aroslav: Blog

It's always fun for me to celebrate the release of another new book and the beginning of the story on SOL. Today, it is Book Three of the Photo Finish series, Exposure. This continues the story of Nate Hart as he prepares to head for college in Chicago.

There are more models, more photos, and more trouble ahead for Nate. And the promise that he'll learn a lot about his art in college.

Exposure also released on Bookapy today. Enjoy!

Onward to Exposure!

Yes, with the end of Nate's high school career, we bring Shutter Speed to a conclusion. But Sunday, volume three of the Photo Finish series will begin and after a summer of fun in Tenbrook, Nate moves to his college dorm in Chicago. Just in time.

1968 and 1969 were turbulent years in the history of America and while Nate expands his circle of friends and gets some unbelievable opportunities to expand his skillset, there is a constant undercurrent of unrest that threatens to unbalance his stable life. Through it all, though, he has a rock solid relationship with his girlfriends as they begin to transform their little group into a family.

Exposure is available for pre-sale on Bookapy, Amazon, and Barnes and Noble. It will release Sunday morning, just at the time the first two chapters will post here on SOL.

Thank you for all your kind comments on Shutter Speed!

This is number five in my weekly blog series about my life as an author of erotica. Why and how did I get started? How is it going? What have I learned? These posts are suitable for general audiences, but probably not of interest to anyone under 50. Feel free to contact me with questions or for information about my 50+ erotica books. For the past twelve years, I have been on an incredible journey and there is much more to that story. I’ll post here each week with another short chapter of my life as an author of erotica. Might even give tips regarding how to get involved. I encourage you to join my Patreon community.

I have heard authors respond to criticism about their work with the words, “I don’t care. I write for myself, not a reader.” I always have to ask, “Then why did you post it for others to read?”

Yes, I will make the final decision regarding what I write and it won’t please everyone. But I write for readers. So, when I decided to focus on writing a story specifically for my readers, I needed to find out what they wanted to read.

How many times have you received a “Tell us what you think” invitation to take a survey for your bank, a product you purchased, or a political party? I get two or three a week. My typical response to these ‘invitations’ is to drop them nicely in the trash. Still, I needed to find out what readers wanted. I opened an online survey and announced it on SOL with no great expectations.

I was flooded with responses. The survey site was free for surveys with up to 100 responses. I had to pay the survey company so I could unlock more than 400 responses to my little survey!

Some of the data simply confirmed what I thought. The majority of my readers, 55%, were age 55 or older with half of the remainder between 45 and 54 years old. 98% were male. Well, I fit in both of those categories as well. According to the survey responses, pretty much everyone got their erotic stories from free or paid websites—like SOL. After all, that’s where the survey was announced. But about 20% also bought eBooks.

I worked in the eBook industry for several years when it was just beginning. I was an evangelist who traveled to trade shows, book shows, and writers’ conventions to demonstrate the new technology and tout its advantages. During that time, I saw a marked increase in the reading of men’s erotica. I believe it was sparked by being able to read romance and erotica on handheld devices. No one could tell what you were reading. And if I was reading my survey responses correctly, that was confirmed. There was a huge market for free and moderately priced erotica for men.

What made The Prodigal, for example, ‘men’s erotica’ rather than just general erotica? It wasn’t 150 million men who read Fifty Shades of Grey. Only 17% of that readership was male. Yet it was 98% men who read my stories.

The survey and a detailed review of my email revealed several contributing factors.
1. These older men like coming of age stories most. Second was science fiction, mind control, and time travel. Third, they liked romance, and fourth, action and adventure.
2. In my conversations, I discovered that our readers generally liked a strong male lead. It was preferred that he was an underdog. He needed to have honorable character. He needed to have a talent and/or a skill. But most strongly, he needed to develop a life-long relationship with one or more women for whom he would die if necessary.
3. My audiences liked multiple relationships with “Some Sex” according to the SOL rating system. They liked harem, polygamy, and polyamory. By and large there was a strong showing for standard heterosexual relationships, but female-female relationships were generally okay, especially if they were in the context of a plural relationship with a man.

My first three serials, The Art and Science of Love, Model Student, and Ritual Reality, all had a fundamental basis around the art world. In both of the first two, the main character is a paint on canvas artist. In the third, he was a theatrical props master. In two of the three, there was a coming of age aspect. In the latter two, there was a consistent plural relationship, and in the first, there were third parties invited into the couple’s relationship. All three were rated “Some Sex.”

I felt like I had a pretty good idea what my particular audience wanted. I decided to write a story that was based on these principles, just to thank my readers—an effort that yielded the “Living Next Door to Heaven” series.

In general, I still follow that pattern. My heroes are a kind of underdog. They exhibit a strong talent for something artistic. Brian was a short television star chef. Hero Lincoln was a crippled juggler and magician. Art Étrange was an autistic artist. Jacob was a transplanted fourteen-year-old guitarist, recovering from being hit by a bus. Dennis was a near-sighted shrimp with a magic touch for basketball. And in my current series, “Photo Finish,” Nate is a new kid in town who loves photography.

Before I ended the "Team Manager" series, I was bemoaning the idea that I would lose readership overnight if I didn’t come up with another new story right after the “Team Manager” series ended. My ex-wife, with whom I am on very good terms, said, “You know the formula and what your readers want. Write that.”

Duh!

I set to work on Full Frame.

Next week, I’ll talk about applying my research to an actual story.

This is number four in a series of blog posts about my life as an author of erotica. Why and how did I get started? How is it going? What have I learned? These posts are suitable for general audiences, but probably not of interest to anyone under 50. Feel free to contact me with questions or for information about my 50+ erotica books. For the past twelve years, I have been on an incredible journey and there is much more to that story. I’ll post here each week with another short chapter of my life as an author of erotica. Might even give tips regarding how to get involved. I encourage you to join my Patreon/aroslav community.

Rachel Kramer Bussel’s book, How to Write Erotica, is filled with great tips on how to write erotic scenes. She includes examples and exercises, writing prompts and testimonials. And if you are an experienced author looking to move into the genre of erotica, that’s really all you need.

What I was missing in the early part of her book was also missing in many of the stories I read online. Erotica of any length needs to have a story as well as erotic scenes. Most importantly, it needs characters that people care about. I’m frequently told by vocal readers that they just skim over the sex parts so they can get on with the story. I think many of them go back to read just the sex scenes later. Other vocal readers complain that there is no “real” sex in my story until late in the book. Bussel’s book gets to that important ingredient later (chapter 12, I believe). For me, the most important thing in an erotic story is the characters. If you don’t care about them, they are just wooden mannequins acting out a masturbatory fantasy.

I started writing and posting my second major story, “Model Student,” on StoriesOnline in 2012, thinking that it was just a placeholder so people wouldn’t forget about me while I was writing a more serious work. I realized by the end of the first chapter that it was really ready for a second chapter, so I wrote that. By then, the email started flooding my inbox. “Please keep going!” “Don’t end this story yet!”

At the end of the fifth chapter, I realized I was going to be working on this story for a long time. It ended up being a six-book series that posted two chapters a week online for over a year and a half. Nearly 650,000 words! Said one reader:

My God. I have just read [chapters] 5 and 6. Now I understand your blog and the forum when you talk about the feedback you've been getting. Your work is amazing! You have a gift. You really don’t need hints on where the story should go next, because these characters inside you will tell you exactly what you need to do, and which step to take next. That they are so alive on paper (well, on the screen), means they are living and breathing inside you, and there is no skin between them and the words you write. Oh my god. Thank you for daring to do this, to open your heart like this. I don't know whether these people exist in real life or not, but they for sure exist inside you, and now they live for us. Incredible, and thank you.

The key here was in the characters. They were so real that people began to consider them as friends and neighbors they cared about. Maybe even as lovers. They became real in this fantasy world by facing real problems of everyday life, no matter how over the top their sexual relations were. Over the years of writing erotica, I have discovered that once I develop characters that are real enough, they will insist on telling their own story, and it will not just be about the phenomenal sex they had.

A common meme among writers says, “If you hear voices in your head and they are ignoring you, you are probably a writer. If they are talking to you, you have a different problem.”

My characters talked. A lot. They were most vocal when I was driving my truck from one campsite to another and couldn’t defend myself from them. When I made camp, I simply had to write down what they’d said.

I built the “Model Student” series around a depressed freshman art student who hated school and believed he’d made a huge mistake in coming 1500 miles from his Nebraska home to Seattle where he felt like a fraud and an amateur compared to all the real artists in the school. (A feeling I fought in my own profession for forty years.) He was determined to leave school after the first semester ended.

To combat his depression, at his father’s advice, Tony played racquetball at the local gym at least three times a week. He was a good racquetball player and for a while he forgot about his depression—especially when he was playing against the women’s defending national champion, who happened also to be a very sexy model.

There were the four main themes of this entire series, driven by Tony’s narration: Art, Depression, Racquetball, and Romance. During the course of the six-book story, new problems are also introduced, as I dealt with polyamory, homelessness, abuse, a submissive, death in the family, and a conflict triggered by the competition between two of the artist/lovers in the story. I explored various artforms, including watercolor, oil, murals, fresco, mosaic, and textile. And to heat up the situation a little further, Tony’s interpretation of various parables he was painting in a new church was at odds with his nemesis, the local archbishop.

I didn’t have all that planned out in advance. In fact, I was posting the story almost as fast as I could write it and my two volunteer editors could clean it up.

And the most amazing thing happened. Living alone in a tiny travel trailer as I wandered aimlessly across the country, I discovered my own dark gloom had lifted. I owed it to the response and encouragement of my readers.

I intended to find a way to repay them. And what better way than with a story?

More about deciding what my audience wanted next week.

This is the third blog installment about my life as an erotica author. Why and how did I get started? How is it going? What have I learned? These posts are suitable for general audiences, but probably not of interest to anyone under 50. Feel free to contact me with questions or for information about my 50+ erotica books. For the past twelve years, I have been on an incredible journey and there is much more to that story. I’ll post here each week with another short chapter of my life as an author of erotica. Might even give tips regarding how to get involved. I encourage you to join my Patreon community.

BY THE TIME I’d put nine stories up at Stories Online, where readers could read them for free (two years), I decided I should start releasing them as books for sale. That required an author name somewhat longer and more serious than ‘aroslav.’ After cruising the erotica and romantica aisles at the bookstore and online, just looking at the names of authors, I chose to call myself Devon Layne. It was suitably androgenous, which I’d heard was an advantage for males writing in the genre. And it rhymed with my given name that I was still using to publish mainstream fiction.

I had limited success. eBook sales didn’t seem to be a real money-maker for me—paperbacks not at all. I’m very poor at networking and at social media. At the very bottom of my list of things I like to do, social media ranked at number 938, just one slot higher than making an actual phone call. That was tied with pulling my fingernails out by the root. I learned the harsh reality of something I’d been teaching my publishing clients for years: The day you don’t actively sell your book is the day your book will not be sold.

I had to stop and evaluate why I was writing this stuff and whether I should continue. No one else was going to sell my books for me because I wasn’t going to call anyone or try to get someone else to publish them. So, with no sales, was it worthwhile to keep writing in this genre—or, in fact, at all?

Mentally and emotionally my life had improved, despite my recently concluded divorce and my nomadic lifestyle. I enjoyed creating covers and laying out books both for paper and eBook. I’d been doing that for several years. I guess I could have said that I write and publish books for my own enjoyment and don’t care about anyone else. But then, why post them online or create books? All I needed was the manuscript for personal enjoyment.

On SOL, my stories were incredibly popular. I received dozens of emails from fans each week. I still receive anywhere from 20 to 100 emails per week. I had over 200,000 downloads my first year on the site.

Most of all, I liked the interaction with my fans and I felt I was doing some good, as well. I received this response to the second half of the Model Student book Triptych, which I later renamed Odalisque.

"I had to share that last chapter with a few of my friends. We met together to discuss it and then went out and bought food to take to the local food shelf. Thank you for inspiring us."

Wait! People met together to discuss a chapter of erotica? And were inspired to donate to a food shelf? My erotica must be doing something good.

In that volume of the “Model Student” series, I’d explored a polyamorous quintet in every combination I could put them in. I’d dealt with issues of homelessness, abuse, depression, submission, murder, art, and racquetball—stories of real life my characters wanted to tell about themselves. I decided what I really wanted out of my writing career was that connection to readers that changed things—that, as Tony Ames put it, “made the world a better place.” I wasn’t interested in making a mint with my books. I was used to living on a shoestring. I wanted to touch people and to connect.

Oddly, I discovered at the same time that nearly all my book sales had been to people who had already read or were in the process of reading the story online for free. That was a phenomenon that continued and grew for the next ten years. People paid me for free stuff! I’d never experienced anything like that before. I’d always heard that people wanted things artists sell given to them for free. I decided I should focus on giving my books away.

Perhaps the most important thing to me as a writer was that I was writing—not only erotica, but mainstream mystery, thriller, and literary fiction as well. It became my full-time passion and I’d seldom been happier.

Oh. How did it become full-time if I wasn’t getting paid for it?

At the age of sixty, I was laid off from a high-tech position and struggled to provide for my family for the next four years. At sixty-four, I was divorced and wandering. I filed for Social Security and lived on that and a couple hundred a month from my IRA. I traveled around the country in a pickup truck and sixteen-foot travel trailer. Money was limited, but I could live cheaper on the road than I could if I settled down anyplace.

I could truly tell people, “I don’t write for a living. I write to live.”

Thus began my career as a peripatetic (traveling from place to place) author, and my decision to always make my stories available for free. I was committed to writing erotica.