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Reid arrives at John’s party late, and John eagerly introduces him to his wife, Diana. John suggests that Reid and Diana get to know each other, and the couple move into a nearby room to talk. Reid fixes Diana a drink and slips something into it. She becomes intoxicated as she is drunk. Reid helps her get to her husband and then leaves the house. But instead of leaving, he hides in the closet in his master bedroom.
The drug slowly wears off, and as she is coming out of the stupor, she mistakes Reid’s touch for her husbands. But when the big mushroom head finds her entrance, she realizes it’s Reid on top of her. She begs him not to fuck her, but Reid doesn’t listen. Slowly, the pleasure overwhelms her, and she goes with the flow.
Read Sinister Designs
I write in the genre know as, Transgressive Fiction. What is Transgressive Fiction? Good question. Glad someone asked me once a while ago so I can answer it here.
Transgressive fiction is a genre of literature that focuses on characters who feel confined by the norms and expectations of society and who break free of those confines in unusual or illicit ways. The name of the genre is a newish named category in the world of fiction. With that said, it is as old as the scandalous writing of the Marquis de Sade.
Not all of the fiction contains violence or rape. However, much of it does. One example from over a century ago is Kate Chopin’s The Awakening, in which a married woman, feeling confined by the gender constructs of her society and pressures imposed upon her by her family and friends to be keen in her duties as a mother and wife, leaves her family and pursues extramarital relationships.
Not a big deal these days. But it was huge in the year of our lord eighteen-hundred & ninety-nine.
A more recent example of the TF genre is American Psycho, a horror novel by author Bret Easton Ellis, published in 1991. The story features Patrick Bateman, an overarching antagonist of many Bret Easton Ellis novels. He also appears as a supporting antagonist in The Rules of Attraction and Glamorama, and a post-mortem antagonist of Lunar Park.
Rene Chun, a journalist for The New York Times, described transgressive fiction as, “A literary genre that graphically explores such topics as incest and other aberrant sexual practices, mutilation, the sprouting of sexual organs in various places on the human body, urban violence and violence against women, drug use, and highly dysfunctional family relationships, and that is based on the premise that knowledge is to be found at the edge of experience and that the body is the site for gaining knowledge.”
My stories explore deviant behavior by men with questionable morals and sanity. My work is not comparable to the other writers I mentioned in his blog posting. I’m not that good! I’m sure some of my works are and or will be too simple, too violent, and too Rapey for many people.
My first story in Bookappy is The Reckoning. You can buy it there or read it behind the play wall here.
Sixty-eight seconds is a significant number. It's the frequency of sexual assault—a wavelength from one beginning to the next one's start. Every 68 seconds, one-person sexually assaults another. I'm not fearmongering here; those are the estimated numbers by RAINN.
The Rape, Abuse & Incest National Network also estimates that, on average, there are 463,634 victims (age 12 or older) of rape and sexual assault each year in the United States.
Shocking statistics. I appreciate how awful that reality is. One out of every ten victims is male. The 18 to 34-year age range accounts for 54% of all rapes committed.
Here's another shocker: 82% of all juvenile victims are female. 90% of adult rape victims are female. Females ages 16-19 are four times more likely than the general population to be victims of rape, attempted rape, or sexual assault. Women ages 18-24 who are college students are three times more likely than women in general to experience sexual violence. Females of the same age who are not enrolled in college are four times more likely.
Twenty-one percent of TGQN (transgender, genderqueer, nonconforming) college students have been sexually assaulted, compared to 18% of non-TGQN females and 4% of non-TGQN males.
The thing is, and it's a big fucking thing, only six percent of rapists are ever arrested, tried, and convicted.
For me, this reinforces my view of what happens in most rape cases and why none of my rapists (the ones I create) so far, at least, are punished. I'm not saying none ever will. I think writing and reading about rape is a healthy outlet for anyone with such inclinations—an outlet to avoid adding to the statics.
If you enjoy such stories, check mine out. But be forewarned; there are no happy endings, no sunshine, and happy rainbows.
Rapist Ryan Profile page.
I started writing rape stories when I was 14. Of course, I didn’t share them with anyone anywhere at any time. Until I turned in an English assignment and wrote a thinly veiled story about a rapist breaking into an English teacher’s home and rapping her. Let’s say that didn’t go over too well. I did get an A for the story, but it was never shared with the class or mentioned by her to anyone.
Well, she did show it to the Vice-Principle, and I had a stern talking to by that other woman at school I would have loved to rape.
As a result, I have many stories I can open up, edit a little, make some changes, and post quite quickly. So far, two of the stories I’ve posted, the second Stolen Innocence 2: Gorilla the Bitch, and The Reckoning, have been written fresh and new without them being reworks of previously written material.
I’m working on a story from way back when, right now and should post in the next few days.
In the meantime, if you haven’t read one of my stories, you can check them out on my profile. Or read a quick little tale I released yesterday…
Sinister Designs
Reid arrives at John’s party late, and John eagerly introduces him to his wife, Diana. John suggests that Reid and Diana get to know each other, and the couple move into a nearby room to talk. Reid fixes Diana a drink and slips something into it. She becomes intoxicated as she is drunk. Reid helps her get to her husband and then leaves the house. But instead of leaving, he hides in the closet in his master bedroom.
The drug slowly wears off, and as she is coming out of the stupor, she mistakes Reid’s touch for her husbands. But when the big mushroom head finds her entrance, she realizes it’s Reid on top of her. She begs him not fuck her, but Reid doesn’t listen.
For your review, Sinister Designs
The second part of Stolen Innocence is now up. Before you read it, you should read Stolen Innocence: Catch and Keep.
Stolen Innocence 2: Gorilla the Bitch picks up minutes after the first part ends. Tina is locked inside the truck of a County Sheriff Cruiser, thinking she’s on her way to jail, accused of being a drug pusher. In reality, Tina is bound for Rick Mansard’s house, where he spends his off-duty hours training girls for life as a prostitute.
An expert at stripping away confidence, self-respect, and humanity from impressionable young women, layer by layer. Employing tacts of rape, demeaning work, punishment, and torture to remove all vestiges of their former selves. He becomes a cruelty master and introduces them to an even more evil master, drugs, to ensure when they’re sold to their new Daddy, they’ll do their job.
Can Rick Mansard break Tina like he has so many before her? Or will she retain her sense of self and rise above the abuse to escape?
Read here, Stolen Innocence 2: Gorilla the Bitch
The title Gorilla the Bitch is a reference to the technique employed by many pimps on new girls called Gorilla Pimping.
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