Alessandro, a small, beautiful-bodied, fourteen-year-old boy with a heavenly soprano singing voice, feels he lacks life and feeling in a Tuscan village from his widowed father, absent on weekends and drunk most of the time, and the strict, nonpersonal control by choir masters. His response on Saturdays is to seek the attention of men. From the village baker, to the region's aristocratic count, to a hunky young farmer, Alessandro manages to find the attention he thinks he needs.
The man's world of the Jamaica sugar cane plantation of 1825. A plantation owner besot with a fourteen-year-old boy slave. His fourteen-year-old son guided by an indoctrinated sixteen-year-old. A homosexual sex cult of studly and randy slaves on the mountain and their full-moon initiation ritual. And the biggest black bull independent slave of them all in heat for deflowering fourteen-year-olds. How could that stew of elements play out?
Living in the British Virgin Islands is a great help to British banker Robert Duncan, whose sexual fetish is robbing fourteen-year-old boys of their virginity. The natives are willing to lay down for him for money. Fourteen-year-old blond angel Jimmy, who is visiting his divorced and remarried mother, is looking for help to gain favor with the randy upper form boys at Eton. Robert is willing, but he's in a race with Jimmy's stepfather for the honors.
[Fourteen-year-old child actor Joey's parents have died in an airplane accident. His actor uncle, James, becomes his guardian. Actively gay, James uses them both to move from a Broadway play to Joey's own TV series in Hollywood and into movies. They do it taking the traditional boy-crazy producers' studio couch route.]
Fourteen-year-old Jessie has been studying dance, music, and drama at Sean's Long Island performing arts school. Sean takes a group of students he thinks are ready for Broadway on a field trip into New York City. One of their lecturers there is an English clothes designer, Aaron Taggert, who is designing costumes for a revival of "The Sound of Music," which has a preteen boy's part. Taggert prefers preteen boys. Jessie wants the part in the musical and Sean wants it for him.
The parents of Kenny, a fourteen-year-old Denver boy, have busy lives and don't give the boy the attention he craves. He could do anything and they wouldn't notice. He has struggled with his sexuality and decided he prefers men. Men, not other boys. He also wants attention and expensive toys, all of which can come together for him if he can get the necessary experience. His scout master, Bob Butler, is more than willing to give him that experience.
What could beat, in risk avoidance, if you have a fetish for fourteen-year-old boys, a scheme of arranging a hookup on Key West in the shore time of a Caribbean cruise port call—arranging a hookup on board, making the hookup after getting off the ship, and getting back on the ship and sailing away after humping the boy in a seedy motel? What possibly could spoil that?
Ian, a student at an American school in Rome, Italy, is also a fashion model in his mother's fashion house in the city. German clothes buyer and store chain owner, Deter Heimark, sees the boy walk the runway, wants him, and has him kidnapped for three days of Heimark's sexual pleasure.
The fourteen-year-old Filipino towel boy at a New Orleans French Quarter male brothel, Mama Rosa's, gets initiated with the rubber hand-tipped scepter of a former Mardi Gras king.
14-year-old Jamie works on a leaf-removal crew to try to support himself and his sick mother. He doesn't make enough and it's Christmas time. His boss has already seduced him and now tells him he has a rent-boy add-on service for the business and Jamie could cover his financial needs. Will Jamie sign up? A customer contracts for a sample to help Jamie decide.
