I think Ive finally figured out why they call an out line a 'rough draft'.
Mostly that's a polite way of asking yourself if you were out of your fucking mind when you wrote it?
Seriously however, Chapter 3 is coming along nicely.
Ive hit a few snags in the revised dialogs, mostly in the portions where there is a radio involved.
Its tricky for me to make a scene work when one of the speakers is not physically present.