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Story Ideas and Copyright

Mushroom ๐Ÿšซ

I thought I would mention this in here, as over the years I have noticed that a lot of requests are for stories based on things from other media. Like books, movies, comics, or TV shows.

In the "Authors Hangout" there is quite a discussion right now on that very topic. And in case it has not been noticed, most of of the authors tend to avoid doing such because of the risks involved legally.

In short, an author needs to be very careful when "adapting" an existing work and writing a story around it. Because if they are not, they (and this site) could literally be sued for doing it.

Now this can be avoided, but it also depends on the original work, and how much of the story is "original content", as well as the intent of the story. But a great many of us will simply not do it, for a great many reasons.

Myself, I will not do it because I hate working within the restrictions of characters and setting created by others. In over 25 years of writing, I have only created a single "fan fiction" story, and that was over 2 decades ago. And I can not imagine my ever writing another one.

Switch Blayde ๐Ÿšซ

@Mushroom

a lot of requests are for stories based on things from other media. Like books, movies, comics, or TV shows.

In short, an author needs to be very careful when "adapting" an existing work and writing a story around it.

Yeah, if you write a Harry Potter story with the Harry Potter characters and wizard school. But you can write a "like a Harry Potter story." An idea can't be copyrighted.

I have a story on SOL called "Matilda and the Assassin." It was inspired by the movie "The Professional." I even named my main character Matilda like in the movie and it starts with her family getting murdered and then she hooks up with a hitman. But the story is quite different.

"West Side Story" is basically "Romeo and Juliet." So even if "Romeo and Juliet" wasn't out of copyright, it would have been okay to make "West Side Story."

Replies:   Mushroom
Mushroom ๐Ÿšซ

@Switch Blayde

I have a story on SOL called "Matilda and the Assassin." It was inspired by the movie "The Professional." I even named my main character Matilda like in the movie and it starts with her family getting murdered and then she hooks up with a hitman. But the story is quite different.

Commonly known as a "pastiche". Weird Al is also famous for those, creating original songs that sound like they come from an artist, but are entirely original and just based on their style. "Mr. Popeil" is in the style of the B-52s, and "Dare to be Stupid" is in the style of DEVO. And in the style parody of Ben Folds called "Why Does This Always Happen to Me?", Ben Folds plays the keyboards. And more recently, "Craigslist" is in the style of The Doors, and even features Ray Manzarek on the keyboards.

My own "Night of Madness" is such a series. Largely a deconstruction of the "modern superhero" genre, with some elements from the more modern DC ("Dark Knight") series, as well as Marvel. But entirely my own. In fact, in it both of the others exist as fiction, and the "real" heroes and villains tend to mock any who try and claim a character that to them came from fiction.

StarFleet Carl ๐Ÿšซ

@Mushroom

I have only created a single "fan fiction" story

I have two that qualify in that regard on here. One is a story set in Skyrim, the other is in the Fallout 4 alternate earth. With the big discussion on copyright going on ... so long as I do not charge for those stories, including putting them up on Bookapy, they are both perfectly acceptable to Bethesda, as has been publicly stated BY Bethesda.

If I wanted to make money off them, I would have to change a tremendous amount of things. One of the most successful 'fan-fiction' stories that did just that is '50 Shades of Grey,' which was a 'Twilight' fan-fic.

Replies:   Switch Blayde
Switch Blayde ๐Ÿšซ

@StarFleet Carl

One of the most successful 'fan-fiction' stories that did just that is '50 Shades of Grey,' which was a 'Twilight' fan-fic.

The publishers of "Fifty Shades" made the author change character names and such. It was still in copyright violation, but Stephanie Meyer said something like, "If she can make money off it, good for her," when she heard about "Fifty Shades."

Grey Wolf ๐Ÿšซ

@Mushroom

I'll have to look at the Author's Hangout discussion, but jumping in here: fanfiction is highly unlikely to get the author or site sued - at least not in the US (perhaps Canada, but I doubt it).

https://www.syfy.com/syfywire/how-to-keep-fanfiction-legal-and-avoid-trouble-with-lawyers

Quote from there: "No U.S. court has ever held that a noncommercial, transformative fanwork infringed copyright."

Non-commercial matters - trying to profit from your fanfiction is a trickier matter - but it's highly unlikely that any court would rule that Lazeez is getting any significant profit from any single work on here or even all the fanfiction works combined.

I'd rather stick with original work, but for a non-commercial project, the legal situation is pretty clear: go ahead, write.

Disclaimer: I am not a lawyer and this is not professional legal advice.

Replies:   Dominions Son
Dominions Son ๐Ÿšซ

@Grey Wolf

https://www.syfy.com/syfywire/how-to-keep-fanfiction-legal-and-avoid-trouble-with-lawyers

Quote from there: "No U.S. court has ever held that a noncommercial, transformative fanwork infringed copyright."

The US Federal courts (copyright is always a federal court matter is the US) are barred from issuing advisory opinions, they are only allowed to consider actual cases and controversies.

Assuming for the sake of argument that the quote is accurate that could mean one of two things that have very different consequences for the legality of fan fiction.

1. The US courts have considered the matter and have explicitly ruled that non-commercial transformative works do not infringe copyright.

2. To date no publisher has considered it worth while to pursue a non-commercial transformative work that far so that the US courts have never had occasion to consider and decide the matter.

Given that the article you cite, cites no court cases that would support option 1, I think option 2 is much more likely.

Also given that the right to produce derivative(what the article calls transformative) works is one of the exclusive rights that the US copyright act explicitly reserves to the author, I would put very little stock in the OTWs opinion on the matter.

One other factor you need to consider. the boundary between commercial and non-commercial doesn't necessarily sit where you think it does.

I've heard of cases (fair use quotation cases not transformative work cases) where the argument was made that a site having ad revenue made everything on the site a commercial use.

Anything on SOL could be deemed commercial because SOL has paid memberships.

Another caution The US Federal courts have three layers. The district courts where trials (both civil and criminal) are conducted, the Circuit courts (which are intermediate appellate courts), and the US Supreme Court (the court of final appeals).

The US Circuit courts are divided into 13 different circuits and decisions by one circuit are not binding on the other circuits.

12 of the circuits serve specific geographic territories. The 1st through the 11th circuits all cover different groups of states and territories. The twelfth geographically defined circuit is the DC circuit which hears appeals arising out of Washington DC.

The final circuit court is the Federal Circuit which has exclusive appellate jurisdiction over specific topics/areas of law.

One of the criteria the US Supreme court uses to decide which appeals to hear is the existence of a circuit split, that is at least two circuits have considered the same matter and came to opposite decisions.

So even if you could find a circuit court decision that supports option 1 above, it doesn't mean as much as you think it does.

Replies:   Grey Wolf
Grey Wolf ๐Ÿšซ

@Dominions Son

You're right - further investigation indicates that no pure 'fanfiction' cases have been heard. There are a couple of recent cases, both commercial:

A district court banned the publication of a Swedish parody of 'The Catcher In The Rye'. The circuit court disagreed, remanded it, and it was settled out of court (with no publication).

In the other case, the Eleventh Circuit ruled in favor of the commercial publication of a parody of 'Gone With The Wind'.

The underlying truth here is that fanfiction cases don't actually make it to the courts in the US, pretty much ever. A lot of that may well be that authors simply cease and desist. However, there is voluminous fanfiction on the net, including fanfiction posted at many, MANY sites with advertising, and including fanfiction involving works from authors who are fanfiction-hostile. The odds are extremely low that any individual author will be the one on whom the lightning strike lands.

Some of the hesitance to sue, of course, is that publishers benefit from there being no clear ruling. It's much better for them to let this stay undecided than to risk a ruling that makes fanfiction definitively legal.

Dominions Son ๐Ÿšซ
Updated:

@Grey Wolf

Some of the hesitance to sue, of course, is that publishers benefit from there being no clear ruling.

More recently in the US, section 230 would shield the web site from liability for stories posted by users and the users are judgement proof by dint of having no money.

You might find an individual author with money who gets into a snit and prosecutes a case to the bitter end out of pure spite, but a commercial publisher is not likely to pursue a case that is guaranteed to cost them more than they will recover.

Dominions Son ๐Ÿšซ

@Grey Wolf

Some of the hesitance to sue, of course, is that publishers benefit from there being no clear ruling. It's much better for them to let this stay undecided than to risk a ruling that makes fanfiction definitively legal.

Given the black letter of the US copyright act, I rather doubt the risk of an adverse (for the publisher) ruling on that issue is even half what you think it is.

Dominions Son ๐Ÿšซ

@Grey Wolf

Another factor why publishers don't bring cases against "pure" fan fiction is that it is called "fan fiction" for a reason. You don't maximize profits by suing your most loyal customers into bankruptcy.

Mushroom ๐Ÿšซ

@Grey Wolf

The underlying truth here is that fanfiction cases don't actually make it to the courts in the US, pretty much ever. A lot of that may well be that authors simply cease and desist. However, there is voluminous fanfiction on the net, including fanfiction posted at many, MANY sites with advertising, and including fanfiction involving works from authors who are fanfiction-hostile. The odds are extremely low that any individual author will be the one on whom the lightning strike lands.

The majority of the time, the works are published without charge, therefore if they want to push it, a C&D is normally all they want.

And the same with even if somebody charged for FF. The amounts are so small, that most authors really do not care about the money, just that it is no longer available for sale.

With all the money JKR makes for the Potterverse, I doubt the beer money that some author would get by selling their own version of her stories on a site like here would be of interest to her. Just that it is stopped. The only time she ever really has her legal team wake up and take notice once again is when it is slash or extreme.

And adult Herminie and Ron in the timeframe of the last movie, not a big deal. A 13 year old Harry with Dumbledore, then she is going to have her lawyers sharpening their quills.

Replies:   Grey Wolf
Grey Wolf ๐Ÿšซ

@Mushroom

I tend to believe that; however, as I noted before, it's trivial to find many, many stories featuring the teenage kids having sex in many combinations (including with professors in all sorts of slash pairings) on the web (or so it appears; I haven't read them, but the subject lines and 'story code' equivalents seem clear). Whatever C&D's they might be getting don't seem to involve taking much of anything down (or, as I said earlier, her lawyers are a bunch of lazy gits).

Replies:   Mushroom
Mushroom ๐Ÿšซ
Updated:

@Grey Wolf

I tend to believe that; however, as I noted before, it's trivial to find many, many stories featuring the teenage kids having sex in many combinations (including with professors in all sorts of slash pairings) on the web (or so it appears; I haven't read them, but the subject lines and 'story code' equivalents seem clear). Whatever C&D's they might be getting don't seem to involve taking much of anything down (or, as I said earlier, her lawyers are a bunch of lazy gits).

With many, it to be honest becomes difficult.

A lot of story sites are to be honest shady as hell. I know that 20 years ago I even had a discussion about that with Ann Douglas, as both of us were seeing our stories copied and reprinted everywhere. And we both knew there was not a damned thing we could do about it. Registration was anonymous, site was hosted off-shore, and even though they obviously violated our TOS, there was nothing we could do about it.

And then you have the "Archives", like ASSTR. Once again, that becomes hard to target as it literally is just an archive of USENET. Getting part of an author's page removed is not that hard (if the site owners are even responding). But an archive, might as well try to go after Wayback Machine.

Ernest Bywater ๐Ÿšซ

@Mushroom

Just a point to keep in mind with the heavy discussion on the copyright infractions etc in this thread: Most of the discussion is along the lines of how it would run under US law. However, if the website involved is not in the USA or the author who owns the original copyright is not in the USA, then the USA laws would not be involved at all.

Replies:   Dominions Son  Grey Wolf
Dominions Son ๐Ÿšซ

@Ernest Bywater

However, if the website involved is not in the USA or the author who owns the original copyright is not in the USA, then the USA laws would not be involved at all.

If just one of the two is in the US, then US law will likely matter to some extent even if it doesn't control the whole case.

For example, If a UK based author, such as JKR, wanted to go after a fan fiction author in the US, they would likely have to due so in the US courts. And while the US courts might look to UK copyright law as to whether or not a valid copyright exists, US legal principles particularly around the interaction of the first amendment and copyright law would still apply and govern the issue of whether or not a copyright violation has occurred.

Replies:   Ernest Bywater
Ernest Bywater ๐Ÿšซ

@Dominions Son

If just one of the two is in the US, then US law will likely matter to some extent even if it doesn't control the whole case.

If the matter is just on the copyright violation then the country where the original copyright is from is where the case will go to court. Someone breeches my copyright and I choose to take it to court it will come under the Australian laws, even if the other party is in the USA. If the matter is to do with the website, then the applicable laws will be the laws of the country where the website is situated. To take legal action against SoL will have to be done in Canada under Canadian law.

For the matter to come under US law the copyright holder must be in the USA or the if a website issue the website must be in the USA.

Replies:   Dominions Son
Dominions Son ๐Ÿšซ
Updated:

@Ernest Bywater

Someone breeches my copyright and I choose to take it to court it will come under the Australian laws, even if the other party is in the USA.

In such a case if you want an enforceable judgment you have to sue in the US, because as a legal matter the defendant has to be given a reasonable opportunity to respond and mount a defense.

Trying to bring a foreign default judgement into the US to have it enforced by local courts will not go over as well as you think.

The US courts will in certain circumstances apply foreign law, but not to the extent of ignoring US Constitutional law issues.

Ernest Bywater ๐Ÿšซ

@Dominions Son

In such a case if you want an enforceable judgment you have to sue in the US, because as a legal matter the defendant has to be given a reasonable opportunity to respond and mount a defense.

I don't have to sue in the US courts at all as the defendant has the right to representation in the courts here and it's up to them to attend or organise a representative. Miss a few court dates and the magistrate can rule in my favour as your failure to attend is seen as admitting guilt.The current treaties between Australia and the US allows Aussies to take legal action against US citizens in Aussie courts.

helmut_meukel ๐Ÿšซ

@Dominions Son

In such a case if you want an enforceable judgment you have to sue in the US, because as a legal matter the defendant has to be given a reasonable opportunity to respond and mount a defense.

No, obviously you don't.
Your legal position didn't hold in case of some copyright lawsuits against Project Gutenberg.
German publishers sued Gutenberg for copyright infringements in a German court. This court ruled Gutenberg has to abide to German (EU) law.
So Gutenberg blocks access to its web site from Germany (based on the internet address of the user). Since some years now I can't access Gutenberg, I get redirected to this.

HM.

Replies:   Keet  Dominions Son  Mushroom
Keet ๐Ÿšซ

@helmut_meukel

Since some years now I can't access Gutenberg, I get redirected to this.

A VPN connection can fix that for you.

Replies:   Mushroom
Mushroom ๐Ÿšซ

@Keet

A VPN connection can fix that for you.

Or Wayback Machine.

I use that a lot for sites that were once free, but have since fallen under a paywall. New York Times is a great example.

Dominions Son ๐Ÿšซ
Updated:

@helmut_meukel

That's injunctive relief against a website, not monetary damages against an individual infringer with no assets outside the US.

Replies:   helmut_meukel
helmut_meukel ๐Ÿšซ

@Dominions Son

with no assets outside the US

AFAIK 'Project Gutenberg' has no assets outside of the US. So how is this different from individual infringers?

Did you look-up the linked information about the lawsuit?
The German court ruled PG should take-down the books in question or otherwise ensure they can't be downloaded from
Germany. To avoid further lawsuits concerning other books, PG decided to block access to all its books from Germany.

HM.

Replies:   Dominions Son
Dominions Son ๐Ÿšซ

@helmut_meukel

AFAIK 'Project Gutenberg' has no assets outside of the US. So how is this different from individual infringers?

Injunctive relief vs monetary damages. Actually collecting on monetary damages against Project Gutenberg would require coming into a US court.

Replies:   helmut_meukel
helmut_meukel ๐Ÿšซ

@Dominions Son

Injunctive relief

If PG would ignore the German court's injunctive relief, how could the German court enforce it's decision against an exclusively US-based non-profit organisation?

BTW, I doubt this falls into the jurisdiction of a German court. PG resides in the US, it's servers are in the US, and the servers have to actually transfer the data to the user after receiving the download request, so the claimed infringement is done in the US.

HM.

Dominions Son ๐Ÿšซ
Updated:

@helmut_meukel

If PG would ignore the German court's injunctive relief, how could the German court enforce it's decision against an exclusively US-based non-profit organisation?

You are correct. If PG chose to ignore the German Court the plaintiffs would have to seek enforcement of the foreign judgement in a US court.

There are several issues that impact the issue vs an individual.

1. It's easier to server process (notification that you are being sued in some specified court) on a large organization with a public presence on the internet than it is to serve process on a pseudonymous author posting fan fiction stories on sites run by other people.

2. Even if you do manage to serve process on an individual fan fiction (or other producer of derivative works) it is generally easier for an individual to ignore foreign process service than it is for a generally conscientious organization.

The intent of Project Gutenberg was to publish only things on which copyright had expired.

3. US courts will generally enforce foreign judgements when asked to, but there are exceptions. So it's not as simple as here's my foreign judgment-DING-here's your relief.

If a US defendant actually shows up in the foreign court either directly or as represented by a lawyer in the relevant jurisdiction. The US courts generally frown on that defendant contesting enforcement.

However, a foreign default judgement is a different matter and from what I've read, foreign plaintiffs bringing foreign default judgements to the US courts for enforcement frequently end up having to re-litigate the issue under US law.

And good luck getting a foreign(not necessarily just US) defendant who didn't show in you country's courts to voluntarily comply with a default judgment

Ernest Bywater ๐Ÿšซ

@helmut_meukel

BTW, I doubt this falls into the jurisdiction of a German court. PG resides in the US, it's servers are in the US, and the servers have to actually transfer the data to the user after receiving the download request, so the claimed infringement is done in the US.

Copyright is, by several International treaties, managed and dealt with in the country in which the copyright is first created. Thus a violation of German copyright by anyone anywhere in the world comes under the jurisdiction of the German courts and the defendants are legally required to respond to the case in Germany. Failure to abide by the ruling of the German courts can see the person being arrested in their own country, extradited to Germany, and further penalties applied.

The above is true for all countries that are signatory to any of the various copyright treaties and other trade agreements with copyright mentioned in them.

BTW: If a US company or citizen refused to abide by a court ruling on copyright violation and the US government failed to assist in helping to enforce the judgement, then the US would be in breaking the treaties and agreements they have with those countries and that country could legally declare the treaties and agreements as being void in relation to copyright with the US. That is not something the US government or copyright owners would want.

Replies:   Dominions Son
Dominions Son ๐Ÿšซ
Updated:

@Ernest Bywater

BTW: If a US company or citizen refused to abide by a court ruling on copyright violation and the US government failed to assist in helping to enforce the judgement, then the US would be in breaking the treaties and agreements they have with those countries

The US didn't become a signatory to the Bern Convention until 1980 and even treaties can't override basic constitutional rights.

The US courts will generally enforce foreign court judgments, but this is not 100% automatic and there are exceptions.

Foreign default judgements generally carry less weight. And again, from what I've read, foreign plaintiffs with foreign default judgments can end up having to re-litigate in the US courts.

The US federal courts do not look kindly on US defendants who actually litigate a case in a foreign court and then try to bock enforcement in the US courts.

ETA: The issue with default judgments isn't bias against the foreign courts.

Even with default judgments issued by a US court, you will sometimes have a defendant popup with claims along the lines that they weren't properly served and had no notice of the case against them and that the default judgement is thus improper.

And yes, the courts frequently set aside default judgments in such cases.

Ernest Bywater ๐Ÿšซ
Updated:

@Dominions Son

The US federal courts do not look kindly on US defendants who actually litigate a case in a foreign court and then try to bock enforcement in the US courts.

That may be true, but then they have to consider how the reverse would be true.

edit to add: Should the US government refuse to support foreign courts dealing with copyright violations by US companies and citizens then those countries would have the right to refuse to support US courts dealing with copyright violations then the entire US film, music, and computer software industries would have a collective stroke at being unable to enforce copyrights in those countries.

Replies:   Dominions Son
Dominions Son ๐Ÿšซ

@Ernest Bywater

That may be true, but then they have to consider how the reverse would be true.

This has nothing to do with the bit of my comment you actually quoted.

A US defendant that litigated the case in the foreign court will not be allowed to re-litigate the matter in the US courts absent very extraordinary conditions and that happens very rarely.

Default judgements are a different matter. You are going to have to prove effective service of process to the US courts to get the judgement enforced.

And they will set US based default judgments aside over inadequate service of process.

Replies:   Ernest Bywater
Ernest Bywater ๐Ÿšซ

@Dominions Son

A US defendant that litigated the case in the foreign court will not be allowed to re-litigate the matter in the US courts absent very extraordinary conditions and that happens very rarely.

The way the section I quoted reads, to me, as if the US court don't like foreign courts trying to enforce judgements in the US. - The issue seems to stem around what you mean by the word 'bock.'

Replies:   Dominions Son
Dominions Son ๐Ÿšซ

@Ernest Bywater

The issue seems to stem around what you mean by the word 'bock.'

The way the section I quoted reads, to me, as if the US court don't like foreign courts trying to enforce judgements in the US.

Well first, foreign courts can't enforce their judgements in the US. If the defendant does not voluntarily comply, the foreign plaintiff has to ask the US courts to enforce the judgment.

The issue seems to stem around what you mean by the word 'bock.'

Typographic error. Was supposed to be block.

The US federal courts do not like it when a US defendant litigates a case in a foreign courts and then tries to block enforcement of the foreign judgement in the US courts in an effort to re-litigate a case they lost in the foreign court.

As I understand it, it is extremently rare for the US courts to allow a US defendant to re-litigate a foreign case they lost in court.

The very few cases I am aware of where that happened involved cases where the foreign court system did not meet certain basic standards (usually third world countries) or a case where the defendant could prove corruption by the foreign judge*.

*The standard of proof on that is quite high.

Replies:   Ernest Bywater
Ernest Bywater ๐Ÿšซ

@Dominions Son

Typographic error. Was supposed to be block.

them typos can really mess up what you're saying, can't they!

Dominions Son ๐Ÿšซ

@Ernest Bywater

them typos can really mess up what you're saying, can't they!

Yep.

richardshagrin ๐Ÿšซ

@Ernest Bywater

typos can really mess up what you're saying

Blood type A, B or AB are ok, whether the Rh is positive or negative. Its the Type O's that make getting transfusions a problem. About 43% of Americans are type O.

Ernest Bywater ๐Ÿšซ

@Dominions Son

The US didn't become a signatory to the Bern Convention until 1980 and even treaties can't override basic constitutional rights.

Most constitutional rights relate to interactions with the government and criminal laws, not civil laws. Also, the US had copyright included in a lot of trade agreements prior to signing up to the Berne Convention itself, and the S had also signed up to other International Law agreements on supporting the laws of other countries prior to 1980.

Replies:   Dominions Son
Dominions Son ๐Ÿšซ

@Ernest Bywater

Most constitutional rights relate to interactions with the government and criminal laws, not civil laws. A

Not true. Any civil cause of action created by statute, not common law mush abide by the constitution. This has hit civil cases based on anti-discrimination laws.

Copyright is a statutory cause of action.

Ernest Bywater ๐Ÿšซ

@helmut_meukel

BTW, I doubt this falls into the jurisdiction of a German court. PG resides in the US, it's servers are in the US, and the servers have to actually transfer the data to the user after receiving the download request, so the claimed infringement is done in the US.

Not always true, Project Gutenberg now has a number of spin-off projects in other countries due to legal reason related to copyright and each has their own rules on what they handle.

Mushroom ๐Ÿšซ

@helmut_meukel

Your legal position didn't hold in case of some copyright lawsuits against Project Gutenberg.

Nothing even remotely like what we are talking about.

PG is involved in releasing works that have fallen into the public domain. And that can actually vary based on where, and when the author died.

It has nothing to do with derivative works, that is about the original work itself, and if it is in the public domain or not.

Grey Wolf ๐Ÿšซ

@Ernest Bywater

Agree - US law matters for many combinations, but of course SoL is in Canada and many authors are non-US, so in that combination US law might not be involved at all.

richardshagrin ๐Ÿšซ

@Mushroom

Copyright

Copy wrong is a violation of copy right.

Replies:   awnlee jawking
awnlee jawking ๐Ÿšซ

@richardshagrin

Copy wrong is a violation of copy right.

Copy Wong is a guy in Hong Kong who sells cloned computer software ;-)

AJ

Replies:   joyR
joyR ๐Ÿšซ
Updated:

@awnlee jawking

Copy Wong is a guy in Hong Kong who sells cloned computer software ;-)

Except that he would actually be called Wong Copy.

:)

(Different naming convention)

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