. For example, Service Society opens with a big "show, don't tell" demonstration of a bunch of ways in which wage theft is bad - it's damaging to the employee's mental and physical health, it's damaging to their relationships, it's destructive to morale and productivity at the company - and then inexplicably takes a "tell, don't show" swerve to polemic about how actually the problem is that people aren't respectful anymore. And yes, sure, you can argue that one of the issues with wage theft is that it's disrespectful, but it's kind of strange to focus on just the respect portion while ignoring the whole "wage theft is an actual crime" portion of the issue you've laid out. When somebody is mugging you, you have a valid case to say they were rude about taking your wallet but is that really the problem you want to highlight, you know?
The one about modern communes has a similar issue, from what I recall. The core message of the story could be summed up as "there is a clear benefit to forming a community with the people around you and helping each other, looking past the bonds of familial membership" but then it takes an unexpected HARD swerve into very explicit racism for a few chapters, never addresses or reckons with the racism in any way, and then drops the plotline entirely and forgets about it. The result is that the message shifts to "There is a clear benefit to forming a community with the people around you and helping each other, looking past the bonds of familial membership, but if the people around you are from a different country they are not invited" which on the whole feels like it undercuts the opening pretty significantly.