@Vincent BergI know this isn't the kind of description VB started this thread about, but I just read it and, wow! Its from one that many here seem to consider one of the masters, Lazlo Zalezac in the story that began the Damsels in Distress Universe:
Professor Smith smiled as she observed his reaction and knew it for what it was, but not what motivated it. Curious, she said, "Mr. Jones. It would appear that the women of this class would like to know what you find beautiful in a woman. I think it is because they are interested in attracting you. Are you sure that you won't provide us with a description?"
Deciding that the women of the class should learn how far they were from his ideal of beauty, he answered, "I could describe what I consider the ideal of beauty, but you would have to understand that I would be describing a woman I know. I doubt that any of my classmates would enjoy the description."
Sensing a challenge, the woman who had requested his opinion said, "Please. I want to hear what you have to say."
"I was leaving her not too long ago and stopped at the door to fix in my memory her appearance so that I could savor it while I was away," said Sid as he closed his eyes.
"She is a woman of mixed ancestry. The result of that mixture gives her a very exotic appearance. The color of her unblemished skin reminds me of a perfect tan. She has long black hair that hangs down to the middle of her back without a single curl. The color of her hair is so dark that it reflects the light with a supernatural sheen."
"Her facial features are predominately white. She has an upturned nose, strong chin, and high cheekbones. Her lips are full and lush. When she smiles, her lips part exposing her brilliant white teeth. She smiles often, and with devastating effect."
"It is her eyes that will draw your attention away from the rest of her face. They are brown in brown, giving a sense of depth. They sparkle with intelligence. Looking at her eyes, you know that you would like to know more about her as a person. Laugh lines give testament to her good sense of humor."
Sid smiled as he thought about her eyes. He continued, "She is of medium height with the same kind of curves as Marilyn Monroe. She is soft to the touch, but there is strength beneath the surface. When she gives a hug, her body is soft and yielding even as she pulls you into her with surprising strength."
"Her breasts are probably a B cup. There is no waste when you cup them in your hands and yet they fill your hands in a most remarkable manner. The areolæ are dark and topped with responsive nipples that erect to the size of an eraser when caressed with a light touch. They are natural rather than silicon mountains that defy gravity."
A number of the women in the class swallowed heavily and looked down at their chests. Professor Smith was willing to bet a few of them were rethinking their plans for breast augmentation.
His voice became softer and gentler as Sid said, "Her legs are long and lean. She wears heels to sculpt her calves, but they are not so high that they throw her stomach forward and her ass back. They are reasonable heels that allow her to walk with grace."
"One of the things that one notices, is her posture. She has perfect posture. When she sits, her back is straight, her head is level, and her legs are together. She crosses her legs at the ankles. When she stands, her back is straight, her shoulders are back, her head is held up, and her weight is evenly distributed on her legs."
"She is amazing when still, but in movement she'll take your breath away. When she walks, she walks with deliberation - one foot in front of the other, adding a feminine sway to her hips. Her pace is slow and sensual." He shivered at the memory.
"Every movement that she makes is graceful. When she sits, she lowers herself to the seat with control rather than flopping into the chair. When she reaches for something, her arms and hands move together so that she doesn't look as if she is lunging at things. There is a real beginning, middle, and end to her movements. The beginning and ends are fixed points and the middle smoothly connects the two without any jerky movements."
"It is not only what she does that makes her attractive, but the things she doesn't do. She never hurries or rushes her movements. She never clomps along looking like a duck or a stork in shoes that don't flex or are too tall. She doesn't move as though her body were a sack of flour."
With a sigh, he said, "She has a sense of fashion that knows how to tease the eye. In private, she wears long soft diaphanous gowns that hide as much as they reveal. Clothes that make you wonder where to look first. The colors are chosen to draw attention to the woman inside the clothes. The fabric is soft to the touch."
Without ever seeing Sally in a less private context, Sid described how he believed she would dress based on how Elizabeth had dressed. He said, "In public, her outfits are classy and no less sexy. She wears simple dresses that are cut to show off her figure, but not to distort it. The treasures of her body are hinted at, rather than exposed to view."
"The neckline plunges, but stops before her breasts are revealed as little more than the beginning of swelling. It makes a man want to look, yet frustrates him that he can't see more. The lengths of her outfits are chosen to provide natural lines that make her body look normal. The cuts of the sleeves and hem are just above or just below the joints, rather than between joints like those flood-water pants that so many women seem to prefer, yet makes them look ridiculous when wearing them."
A number of women in the class shifted in their seats; bothered by his attack on a fashion that they enjoyed. Their unease increased when he said, "She doesn't wear shirts that are too short with pants that are too low, showing a bulging belly created by an overly tight belt at the waistline. There isn't a tacky naval piercing drawing attention away from the woman that it is supposed to adorn. She doesn't rely upon baubles to look pretty. There are no tattoos to mask her natural beauty, or break up the expanses of her skin."
More than one woman in the class was actively frowning at his description. A few tried to pull their shirts down to cover their bare bellies. He had kept his eyes closed through his whole speech. He opened them and said, "More than her actual appearance, is the woman inside. She is intelligent, witty, caring and loving. She gives rather than takes. She asks rather than demands. When she says goodbye, her eyes mist, letting you know that she is truly going to miss you."
Looking around the room, he added, "She is also at ease with her body and knows that the ultimate delight her body brings to a man is in bed. She doesn't worry if her buttocks are too large, legs too fat, or breasts too small. She knows that buttocks are for holding in the midst of passion and that any size will serve that purpose. Legs are to wrap around her man to pull him tighter into her and arms to pull him even closer to her for full body contact. She knows that breasts exist to be suckled, kissed, and licked. Even more importantly, she knows that any size breast can serve those purposes. She gives of herself to her lover without reservation."
Sid stopped and looked at Professor Smith noticing that she looked flustered. She wasn't the only one in the room with a slightly dazed expression.
The woman seated next to Sid broke the silence when she asked, "How does a normal woman compete with that?"
With real envy in his voice, a guy in the class asked, "Where can I find a woman like that?"
I would say that, as discussed in the comments on this thread, that this might be even better without the "B cup" reference.
